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“It takes true brilliance to lift the arid tellings of lexicographic fussing into the readable realm of the thriller and the bodice-ripper….David Skinner has done precisely this, taking a fine story and honing it to popular perfection.” —Simon Winchester, New York Times bestselling author of The Professor and the Madman The captivating, delightful, and surprising story of Merriam Webster’s Third Edition, the dictionary that provoked America’s greatest language controversy. In those days, Webster’s Second was the great gray eminence of American dictionaries, with 600,000 entries and numerous competitors but no rivals. It served as the all-knowing guide to the world of grammar and information, a kind of one-stop reference work. In 1961, Webster’s Third came along and ignited an unprecedented controversy in America’s newspapers, universities, and living rooms. The new dictionary’s editor, Philip Gove, had overhauled Merriam’s long held authoritarian principles to create a reference work that had “no traffic with…artificial notions of correctness or authority. It must be descriptive not prescriptive.” Correct use was determined by how the language was actually spoken, and not by “notions of correctness” set by the learned few. Dwight MacDonald, a formidable American critic and writer, emerged as Webster’s Third’s chief nemesis when in the pages of the New Yorker he likened the new dictionary to the end of civilization.. The Story of Ain’t describes a great cultural shift in America, when the voice of the masses resounded in the highest halls of culture, when the division between highbrow and lowbrow was inalterably blurred, when the humanities and its figureheads were shunted aside by advances in scientific thinking. All the while, Skinner treats the reader to the chippy banter of the controversy’s key players. A dictionary will never again seem as important as it did in 1961.
The publication of Webster's Third New International Dictionary in 1961 set off a storm of controversy in both the popular press and in scholarly journals that was virtually unprecedented in its scope and intensity. This is the first full account of the controversy, set within the larger background of how the dictionary was planned and put together by its editor-in-chief, Philip Babcock Gove. Based on original research and interviews with the people who knew and worked with Gove, this is a human story as well as the story of the making of a dictionary. The author skilfully interweaves an account of Gove's character and working habits with the evolution of the dictionary. The reception given Webster's Third - now widely regarded as one of the greatest dictionaries of our time - illuminates public misconceptions about language and the role of dictionaries.
Golden Kite Award for Nonfiction Webster’s American Dictionary is the second most popular book ever printed in English. But who was that Webster? Noah Webster (1758–1843) was a bookish Connecticut farm boy who became obsessed with uniting America through language. He spent twenty years writing two thousand pages to accomplish that, and the first 100 percent American dictionary was published in 1828 when he was seventy years old. This clever, hilariously illustrated account shines a light on early American history and the life of a man who could not rest until he’d achieved his dream. An illustrated chronology of Webster’s life makes this a picture perfect bi-og-ra-phy [noun: a written history of a person's life].
A search only dictionary on the FindLaw web site that includes 10,000 definitions of legal terms.
Welcome to Elizabeth Webster's world, where the common laws of middle school torment her days . . . and the uncommon laws of an even weirder realm govern her nights. Elizabeth Webster is happy to stay under the radar (and under her bangs) until middle school is dead and gone. But when star swimmer Henry Harrison asks Elizabeth to tutor him in math, it's not linear equations Henry really needs help with-it's a flower-scented, poodle-skirt-wearing, head-tossing ghost who's calling out Elizabeth's name. But why Elizabeth? Could it have something to do with her missing lawyer father? Maybe. Probably. If only she could find him. In her search, Elizabeth discovers more than she is looking for: a grandfather she never knew, a startling legacy, and the secret family law firm, Webster & Son, Attorneys for the Damned. Elizabeth and her friends soon land in court, where demons and ghosts take the witness stand and a red-eyed judge with a ratty white wig hands out sentences like sandwiches. Will Elizabeth's father arrive in time to save Henry Harrison-and is Henry the one who really needs saving? Set in the historic streets of Philadelphia, this riveting middle-grade mystery from New York Times bestselling author William Lashner will have readers banging their gavels and calling for more from the incomparable Elizabeth Webster.
THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.
“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.
Based on Webster's third new international dictionary.