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*Includes pictures *Includes historical accounts describing vampires *Discusses the legends of vampires across various cultures and the evolution of the folklore *Includes a bibliography for further reading *Includes a table of contents People have always been afraid of the dead. Since the dawn of humanity, people have both cared for those who have deceased yet also tried to keep them away. There are a myriad of legends and beliefs about the dead coming back, and one of the more persistent ones is of the vampire. Everyone has heard of vampires, but few people are truly familiar with the history and folklore that have made the mythical beings so popular. Indeed, there are so many legends from so many cultures that it is difficult to come up with a hard definition, and folklore is by its very nature unscientific, but most people in the Western world think of vampires as those who come back from the grave to suck the blood or life essence from the living. This common understanding of vampires actually obscures many European and most non-European traditions of bloodsucking monsters. For example, in China, Japan, and the Middle East, there are spirits that will drain the life force of an unwary person, but these magical beings were never mortal humans. In African and Native American traditions, there are monsters that do the same, but while they are supposed to be of this Earth, they too are not human beings. Furthermore, folklore changes over time, so the vampires people are familiar with today (and the ones some people claim to actually meet) bear little resemblance to the vampires of early modern Europe. Stories change, fiction turns to fact and vice versa, and beliefs are constantly reinvented. Ideas are adopted, adapted, and presented as true. All the while, the legend of the vampire remains. The History and Folklore of Vampires chronicles how vampires became so popular. Along with pictures and a bibliography, you will learn about vampires like never before, in no time at all.
Perhaps more than any region, the American South is haunted by the mythology of the vampire, returned from the dead to drain life from the living.
Presents vampire lore from various parts of the world.
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
An authoritative new history of the vampire, two hundred years after it first appeared on the literary scene Published to mark the bicentenary of John Polidori’s publication of The Vampyre, Nick Groom’s detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition.
The author of A Guide to Haunted New England lifts the coffin lid on the region’s folklore and legends of the undead. New England is rich in history and mystery. Numerous sleepy little towns and farming communities distinguish the region’s scenic tranquility. But not long ago, New Englanders lived in fear of spectral ghouls believed to rise from their graves and visit family members in the night to suck their lives away. Although the word “vampire” was never spoken, scores of families disinterred loved ones during the eighteenth and nineteenth centuries searching for telltale signs that one of them might be what is now referred to as the New England vampire. “In his remarkable book . . . Thomas D’Agostino details the longstanding belief among New Englanders that supernatural entities were responsible for the disease called consumption.”—Crime Capsule Includes photos! Praise for A Guide to Haunted New England “Fun, charming . . . includes not only locales with reported ghosts, but also sites with macabre (though not haunted) histories.”—True Crime Librarian “Anyone interested in exploring the haunted, macabre and abandoned throughout New England knows they can count on D’Agostino to find out more about the site’s history, past sightings and how to find them.”—Mobile RVing
HOME TITLES GENRES AUTHORS LANGUAGES NEW TITLES RECOMMENDED POPULAR Dracula Cover image for Download download author: Bram Stoker published: 1897 language: English wordcount: 160,098 / 423 pg flesch-kincaid reading ease: 73.3 loc category: PR series: World's Best Reading audiobook: librivox.org downloads: 117,966 mnybks.net#: 6694 origin: gutenberg.org more info: litsum.com genres: Horror, Gothic, Fiction and Literature, Audiobook Read Online in Browser Here The world's best-known vampire story begins by following a naive young Englishman as he visits Transylvania to meet a client, the mysterious Count Dracula. Upon revealing his true nature, Dracula boards a ship for England, where chilling and gruesome disasters begin to befall the people of London... Show Excerpt ll and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us. "Look! Isten szek!"--"God's seat!"--and he crossed himself reverently. As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasized by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me. For instance, hay-ricks in the trees, and here and there very beautiful masses of wee
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
With "Nosferatu," or vampires, as a common theme, this collection of macabre stories gathers together the work of Harlan Ellison, Paul McAuley, Chelsea Quinn Yarbro, Peter Tremayne, Steve Rasnic Tern, Clive Barker, Brian Lumley, Neil Gaiman, and Kim Newman, among others. Original.
Eleven fresh vampire stories from young adult fiction’s leading voices fill this bestselling anthology—including V.E. Schwab's First Kill, now a major Netflix adaptation! "Boundary-pushing... Stories that stake a new claim on old tropes." —Publishers Weekly, starred review In this delicious new collection, you’ll find stories about lurking vampires of social media, rebellious vampires hungry for more than just blood, eager vampires coming out—and going out for their first kill—and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night. Welcome to the evolution of the vampire—and a revolution on the page. Vampires Never Get Old includes stories by authors both bestselling and acclaimed, including Samira Ahmed, Dhonielle Clayton, Zoraida Córdova and Natalie C. Parker, Tessa Gratton, Heidi Heilig, Julie Murphy, Mark Oshiro, Rebecca Roanhorse, Laura Ruby, Victoria “V. E.” Schwab, and Kayla Whaley. An Imprint Book "Vampire fans, sink your teeth into this satisfying collection." —Kirkus Reviews