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Biography of the feminist and social anarchist Emma Goldman, with new insights into her time spent in Toronto. Goldman was notorious as "Red Emma" and "the most dangerous woman in America" because of her advanced anti-authoritarian views. Here the authors search through previously ignored private papers in Europe and the United States, as well as other indigenous resources, to provided a fresh interpretation of Goldman's influential and troubled life.
The Fredia Gibbs Story is about a young black girl from the Fairground Projects, in Chester, Pennsylvania. This is the story of how she became billed as "the Most Dangerous Woman in the World" leading up to her last kickboxing championship fight. Read how she was given guidance during her youth to overcome the odds with her mother dealing with infidelity, growing up in the Fairgrounds Projects, being bullied, how sports were her best outlet, and how her uncle took her under his wing and introduced her to Quiet Storm Karate & Aikido School. Fredia talks all about her private life, coming out, the struggles of being a black female in Mixed Martial Arts, a male dominated sport, breaking color barriers, and being #1 in the World!
An intimate and inspiring memoir and call to action from Pat Mitchell -- groundbreaking media icon, global advocate for women's rights, and co-founder and curator of TEDWomen Pat Mitchell is a serial ceiling smasher. The first woman to own and host a nationally syndicated daily talk show, and the first female president of CNN productions and PBS, Mitchell has been lauded as a powerful changemaker and a relentless advocate for women and girls. In Becoming a Dangerous Woman, Mitchell shares her own path to power, from a childhood spent on a cotton farm in the South to her unprecedented rise in media and global affairs. Full of intimate, fascinating stories, such as an encounter with Fidel Castro while wearing a swimsuit, and traveling to war zones with Eve Ensler and Glenn, Becoming a Dangerous Woman is an inspiring call to arms for women who are ready to dismantle the barriers they see in their own lives.
The World Fantasy Award–winning anthology featuring an original Game of Thrones novella and new stories from Diana Gabaldon, Jim Butcher, and many more. The twenty-one stories in Dangerous Women showcase some of the best and bravest female characters from across genre fiction—from women warriors and fighter pilots to female serial killers, superheroes, wizards, and bandits. With work from twelve New York Times bestsellers, readers will discover a new Outlander story by Diana Gabaldon, a tale of Harry Dresden’s world by Jim Butcher, a story from Lev Grossman set in the world of The Magicians, and an original novella by George R. R. Martin about the Dance of the Dragons, the vast civil war that tore Westeros apart nearly two centuries before the events of A Game of Thrones. Also included are original stories of dangerous women—heroines and villains alike—by Brandon Sanderson, Joe Abercrombie, Sherrilyn Kenyon, Lawrence Block, Carrie Vaughn, S. M. Stirling, Sharon Kay Penman, and many others.
"[Biography of the] celebrated organizer and agitator, the very soul of protest movements in the early twentieth century."--Jacket.
'It was said that she had the good manners of a respectable upper servant but was far too young to have been pensioned; that she spoke as if she had received and education, but knew the costers' slang as if she were born-and-bred to it; and that she not only had no husband - which was a commonplace on Leather Lane - but seemed never to have possessed one...' When the mysterious Sarah Tanner opens her Dining and Coffee Rooms on the corner of Leather Lane and Liquorpond Street, her arrival amongst the poor market-traders causes something of a stir. Few doubt that she has 'a past'; no-one could have predicted how it will return to haunt her... When an old friend is brutally murdered, Sarah Tanner is the only witness. Unable to turn to the police, she finds herself drawn back into the dark underworld of the Victorian metropolis... Relying on her wits, and trading on her past, Sarah Tanner risks her own life on a desperate quest for justice and vengeance. 'A writer who evokes the colour and danger of Victorian London with a master's touch ... moving with Jackson's mystified characters through the swirling fogs of our pre-electric capital city is an exhilarating experience' Daily Express 'A feisty heroine, atmospheric settings, and an express-speed narrative full of twists and surprises. Victorian murder mysteries don't come better.' Frank Tallis
What does it mean for the Sun to call Shami Chakrabarti ‘the most dangerous woman in Britain’ or the Daily Mail to label Nicola Sturgeon ‘the most dangerous wee woman in the world’? What, really, does it mean to be a dangerous woman? This powerful anthology presents fifty answers to that question, reaching past media hyperbole to explore serious considerations about the conflicts and power dynamics with which women live today. In Dangerous Women, writers, artists, politicians, journalists, performers and opinion-formers from a variety of backgrounds – including Irenosen Okojie, Jo Clifford, Bidisha, Nada Awar Jarrar, Nicola Sturgeon and many more – reflect on the long-standing idea that women, individually or collectively, constitute a threat. In doing so, they celebrate and give agency to the women who have been dismissed or trivialised for their power, talent and success – the women who have been condemned for challenging the status quo. They reclaim the right to be dangerous.
Throughout her richly storied life, Emma Goldman always took the side of the oppressed against capitalism and militarism and was always at the forefront of struggles of the powerless against society's strongest."--BOOK JACKET.
A Dangerous Woman is Susan Ronald's revealing biography of Florence Gould, fabulously wealthy socialite and patron of the arts, who hid a dark past as a Nazi collaborator in 1940’s Paris. Born in turn-of-the-century San Francisco to French parents, Florence moved to Paris at the age of eleven. Believing that only money brought respectability and happiness, she became the third wife of Frank Jay Gould, son of the railway millionaire Jay Gould. She guided Frank’s millions into hotels and casinos, creating a luxury hotel and casino empire. She entertained Zelda and Scott Fitzgerald, Pablo Picasso, Joseph Kennedy, and many Hollywood stars—like Charlie Chaplin, who became her lover. While the party ended for most Americans after the Crash of 1929, Frank and Florence stayed on, fearing retribution by the IRS. During the Occupation, Florence took several German lovers and hosted a controversial Nazi salon. As the Allies closed in, the unscrupulous Florence became embroiled in a notorious money laundering operation for Hermann Göring’s Aerobank. Yet after the war, not only did she avoid prosecution, but her vast fortune bought her respectability as a significant contributor to the Metropolitan Museum and New York University, among many others. It also earned her friends like Estée Lauder who obligingly looked the other way. A seductive and utterly amoral woman who loved to say “money doesn’t care who owns it,” Florence’s life proved a strong argument that perhaps money can buy happiness after all.
Named one of 2021’s Most Anticipated Historical Novels by Oprah Magazine ∙ Cosmopolitan ∙ and more! Nearly two hundred condemned women board a transport ship bound for Australia. One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive. London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers—and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice. As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again. Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?