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"If all goes well, the time will come when one will take up the memorabilia of Socrates rather than the Bible as a guide to morals and reason.""Never yield to remorse, but at once tell yourself: remorse would simply mean adding to the first act of stupidity a second."In 1880, the third part of Human, All Too Human was released - 'The Wanderer and His Shadow'. It is a collection of independent aphorisms that dealt mostly with Man Alone with Himself. Translated by Paul Victor Cohn.
In his philosophic verse, Woodsworth identifies the history of poetry and geometrical thought as the two chief treasures of the mind and as main sources of his poetic inspiration. He assigns transcendental value to geometry and indicates that he attempts to apply its proportions to the laws of nature. In this book, Professor Johnson demonstrates how Wordsworth also employed geometrical patterns in the metrical construction of his verse and how the character of those patterns can be related to the poet's major philosophical values. Johnson shows how Wordsworth, when writing about the nature and significance of geometrical thought in The Prelude and The Excursion, designs his verse paragraphs in accordance with simple geometrical proportions which are thereby associated with the metaphysical value he attributes to geometry. Wordsworth finds geometrical forms to be hidden in the natural landscape and inherent in the structures of perception itself. This book is the first to make a sustained description of Wordsworth's symbolic patterns and metrical forms in his philosophic verse, with major examples drawn from Tintern Abbey, The Prelude, The Excursion, and the Immortality Ode. Although it presents an approach which differs radically from any in the established criticism of the poet, it is basically at one with the large body of work that concerns the nature of Wordsworth's imagination.
A collection of essays from Schwartz's previously published work exploring how each successive phase of Jewish literature has drawn upon and reimagined previous ones and arguing that there is a continuity in Jewish Literature which extends from the biblical era to our own times.
This book introduces lexomics, the use of computer-aided statistical analysis of vocabulary, to measure influence and integrate research from cognitive psychology and evolutionary biology with traditional, philological approaches to literature. Connecting the theory of tradition with the phenomenon of influence, Drout moves beyond current theories.