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Acclaimed potter Mary Fox, known for creating stunning gravity-defying decorative vessels as well as contemporary functional ware, tells the story of her life as an artist.
Chronicles the life of Dave, a nineteenth-century slave who went on to become an influential poet, artist, and potter.
The timeless story of a magical maker of pots who lived at the edge of an ancient, sinking island. One day, the potter begins to build a magnificent blue palace of clay that glistens in the sun. The villagers are amazed and become suspicious of the foolish old potter. They conspire to possess the palace and throw the potter back into the sea. But the pots are listening and warn the potter of coming treachery. Recommended reading ages 6-8
“Sumptuous...a fitting legacy for a pioneering conservationist who helped save thousands of acres of the Lake District” – The Mail on Sunday, August 2016 To this day, Beatrix Potter’s tales delight children and grown-ups around the world. But few people realise how extraordinary her own story is. She was a woman of contradictions. A sheltered Victorian daughter who grew into an astute modern businesswoman. A talented artist who became a scientific expert. A famous author who gave it all up to become a farmer. In The Story of Beatrix Potter, Sarah Gristwood follows the twists and turns of Beatrix Potter’s life and its key turning points – including her tragically brief first engagement and happy second marriage late in life. She traces the creation of Beatrix’s most famous characters – including the naughty Peter Rabbit, confused Jemima Puddleduck and cheeky Squirrel Nutkin – revealing how she drew on her unusual childhood pets and locations in her beloved Lake District. She explores too, the last 30 years of Potter’s life, when she abandoned books to become a working farmer and a pioneering conservationist, whose work with the National Trust helped to save thousands of acres of the Lake District – a legacy that, like her books, continues to enrich our lives today. Main text: 30,000 words. Approx 3,000 words for captions and index.
The secular market is flooded with books dealing with the supernatural, as reflected in the wildly successful "Harry Potter" series. "Master Potter" is an accurate portrayal that challenges the counterfeit perspective in the current secular market. Supernatural encounters are framed within the Christian experience, satisfying that deep hunger for spiritual experiences.
"Remember, discover, become"--Title pages.
The story of an ordinary man, his century, and his home: "Kincaid's most poetic and affecting novel to date" (Robert Antoni, The Washington Post Book World) Jamaica Kincaid's first obssession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the roads that pass through the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Ignoring the legacy of his father, a poor fisherman, and his mother, who committed suicide, Mr. Potter struggles to live at ease amid his surroundings: to purchase a car, to have girlfriends, and to shake off the encumbrance of his daughters—one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy. In Mr. Potter, Kincaid breathes life into a figure unlike any other in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.
Surrounded by raging fire, Beloved travels through eternity in a crystal chariot. Beloved's heart is tranformed by Master Potter, the Bridegroom King.
"He is known today, as he was then, only as Dave. His jugs and storage jars were everyday items, but because of their beauty and sometimes massive size they are now highly sought after by collectors. Born about 1801, Dave was taught to turn pots in Edgefield, South Carolina, the center of alkaline-glazed pottery production. He also learned to read and write, in spite of South Carolina's long-standing fear of slave literacy. Even when the state made it a crime to teach a slave to write, Dave signed his pots and inscribed many of them with poems. Though his verses spoke simply of his daily experience, they were nevertheless powerful statements. He countered the slavery system not by writing words of protest but by daring to write at all. We know of no other slave artist who put his name on his work." "When Leonard Todd discovered that his family had owned Dave, he moved from Manhattan to Edgefield, where his ancestors had established the first potteries in the area. Todd studied each of Dave's poems for biographical clues, which he pieced together with local records and family letters to create this moving and dramatic chronicle of Dave's life - a story of creative triumph in the midst of oppression. Many of Dave's astounding jars are found now in America's finest museums, including the Smithsonian Institution, the Charleston Museum, the Philadelphia Museum of Art, and the Museum of Fine Arts in Boston."--BOOK JACKET.