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Reprint of the original, first published in 1877.
The inspiring story of the Jubilee singers follows a group of singers--all former slaves--on a grueling journey from Nashville to New York City, where they would introduce thousands of whites to Negro spirituals. Reprint. 15,000 first printing.
Based on the life of Ella Sheppard Moore, this glowing picture book tells the story of a determined and resilient singing group with a lasting legacy. A loving narrator shares the story of her great-grandmother Ella with her niece. Ella, the daughter of a slave, and the Jubilee Singers traveled all over the world singing the old sorrow songs, the songs of slavery. Their hard work raised funds to keep their college open and pave the way for thousands of students. This luminous, lyrical story is a poignant reminder that the old spirituals, or jubilee songs, stood for hope and freedom.
Changing minds one song at a time. The 1800s were a dangerous time to be a black girl in the United States, especially if you were born a slave. Ella Sheppard was such a girl, but her family bought their freedom and moved to Ohio where slavery was illegal; they even scraped enough money together to send Ella to school and buy her a piano. In 1871, when her school ran out of money and was on the brink of closure, Ella became a founding member of a traveling choir, the Jubilee Singers, to help raise funds for the Fisk Free Colored School, later known as Fisk University. The Jubilee Singers traveled from Cincinnati to New York, following the Underground Railroad. With every performance they endangered their lives and those of the people helping them, but they also broke down barriers between blacks and whites, lifted spirits, and even helped influence modern American music: the Jubilees were the first to introduce spirituals outside their black communities, thrilling white audiences who were used to more sedate European songs. Framed within Ella's inspiring story, Give Me Wings! is narrative nonfiction at its finest, taking readers through one of history's most tumultuous and dramatic times, touching on the Civil War, Emancipation, and the Reconstruction Era. Click here to listen to the Publishers Weekly KidsCast: A Conversation with Kathy Lowinger.
Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late nineteenth-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In the first book-length treatment of postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons. In so doing they lay the foundation for a black entertainment industry whose artistic, financial, and cultural practices extended into the twentieth century. A companion website contains jubilee troupe personnel, recordings, and profiles of 85 jubilee groups. Please go to: http://www.press.uillinois.edu/books/graham/spirituals/
A captivating and child-friendly look at the extraordinary journey that monarch butterflies take each year from Canada to Mexico; with a text in both English and Spanish. Rhyming text and lively illustrations showcase the epic trip taken by the monarch butterflies. At the end of each summer, these international travelers leave Canada to fly south to Mexico for the winter--and now readers can come along for the ride! Over mountains capped with snow, to the deserts down below. Children will be delighted to share in the fascinating journey of the monarchs and be introduced to the people and places they pass before they finally arrive in the forests that their ancestors called home.
Well known in her day as a singer, playwright, author, and editor of the Colored American Magazine, Pauline Hopkins (1859--1930) has been the subject of considerable scholarly attention over the last twenty years. Academic review of her many accomplishments, however, largely overlooks Hopkins's contributions as novelist. The Motherless Child in the Novels of Pauline Hopkins, the first book-length study of Hopkins's major fiction, fills this gap, offering a sustained analysis of motherlessness in Contending Forces, Hagar's Daughter, Winona, and Of One Blood. Motherlessness appears in all of Hopkins's novels. The motif, Jill Bergman asserts, resonated profoundly for African Americans living with the legacy of abduction from a motherland and familial fragmentation under slavery. In her novels, motherlessness serves as a trope for the national alienation of post-Reconstruction African Americans. The longing and search for a maternal figure, then, represents an effort to reconnect with the absent mother -- a missing parent and a lost African history and heritage. In Hopkins's oeuvre, the image of the mother of African heritage -- a source of both identity and persecution -- becomes a source of power and possibility. Bergman shows how historical events -- such as Bleeding Kansas, the execution of John Brown, and the Middle Passage -- gave rise to a sense of motherlessness and how Hopkins's work engages with that of other contemporaneous race activists. This illuminating study opens new terrain not only in Hopkins scholarship, but also in the complex interchanges between literary, African American, psychoanalytic, feminist, and postcolonial studies.
"Tell Them We Are Singing for Jesus" explores the Christian missionary ideals and convictions that spawned the Fisk Jubilee Singers during the 1870s and guided the ensemble throughout its impressive US and European travels. This historic choral ensemble was sponsored by the American Missionary Association (AMA), the parent organization of Fisk University.