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This delightful book is filled with full-colour pictures of hooked rugs and rare historic black-and-white photos. This updated edition includes details about the lives of Chéticamp rug hookers, the rug making process, the tools and materials, as well as examples of magnificent tapestries and rugs in the collection of Élizabeth Lefort Gallery, Les Trois Pignons. This book trumpets the skill and pride of an extraordinary people in a beautiful place, the Acadians of Cape Breton Island. Hard work, dedication, disputes and cooperation come to life in this well-researched history of a humble folk craft that grew to a world-renowned art form. Rich with anecdote, beauty and warmth leap from the pages! By Anselme Chiasson and Annie-Rose Deveau; translated from the French by Marcel LeBlanc.
This delightful book is filled with rare historic black-and-white photos and a 16-page section of full-colour pictures of hooked rugs. It tells the story of a living folk craft that developed into a successful community industry. This updated edition includes details about the lives of Chéticamp rug hookers, the rug making process, the tools and materials, as well as examples of magnificent tapestries and rugs in the collection of Élizabeth Lefort Gallery, Les Trois Pignons, as well as displays worldwide. This book trumpets the skill and pride of an extraordinary people in a beautiful place - the Acadians of Cape Breton Island. Hard work, dedication, disputes and cooperation come to life in this well-researched history of a humble folk craft that grew to be respected as a world-renowned art form. Rich with anecdote?beauty and warmth leap from these pages!
Biff and whiff, baker’s fog and lu’sknikn, pie social and milling frolic – these are just a few examples of the distinctive language of Cape Breton Island, where a puck is a forceful blow and a Cape Breton pork pie is filled with dates, not pork. The first regional dictionary devoted to the island’s linguistic and cultural history, the Dictionary of Cape Breton English is a fascinating record of the island’s rich vocabulary. Dictionary entries include supporting quotations culled from the editors’ extensive interviews with Cape Bretoners and considerable study of regional variation, as well as definitions, selected pronunciations, parts of speech, variant forms, related words, sources, and notes, giving the reader in-depth information on every aspect of Cape Breton culture. A substantial and long-awaited work of linguistic research that captures Cape Breton’s social, economic, and cultural life through the island’s language, the Dictionary of Cape Breton English can be read with interest by Backlanders, Bay byes, and those from away alike.
Nova Scotia's Cape Breton Island is a beautiful region with a unique community whose history and ethnic composition have resulted in the evolution of a powerful sense of identity and place. While outsiders may think only of the island's perennial economic woes and long economic dependence on coal mining and steel production, it is also the home of a rich, vibrant, and distinct culture. Brian Douglas Tennyson's Cape Bretoniana is the first bibliography to gather together all known publications relating to the history, culture, economy, and politics of Cape Breton Island. With more than 6000 entries, it not only provides a comprehensive listing of publications and post-graduate theses, but also detailed annotations on the listings. Each entry lists the author, title, place of publication, publisher, date of publication, volume and issue number in the case of periodicals, and page references, followed by a brief description of the item. Cape Breton has never been so thoroughly documented. This bibliography will help to ensure that ? even in a world becoming increasingly homogenized by the forces of globalization ? unique cultural identities like Cape Breton's can be preserved and nurtured.
Learn to make beautiful punch needle hooked rugs with veteran instructor Amy Oxford. A complete "how to" photo essay walks you through every stage of rug making. A question and answer section, interviews with professional punch needle rug hookers, and photographs of work from some of the field's most innovative and inspired craftspeople make this book a must for any textile lover.
This book presents the first overview of craft activity, as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organization, education, and government involvement.
Needlework serves functional purposes, such as providing warmth, but has also communicated individual and social identity, spiritual beliefs, and aesthetic ideals throughout time and geography. Needlework traditions are often associated with rituals and celebrations of life events. Often-overlooked by historians, practicing needlework and creating needlework objects provides insights to the history of everyday life. Needlework techniques traveled with merchants and explorers, creating a legacy of cross-cultural exchange. Some techniques are virtually universal and others are limited to a small geographical area. Settlers brought traditions which were sometimes re-invented as indigenous arts. This volume of approximately 75 entries is a comprehensive resource on techniques and cultural traditions for students, information professionals, and collectors.
Beginning in 1928, the Grenfell Mission sent out a call to socialites: "When your stockings run, let them run to Labrador!" The creative recycling of tattered stockings, dyed in soft hues, is just one of many innovations that made Grenfell hooked mats highly collectible folk art. In Silk Stocking Mats, Paula Laverty chronicles the development of a local craft into an art form. For generations Newfoundland women had augmented their family's unreliable fishing income with a "matting season" in February and March. Through the Grenfell Mission's Industrial Department, set up in 1909 to help develop cottage industries, the mat industry became an increasingly important source of income reaching peak production in the late 1920s and early 1930s when the women's mats became renowned for their strong design, meticulous craftsmanship, and distinctive northern images chronicling life in the north. Reindeer, sled dog teams, polar bears, schooners, outports, and florals are but a few of the mat designs.Silk Stocking Mats is the result of over seventeen years of exhaustive research and draws on personal interviews with older women who recall their hooking days, the study of hundreds of archival documents, and careful examination of countless Grenfell hooked mats. Laverty's book is beautifully illustrated with photographs and descriptions including rare and unusual as well as common mat designs.