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This vivid, detailed history of World War I presents the general reader with an accurate and readable account of the campaigns and battles, along with brilliant portraits of the leaders and generals of all countries involved. Scrupulously fair, praising and blaming friend and enemy as circumstances demand, this has become established as the classic account of the first world-wide war.
NEW YORK TIMES BESTSELLER • Drawing on exhaustive research, this intimate account details how World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world “Thundering, magnificent . . . [A World Undone] is a book of true greatness that prompts moments of sheer joy and pleasure. . . . It will earn generations of admirers.”—The Washington Times On a summer day in 1914, a nineteen-year-old Serbian nationalist gunned down Archduke Franz Ferdinand in Sarajevo. While the world slumbered, monumental forces were shaken. In less than a month, a combination of ambition, deceit, fear, jealousy, missed opportunities, and miscalculation sent Austro-Hungarian troops marching into Serbia, German troops streaming toward Paris, and a vast Russian army into war, with England as its ally. As crowds cheered their armies on, no one could guess what lay ahead in the First World War: four long years of slaughter, physical and moral exhaustion, and the near collapse of a civilization that until 1914 had dominated the globe. Praise for A World Undone “Meyer’s sketches of the British Cabinet, the Russian Empire, the aging Austro-Hungarian Empire . . . are lifelike and plausible. His account of the tragic folly of Gallipoli is masterful. . . . [A World Undone] has an instructive value that can scarcely be measured”—Los Angeles Times “An original and very readable account of one of the most significant and often misunderstood events of the last century.”—Steve Gillon, resident historian, The History Channel
Combines evocative photographs and illustrations in a treasury of stories by 11 international writers that were inspired by artifacts connected to World War I. Illustrated by the Kate Greenaway Medal-winning artist of A Monster Calls.
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
A young aesthete from a privileged Roman family, Alexandro Giuliani, found his charmed existence shattered by the coming of WWI. Highly recommended.
This is the fourth volume in a wonderful series of publications covering the history of the First World War. It includes the chapters 'Zeppelins Attack London', 'The Battle of Verdun', 'Bulgarian Attacks', and many more and is perfect for anyone interested in the history of the conflict. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
The loss of Robert E. Lee’s Special Orders No. 191 is one of the Civil War’s enduring mysteries. In this meticulous study, Alexander Rossino presents a bold new interpretation of the evidence surrounding the orders’ creation, distribution, and loss outside Frederick, Maryland, in September 1862. Rossino makes extensive use of primary sources to explore these subjects and other important questions related to the orders, including why General Lee thought his army could operate north of the Potomac until winter; why Lee found it necessary to seize the Federal garrison at Harpers Ferry; what Lee hoped to accomplish after capturing Harpers Ferry; where Corporal Barton Mitchell of the 27th Indiana found the Lost Orders; and if D. H. Hill or someone else was to blame for losing the orders. The result is a well-documented reassessment that sheds new light while challenging long-held assumptions. Calamity at Frederick is the Confederate companion to The Tale Untwisted by Gene M. Thorp and Alexander Rossino, which told the story from the Union perspective.