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No one personified the age of industry more than the miners. The Shadow of the Mine tells the story of King Coal in its heyday – and what happened to mining communities after the last pits closed. The Shadow of the Mine tells the story of King Coal in its heyday, the heroics and betrayals of the Miners’ Strike, and what happened to mining communities after the last pits closed. No one personified the age of industry more than the miners. Coal was central to the British economy, powering its factories and railways. It carried political weight, too. In the eighties the miners risked everything in a year-long strike against Thatcher’s shutdowns. Their defeat doomed a way of life. The lingering sense of abandonment in former mining communities would be difficult to overstate. Yet recent electoral politics has revolved around the coalfield constituencies in Labour’s Red Wall. Huw Beynon and Ray Hudson draw on decades of research to chronicle these momentous changes through the words of the people who lived through them. This edition includes a new postscript on why Thatcher’s war on the miners wasn’t good for green politics. ‘Excellent’ NEW STATESMAN ‘Brilliant’ TIMES LITERARY SUPPLEMENT ‘Enlightening’ GUARDIAN
The real story of Durham's bygone mining age
The Durham Miners (1971) examines the Durham miners’ movement and of its organization – its economic, social, financial and political development. It looks at the miners’ demands for nationalization and for improved working and living conditions, and the outcomes of trade union negotiation and of industrial dispute.
The success of the Durham Coalfield and its important role in the Industrial Revolution is attributed to men of influence who owned the land and the pits, and men who worked in the coal-mining industry during the Victorian period. There has been very little written about the importance of the home life that supported the miners - their wives who, through heroic efforts, did their best to provide attractive, healthy, happy home for their husbands, often in appalling social conditions. To provide a welcoming atmosphere at home demanded tremendous resources and commitment from the miners' wives. Despite their many hardships these women selflessly put everyone in the family before themselves. They operated on less rest, less food at times of necessity and under the huge physical burden of work and the emotional burden of worry concerning the safety of their family. Women of the Durham Coalfield in the 19th Century: Hannah's Story addresses the lack of information about the role of women in the Durham Coalfield, engagingly explored through one woman's experience.
The Story of Durham traces the evolution of a city that medieval writers likened to Jerusalem, which Ruskin termed one of the wonders of the world, and which Pevsner, more modestly, called one of the architectural experiences of Europe. To Bill Bryson, meanwhile, Durham appeared ‘a perfect little city’ with ‘the best cathedral on planet Earth’. The city is a physical manifestation of a significant event in our history: the Romanesque cathedral and castle together constitute this country’s monument to the Norman invasion, the last of our country. Beautifully illustrated, this popular history by a leading academic will delight residents and visitors alike.
Excerpt from The Story of the Durham Miners (1662-1921) I cannot hope to have escaped errors and I shall be grateful if any Durham miner will write to me pointing out any misstatement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.