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This is the first book on Danger Danger, charting their life via researched history and words from all the members, from their early days as Hotshot to their quasi-reunion via the Defiants. This is an unauthorized fan publication. Many critics lump them in with their 1980's peers, but further listening makes it evident that Danger Danger had so much more to offer. While in the glam metal bubble their many textures got lost, only to then reinvent themselves once the grunge wave hit the musical shores. While the members have worked with Michael Bolton, Billy Sheehan, Motley Crue, Peter Criss, Alice Cooper, White Lion, David Lee Roth, Y&T, Megadeth, Joan Jett, Asia, Dee Snider, and Dio, among others. Now comes the history of Steve West, Bruno Ravel, Ted Poley, Paul Laine, Mike Pont, Phil Naro, Rob Marcello, Andy Timmons, Tony ""Bruno"" Rey, Al Pitrelli, Kasey Smith; touring members Steven Mazza of the Ted Poley Band, Steve Brown of Trixter, Scott Brown of Trooper; and roadie Kelly Nickels later of L.A. Guns.
It was the five young men who called themselves The Original Dixieland Jazz Band who raised jazz from being a curious, local, and peculiarly Negro phenomenon into the greatest popular artform in history. In 1916 they swept Chicago off its feet. In 1917 they took New York by storm. For the first time jazz became fashionable. People crowded into Reisenwehr’s Restaurant where they played. They were in constant demand for shows and charity performances. They accompanied Sophie Tucker and appeared on the same bill as Caruso. In March 1917 they made the first jazz record and their fame flew across the whole continent. The record was the biggest seller in the R.C.A. catalogue, passing the magic million and easily outstripping the records of Caruso and Sousa’s Band which were the current popular idols. But, not content with America as their platform, they also became the first group to export the new music. And London, too, was caught up in the exciting rhythm and wild, savage, haunting gaiety of jazz. For more than a year they played to packed houses. They gave a command performance for King George V. They were the sensation of the Victory Ball to celebrate the signing of the Treaty of Versailles. When the band broke up for the first time in 1924, partly torn by inner dissension, partly frustrated by the wave of indignation against the frenzied enthusiasm of their supporters (in 1922 jazz was banned after midnight in New York City), they had firmly established themselves as the top entertainment group in the United States, and they had blazed a trail to success which all could follow. They had proved that jazz was not merely a folk-music which could only be appreciated by Negroes, but the expression, in a particularly exhilarating form, of something which was an essential part of human nature. “Here at last is the book that tells the truth about how jazz music really began.”—THE GRAMOPHONE -
The Story book The Magic Phone. Stan and ‘Arry’ have a chance to talk about their mistakes in life, set records straight and say ‘Sorry’. What could possibly go wrong?The Contest. Brass Bands and a peaceful domestic life with Isabella just don’t go together. Tim is unambitious in a macho world and just wants a quiet life. But what about Jenny?The Great Pretender. This can’t be true! Or can it? The creation of a world acclaimed classic by the biggest band of the seventies or a nightmare?Waiting. What do men think about when women are shopping? TRANZYSN. ‘A change is gonna come but still everything remains the same.’ All Rudyard Millard's problems can be solved by money. Well not actually ‘money’ folk stopped using that a long time ago.The Gun. Reg Moorcroft is safe and reliable. His world is one of Magnolia Emulsion and grey gloss paint. Familiar holidays to France, mowing the lawn and washing the garage door. And then--.
1994-A time of bad haircuts, flannel shirts, and grungy music. Enter Green Day. Not only did they change the tempo of music, but they changed the lives of millions of fans as well. Read how Green Day became a part of one fan's life, and how it has become his quest to meet his Rock -n- Roll heroes. From Woodstock to Broadway... to rib-crushing front row spots & marriage proposals... These are the Green Days of his life...
Redbone – The True Story of a Native American Rock Band (2020) : Experience the riveting, powerful story of the Native American civil rights movement and the resulting struggle for identity told through the high-flying career of west coast rock n’ roll pioneers, Redbone. You’ve heard the hit song “Come and Get Your Love” in the movie Guardians of the Galaxy, but the story of the band behind it is one of cultural, political, and social importance. Brothers Pat and Lolly Vegas were talented Native American rock musicians that took the 1960s Sunset Strip by storm. They influenced The Doors and jammed with Jimmy Hendrix before he was “Jimi,” and the idea of a band made up of completely Native Americans soon followed. Determined to control their creative vision and maintain their cultural identity, they eventually signed a deal with Epic Records in 1969. But as the American Indian Movement gained momentum the band took a stand, choosing pride in their ancestry over continued commercial reward. Created with the cooperation of the Vegas family, painstaking steps were taken to ensure the historical accuracy of this important and often overlooked story of America’s past. Part biography and part research journalism, Redbone provides a voice to a people long neglected in American history.
This book was written to tell the story of two men who were the backbone of a Western Swing band called "Dude Martin and His Round Up Gang". The band was very popular in Northern California during the 30s to the early 50s. Popular enough to have two radio programs a day during the Depression and, later, a daily TV show that won numerous awards. Their dances were usually to a full house. This is also the story of an amazing partnership that had considerable success and lasted almost twenty years. Included in this 150 page book are over 300 illustrations and some drawings by a band member who was with Walt Disney productions. It also includes a complete index and a list of the band's recordings.
The book provides an overview of the fascinating spectrum of semiconductor physics, devices and applications, presented from a historical perspective. It covers the development of the subject from its inception in the early nineteenth century to the recent millennium. Written in a lively, informal style, it emphasizes the interaction between pure scientific push and commercial pull, on the one hand, and between basic physics, materials, and devices, on the other. It also sets the various device developments in the context of systems requirements and explains how such developments met wide ranging consumer demands. It is written so as to appeal to students at all levels in physics, electrical engineering, and materials science, to teachers, lecturers, and professionals working in the field, as well as to a non-specialist scientific readership.
In 2015, Benjamin Villegas traveled to Texas in an attempt to write the biography of a music group that could have changed the history of rock: ELPASO, a Chicano band from the U.S.-Mexico border with a punk sensibility, a long since-defunct crew, and little left to remember it by but a suitcase of fanzines and one-off recordings. This is the story of one of the many bands that will never appear in rock n’ roll history books, but is at the core of the scene; a band that earned its stripes from sweaty fans and self-taught rock aficionados in basements, garages, and small venues across the country. This is the story of two kids who came together to embrace the punk ethos of the 80’s and be a part of the rock n’ roll revolution sweeping the US, a world of the Ramones, Black Flag, and, of course, ELPASO.
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."