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The houses of William Gray Purcell and George Grant Elmsliebuilt mainly in the Midwest and Northeastare the embodiment of the early 20th century marriage of fine craftsmanship and modern technology. Masterpieces of the Prairie Style, each home was designed with the groundbreaking idea that comfort and utility could harmonize with grace and style. Characterized by open plans and site-specific designs, Purcell and Elmslie residences are tied to the land by local materials and low, spreading forms. Their signature use of nature-based ornament and brilliant color further distinguished them from their contemporaries, Frank Lloyd Wright's houses among them. In 24 residential profiles and gorgeous new photographs, Prairie Style expert Dixie Legler and photographer Christian Korab vividly bring to life the pair's enduring dedication to simple elegance and honest design. At Home on the Prairie is the deluxe treatment that this ingenious duo deserves.
In researching a group of about fifty Indian effigy and conical mounds on the north shore of Lake Mendota, at Madison, Wisconsin, Gary Maier came upon a new understanding of these structures, which have been a source of wonder and puzzlement to Europeans since the 1830s. In unearthing the meaning of the mounds as a form of earth writing, Maier also learned much about himself. This is, as one reader said, an exciting detective story, a personal journey through the mounds that will have significant meaning for all readers.
An uproarious memoir and guide to leaving the big city So you escaped whatever humdrum little town you grew up in and moved to The Big City. Maybe it was New York. Maybe it was Seattle or Kansas City. Wherever it was, there was amazing stuff everywhere you turned: Ethiopian food! A movie theater that played documentaries! A hairstylist who knew what to do with frizz! You overlooked the crime rates (edgy!), the proximity of your kitchen to your bed (convenient!), and the fact that you had to take public transportation to see nature, then had to share it with millions of other cranky, naked mole-rat apartment dwellers (urban!). But then you got a job offer you couldn't refuse. Or you developed asthma. Or you got pregnant. Or you got pregnant for the second time and you couldn't use your closet as a bedroom for two babies. And you decided you had to leave. When Frank Sinatra and Alicia Keys said that if you could make it in New York, you could make it anywhere, they probably weren't talking about the middle of nowhere or whatever suburb you used to make fun of. Because "making it" is really hard to do without world-class museums and gourmet food trucks. Erin Clune regales readers with priceless stories of her own experiences leaving New York for her hometown in Wisconsin, and provides a jocular but useful guide--for anyone leaving, or thinking about leaving, their own personal mecca--to finding contentment while staying true to yourself in a place far, far away from The City.
As the Cold War between the United States and the Soviet Union escalated in the 1950s and 1960s, the federal government directed billions of dollars to American universities to promote higher enrollments, studies of foreign languages and cultures, and, especially, scientific research. In Cold War University, Matthew Levin traces the paradox that developed: higher education became increasingly enmeshed in the Cold War struggle even as university campuses became centers of opposition to Cold War policies. The partnerships between the federal government and major research universities sparked a campus backlash that provided the foundation, Levin argues, for much of the student dissent that followed. At the University of Wisconsin in Madison, one of the hubs of student political activism in the 1950s and 1960s, the protests reached their flashpoint with the 1967 demonstrations against campus recruiters from Dow Chemical, the manufacturers of napalm. Levin documents the development of student political organizations in Madison in the 1950s and the emergence of a mass movement in the decade that followed, adding texture to the history of national youth protests of the time. He shows how the University of Wisconsin tolerated political dissent even at the height of McCarthyism, an era named for Wisconsin's own virulently anti-Communist senator, and charts the emergence of an intellectual community of students and professors that encouraged new directions in radical politics. Some of the events in Madison—especially the 1966 draft protests, the 1967 sit-in against Dow Chemical, and the 1970 Sterling Hall bombing—have become part of the fabric of "The Sixties," touchstones in an era that continues to resonate in contemporary culture and politics.