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“This is the essential backstory, the history book that you need if you want to understand modern Russia and its wars with Ukraine, with its neighbors, with America, and with the West.” —Anne Applebaum, author of Twilight of Democracy and Red Famine Named a Most Anticipated Book of the Year by Publishers Weekly and Kirkus Reviews From “the great storyteller of Russian history” (Financial Times), a brilliant account of the national mythologies and imperial ideologies that have shaped Russia’s past and politics—essential reading for understanding the country today The Story of Russia is a fresh approach to the thousand years of Russia’s history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies. From the founding of Kievan Rus in the first millennium to Putin’s war against Ukraine, Orlando Figes explores the ideas that have guided Russia’s actions throughout its long and troubled existence. Whether he's describing the crowning of Ivan the Terrible in a candlelit cathedral or the dramatic upheaval of the peasant revolution, he reveals the impulses, often unappreciated or misunderstood by foreigners, that have driven Russian history: the medieval myth of Mother Russia’s holy mission to the world; the imperial tendency toward autocratic rule; the popular belief in a paternal tsar dispensing truth and justice; the cult of sacrifice rooted in the idea of the “Russian soul”; and always, the nationalist myth of Russia’s unjust treatment by the West. How the Russians came to tell their story and to revise it so often as they went along is not only a vital aspect of their history; it is also our best means of understanding how the country thinks and acts today. Based on a lifetime of scholarship and enthrallingly written, The Story of Russia is quintessential Figes: sweeping, revelatory, and masterful.
No nation is a stranger to war, but for Russians war is a central part of who they are. Their “motherland” has been the battlefield where some of the largest armies have clashed, the most savage battles have been fought, the highest death tolls paid. Having prevailed over Mongol hordes and vanquished Napoleon and Hitler, many Russians believe no other nation has sacrificed so much for the world. In Russia: The Story of War Gregory Carleton explores how this belief has produced a myth of exceptionalism that pervades Russian culture and politics and has helped forge a national identity rooted in war. While outsiders view Russia as an aggressor, Russians themselves see a country surrounded by enemies, poised in a permanent defensive crouch as it fights one invader after another. Time and again, history has called upon Russia to play the savior—of Europe, of Christianity, of civilization itself—and its victories, especially over the Nazis in World War II, have come at immense cost. In this telling, even defeats lose their sting. Isolation becomes a virtuous destiny and the whole of its bloody history a point of pride. War is the unifying thread of Russia’s national epic, one that transcends its wrenching ideological transformations from the archconservative empire to the radical-totalitarian Soviet Union to the resurgent nationalism of the country today. As Putin’s Russia asserts itself in ever bolder ways, knowing how the story of its war-torn past shapes the present is essential to understanding its self-image and worldview.
WINNER OF THE ORWELL PRIZE WINNER OF THE CORNELIUS RYAN AWARD FINALIST FOR THE LIONEL GELBER PRIZE FINANCIAL TIMES BOOK OF THE YEAR “Fast-paced and excellently written…much needed, dispassionate and eminently readable.” —New York Times “Filled with sparkling prose and deep analysis.” –The Wall Street Journal The breakup of the Soviet Union was a time of optimism around the world, but Russia today is actively involved in subversive information warfare, manipulating the media to destabilize its enemies. How did a country that embraced freedom and market reform 25 years ago end up as an autocratic police state bent once again on confrontation with America? A winner of the Orwell Prize, The Invention of Russia reaches back to the darkest days of the cold war to tell the story of Russia's stealthy and largely unchronicled counter revolution. A highly regarded Moscow correspondent for the Economist, Arkady Ostrovsky comes to this story both as a participant and a foreign correspondent. His knowledge of many of the key players allows him to explain the phenomenon of Valdimir Putin - his rise and astonishing longevity, his use of hybrid warfare and the alarming crescendo of his military interventions. One of Putin's first acts was to reverse Gorbachev's decision to end media censorship and Ostrovsky argues that the Russian media has done more to shape the fate of the country than its politicians. Putin pioneered a new form of demagogic populism --oblivious to facts and aggressively nationalistic - that has now been embraced by Donald Trump.
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
Through the centuries, Russia has swung sharply between successful expansionism, catastrophic collapse, and spectacular recovery. This illuminating history traces these dramatic cycles of boom and bust from the late Neolithic age to Ivan the Terrible, and from the height of Communism to the truncated Russia of today. Philip Longworth explores the dynamics of Russia's past through time and space, from the nameless adventurers who first penetrated this vast, inhospitable terrain to a cast of dynamic characters that includes Ivan the Terrible, Catherine the Great, and Stalin. His narrative takes in the magnificent, historic cities of Kiev, Moscow, and St. Petersburg; it stretches to Alaska in the east, to the Black Sea and the Ottoman Empire to the south, to the Baltic in the west and to Archangel and the Artic Ocean to the north. Who are the Russians and what is the source of their imperialistic culture? Why was Russia so driven to colonize and conquer? From Kievan Rus'---the first-ever Russian state, which collapsed with the invasion of the Mongols in the thirteenth century---to ruthless Muscovy, the Russian Empire of the eighteenth century and finally the Soviet period, this groundbreaking study analyses the growth and dissolution of each vast empire as it gives way to the next. Refreshing in its insight and drawing on a vast range of scholarship, this book also explicitly addresses the question of what the future holds for Russia and her neighbors, and asks whether her sphere of influence is growing.
When we think of our country, we feel proud of it for other and better reasons than its great size. We know how its extent compares with that of other nations; we know that the United States covers an area almost equal to that of Europe, and, more favored than that Grand Division, is situated on the two great highways of commerce, the Atlantic and Pacific Oceans. Europe is as far from the latter, as Asia is from the former; and these highways, powerful means toward creating prosperity, remain at the same time barriers whereby nations that find greater delight in the arts of war than in those of peace, are restrained from disturbing our national progress. At the beginning of this twentieth century the nations upon which depends the world's peace or war, happiness or misfortune, are the United States, Great Britain, Germany, France, Austria-Hungary, Italy, Russia, Japan, and in the near future China. Here we see that Europe, although little larger in area than the United States, is represented by seven nations, Asia by two, and the Western Hemisphere by one which by its institutions stands for peace and progress, for law and order. Hence we, its citizens, are known all over the world as Americans.
"The site of a beautiful medieval monastery - once home to one of the greatest libraries of eastern Europe - Solovki became in the twentieth century a notorious labor camp. Roy Robson recounts the story of Solovki from its first settlers through the present day, as the history of Russia plays out on this miniature stage. In the 1600s, the piety and prosperity of Solovki turned to religious rebellion, siege, and massacre. Peter the Great then used it as a prison. But Solovki's glory was renewed in the nineteenth century as it became a major pilgrimage site - only to descend again into horror when the islands became, in the words of Alexander Solzhenitsyn, the "mother of the Gulag" system."--Jacket.
The untold story of how Russia refined the art and science of targeted assassination abroad: “A compelling rendering of Putin’s frightening extensions of power into Europe and the United States” (Associated Press). They thought they had found a safe haven in the green hills of England. They were wrong. One by one, the Russian oligarchs, dissidents, and gangsters who fled to Britain after Vladimir Putin came to power dropped dead in strange or suspicious circumstances. One by one, their British lawyers and fixers met similarly grisly ends. Yet, one by one, the British authorities shut down every investigation — and carried on courting the Kremlin. The spies in the riverside headquarters of MI6 looked on with horror as the scope of the Kremlin's global killing campaign became all too clear. And, across the Atlantic, American intelligence officials watched with mounting alarm as the bodies piled up, concerned that the tide of death could spread to the United States. Those fears intensified when a one-time Kremlin henchman was found bludgeoned to death in a Washington, D.C. penthouse. But it wasn't until Putin's assassins unleashed a deadly chemical weapon on the streets of Britain, endangering hundreds of members of the public in a failed attempt to slay the double agent Sergei Skripal, that Western governments were finally forced to admit that the killing had spun out of control. Unflinchingly documenting the growing web of death on British and American soil, Heidi Blake bravely exposes the Kremlin's assassination campaign as part of Putin's ruthless pursuit of global dominance — and reveals why Western governments have failed to stop the bloodshed. The unforgettable story that emerges whisks us from London's high-end night clubs to Miami's million-dollar hideouts ultimately renders a bone-chilling portrait of money, betrayal, and murder, written with the pace and propulsive power of a thriller. Based on a vast trove of unpublished documents, bags of discarded police evidence, and interviews with hundreds of insiders, this heart-stopping international investigation uncovers one of the most important — and terrifying — geopolitical stories of our time.
Russia is dying from within. Oligarchs and oil barons may still dominate international news coverage, but their prosperity masks a deep-rooted demographic tragedy. Faced with staggering population decline—and near-certain economic collapse—driven by toxic levels of alcohol abuse, Russia is also battling a deeper sickness: a spiritual one, born out of the country’s long totalitarian experiment. In The Last Man in Russia, award-winning journalist Oliver Bullough uses the tale of a lone priest to give life to this national crisis. Father Dmitry Dudko, a dissident Orthodox Christian, was thrown into a Stalinist labor camp for writing poetry. Undaunted, on his release in the mid-1950s he began to preach to congregations across Russia with little concern for his own safety. At a time when the Soviet government denied its subjects the prospect of advancement, and turned friend against friend and brother against brother, Dudko urged his followers to cling to hope. He maintained a circle of sacred trust at the heart of one of history’s most deceitful systems. But as Bullough reveals, this courageous group of believers was eventually shattered by a terrible act of betrayal—one that exposes the full extent of the Communist tragedy. Still, Dudko’s dream endures. Although most Russians have forgotten the man himself, the embers of hope that survived the darkness are once more beginning to burn. Leading readers from a churchyard in Moscow to the snow-blanketed ghost towns of rural Russia, and from the forgotten graves of Stalin’s victims to a rock festival in an old gulag camp, The Last Man in Russia is at once a travelogue, a sociological study, a biography, and a cri de coeur for a dying nation—one that, Bullough shows, might yet be saved.