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When Shawn Carter, an aspiring rapper with the stage name Jay-Z, couldn't get his career off the ground at a major record label, he didn't get discouraged. He and his partners Damon Dash and Kareem "Biggs" Burke created a hip-hop label of their own. They named the label Roc-A-Fella Records. Originally intended as a one-time project to release Jay-Z's full-length debut album, Reasonable Doubt, Roc-A-Fella Records expanded into a true hip-hop powerhouse. Roc-A-Fella Records has introduced listeners to the unique talents of artists like Kanye West, the Young Gunz, and the State Property crew. Other artists, such as Jadakiss and the O.D.B., have received another chance to kick-start their careers. This book describes the musical contributions of Jay-Z, Kanye West, and Roc-A-Fella's other past and present artists, as well as the record label's complex behind-the-scenes history.
Presents a biography of rap musician, Shawn Carter, also known as Jay-Z, and chronicles his life and works.
Decoded is a book like no other: a collection of lyrics and their meanings that together tell the story of a culture, an art form, a moment in history, and one of the most provocative and successful artists of our time. Praise for Decoded “Compelling . . . provocative, evocative . . . Part autobiography, part lavishly illustrated commentary on the author’s own work, Decoded gives the reader a harrowing portrait of the rough worlds Jay-Z navigated in his youth, while at the same time deconstructing his lyrics.”—Michiko Kakutani, The New York Times “One of a handful of books that just about any hip hop fan should own.”—The New Yorker “Elegantly designed, incisively written . . . an impressive leap by a man who has never been known for small steps.”—Los Angeles Times “A riveting exploration of Jay-Z’s journey . . . So thoroughly engrossing, it reads like a good piece of cultural journalism.”—The Boston Globe “Shawn Carter’s most honest airing of the experiences he drew on to create the mythic figure of Jay-Z . . . The scenes he recounts along the way are fascinating.”—Entertainment Weekly “Hip-hop’s renaissance man drops a classic. . . . Heartfelt, passionate and slick.”—Kirkus Reviews (starred review)
When it was founded in 1984, Def Jam was a tiny operation nestled in the college dorm room of Rick Rubin. He and promoter Russell Simmons quickly built a music empire around a talented crew of groundbreaking artists and an allegiance to the "real street music" that was about to bust out of New York City's hip-hop circles. Over the course of several decades, Def Jam has helped launched many of the best acts in rap and pop music, including LL Cool J, the Beastie Boys, Public Enemy, Method Man, DMX, Ja Rule, Jay-Z, and Rihanna. Over 200 gold and over 70 platinum records bear the Def Jam label. Def Jam's 25th anniversary in 2009 was just another milestone in the story of a label that helped define the sound as well as the wider culture of hip-hop.
Percy "Master P." Miller came out of one of the toughest slums in New Orleans to found No Limit Records in Richmond, California, on a shoestring budget in 1991. Master P sold his first releases out of the trunk of his car, but he always believed in himself. Thanks to his hard work, within a few years No Limit was one of the most successful hip-hop record labels in the country and Master P was a multi-millionaire. Master P couldn't maintain this level of success, however, and in 2003 the label went bankrupt. Master P began a new label and kept going. In recent years, he has attempted to change the focus of his music to make it more positive, and started Take a Stand Records for that purpose. Now calling himself P. Miller, the rapper/entrepreneur remains active in the music business and also works to help others.
Founded in New Orleans in the early 1990s, Cash Money Records faced an uphill battle as it struggled to gain respect. Brothers Bryan "Baby" Williams and Ronald "Slim" Williams started the label by recording New Orleans artists who were part of the local " bounce music" scene. The label's young rappers, including Juvenile, B.G., and Turk, worked hard to deliver hits, but inner turmoil almost derailed Cash Money's success. The breakout success of Lil Wayne, who became the label's biggest star and even served as its president for a time, helped Cash Money survive during a difficult decade. Today stars like Drake and Nicki Minaj are helping to make Cash Money Records a household name in the hip-hop world.
In this “triumphantly funny” (AV Club) memoir, comedian Jensen Karp tells the story of how, as a Jewish kid from the L.A. suburbs, he became a rap battle legend—and then almost became a star. “The funniest person I follow on Twitter finally got smart and wrote about his unlikely—and hilarious—odyssey as teenage rapper Hot Karl.”—Kevin Smith, New York Times bestselling author of Tough Sh*t When twelve-year old Jensen Karp got his first taste of rapping for crowds at his friend’s bar mitzvah in 1991, little did he know that he was taking his first step on a journey that would end with a failed million-dollar recording and publishing deal with Interscope Records when he was only nineteen. Now, in Kanye West Owes Me $300, Karp finally tells the true story of his wild ride as “Hot Karl,” the most famous white rapper you’ve never heard of. On his way to (almost) celebrity, Jensen shares his childhood run-ins with rock-listening, Southern California classmates, who tell him that “rap is for black people,” and then recounts his record-breaking rap battling streak on popular radio contest “The Roll Call”—a run that caught the eye of a music industry hungry for new rap voices in the early ’00s. He also introduces his rap partner, Rickye, who constitutes the second half of their group XTra Large; his supportive mom, who performs with him onstage; and the soon-to-be-household-name artists he records with, including Redman, Fabolous, Mya, and will.i.am. Finally, he reveals why his album never saw the light of day (two words: Slim Shady), the downward spiral he suffered after, and what he found instead of rap glory. Full of rollicking stories from his close brush with fame, Karp’s hilarious memoir is the ultimate fish-out-of-water story about a guy who follows an unlikely passion—trying to crack the rap game—despite what everyone else says. It’s 30 Rock for the rap set; 8 Mile for the suburbs; and quite the journey for a white kid from the valley.
Since the mid-1990s, Tim Mosley—better known as Timbaland—has been one of the most in-demand and critically respected producers in the music industry. His credits include numerous hits in hip-hop, as well as dance, R&B, pop, and rock. But that isn't the only contribution Timbaland has made to the music scene. In 2006, he became the CEO of his own record label, Mosley Music Group. Open to all kinds of acts, the label is part of, and distributed by, Interscope Records. Mosley Music Group has released several star-studded albums. The label has given new creative outlets to experienced artists like Nelly Furtado and Chris Cornell, and helped launch the careers of artists like OneRepublic, Keri Hilson, D.O.E., and MC Hayes. This book profiles all of Mosley Music Group's past and present artists and their releases, as well as the fascinating story of Timbaland's long and influential career.
For a few years in the mid-1990s, a small music label called Death Row stood atop the hip-hop world. Death Row Records was instrumental in introducing a hard-core style of rap music known as "gangsta rap" to mainstream audiences. Albums like Dr. Dre's The Chronic, Snoop Doggy Dogg's Doggystyle, and Tupac Shakur's All Eyez on Me sold millions of copies and influenced a new generation of artists. The money rolled in for Death Row's founder, Marion "Suge" Knight. The good times could not last, however. Tupac was murdered, Suge Knight was sent to prison for various crimes, and the label's top stars moved on. The dramatic rise and fall of Death Row Records is chronicled in this book.
NOW A NEW YORK TIMES, USA TODAY, AND PUBLISHER'S WEEKLY BESTSELLER "Dyson writes with the affection of a fan but the rigor of an academic. ... Using extensive passages from Jay-Z’s lyrics, 'Made in America' examines the rapper’s role as a poet, an aesthete, an advocate for racial justice and a business, man, but devotes much of its energy to Hova the Hustler." —Allison Stewart, The Washington Post "Dyson's incisive analysis of JAY-Z's brilliance not only offers a brief history of hip-hop's critical place in American culture, but also hints at how we can best move forward." —Questlove JAY-Z: Made in America is the fruit of Michael Eric Dyson’s decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, he’s sometimes not given the credit he deserves for just how great an artist he’s been for so long. This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that he’s always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Z’s career and his role in making this nation what it is today. In many ways, this is JAY-Z’s America as much as it’s Pelosi’s America, or Trump’s America, or Martin Luther King’s America. JAY-Z has given this country a language to think with and words to live by. Featuring a Foreword by Pharrell