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The Seven Poor travellers is a classic Charles Dickens Christmas short story full of love, loss, regret, and reuniting. The story begins by relating the hardships the English were enduring at the time of the writing and tells of a dear soul who had endowed an inn for poor travelers to give room and board to destitute visitors for one night. Dickens ironically points out that the travelers got about 1/30th of the value, while the management and lawyers of the trust got the other 29/30ths. The narrator tells a story about Richard Doubledick, saved by an officer friend, after a Christmas Eve feast, who became his friend for life until his death at Waterloo. Richard later met the French officer who killed his friend and used forgiveness to get over it, which lead to them and their children becoming lifelong friends. This is a classic story about generations of salvation and friendship.
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Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented fame, and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular.
The story starts in a charity hospice in Rochester-a place that Dickens himself was familiar with from his own childhood. According to the will of the founder, Richard Watts, at Christmas the hospice must provide lodgings and entertainment for one night as well as some money to six poor people, an amount that is substantial enough to allow the travelers to buy a hearty meal. On Christmas Eve there are six people in the inn and the novels is composed from the six stories of the travelers who find shelter in the hospice, plus the narrator himself. The stories told by the travelers and the meal shared create a kind of harmony and a sense of community between the seven people-they all leave the inn the following day and life will probably take them to different places, but they will all cherish the memory of this one serene evening.
Statistical Models for Strategic Management offers practical guidance in the use of statistical models for empirical research in strategic management. The contributions in this edited volume come from distinguished researchers in the field of Strategic Management, and provide illustration of most statistical models that are relevant for strategy research. The book is divided into four major topical areas: Strategic Analysis and Firm Strategies; The Resource-Based View of the Firm; Transaction Costs, Agency Theory, and the Boundaries of the Firm; and Corporate Alliances, Acquisitions and Networks.
Military Men of Feeling considers the popularity of the figure of the gentle soldier in the Victorian period. It traces a persistent narrative swerve from tales of war violence to reparative accounts of soldiers as moral exemplars, homemakers, adopters of children on the battlefield and nurses. This material invites us to think afresh about Victorian masculinity and Victorian militarism. It challenges ideas about the separation of military and domestic life, and about the incommunicability of war experience. Focusing on representations of soldiers' experiences of touch and emotion, the book combines the work of well known writers—including Charles Dickens, Charles Kingsley, William Makepeace Thackeray, Charlotte Yonge—with previously unstudied writing and craft produced by British soldiers in the Crimean War, 1854-56. The Crimean War was pivotal in shaping British attitudes to military masculinity. A range of media enabled unprecedented public engagement with the progress and infamous 'blunders' of the conflict. Soldiers and civilians reflected on appropriate behaviour across ranks, forms of heroism, the physical suffering of the troops, administrative management and the need for army reform. The book considers how the military man of feeling contributes to the rethinking of gender roles, class and military hierarchy in the mid-nineteenth century, and how this figure was used in campaigns for reform. The gentle soldier could also do more bellicose social and political work, disarming anti-war critiques and helping people to feel better about war. This book looks at the difficult mixed politics of this figure. It considers questions, debated in the nineteenth century and which remain urgent today, about the relationship between feeling and action, and the ethics of an emotional response to war. It makes a case for the importance of emotional and tactile military history, bringing the Victorian military man of feeling into contemporary debates about liberal warriors and soldiers as social workers.