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Charles Cornelius Coffin Painter (1833–89), clergyman turned reformer, was one of the foremost advocates and activists in the late-nineteenth-century movement to reform U.S. Indian policy. Very few individuals possessed the influence Painter wielded in the movement, and Painter himself published numerous pamphlets for the Indian Rights Association (IRA) on the Southern Utes, Eastern Cherokees, California Indians, and other Native peoples. Yet this is the first book to fully consider his unique role and substantial contribution. Born in Virginia, Painter spent most of his life in Great Barrington, Massachusetts, commuting to New York City and Washington, D.C., initially as an agent of the American Missionary Association (AMA), later as an appointed member of the Board of Indian Commissions (BIC), and, most significant, as the Indian Rights Association’s D.C. agent. In these capacities he lobbied presidents and Congress for reform, conducted extensive investigations on reservations, and shaped deliberations in such reform bodies as the BIC and the influential Lake Mohonk conferences. Mining an extraordinary wealth of archival material, Valerie Sherer Mathes crafts a compelling account of Painter as a skilled negotiator with Indians and policymakers and as a tireless investigator who traveled to far-flung reservations, corresponded with countless Indian agents, and drafted scrupulously researched reports on his findings. Recounted in detail, his many adventures and behind-the-scenes activities—promoting education, striving to prevent the removal of the Southern Utes from Colorado, investigating reservation fraud, working to save the Piegans of Montana from starvation—afford a clear picture of Painter’s importance to the overall reform effort to incorporate Native Americans into the fabric of American life. No other book so effectively captures the day-to-day and exhausting work of a single individual on the front lines of reform. Like most of his fellow advocates, Painter was an unapologetic assimilationist, a man of his times whose story is a key chapter in the history of the Indian reform movement.
A social profile of the National Holiness Movement within American Methodism for the period 1867-1936. Provides fifty historical photos and extensive statistical tables and charts. Cloth edition previously published 1974. Paperback edition available March 2002.
This new edition expands and updates the only general interpretation of the rise and influence of perfectionist revivalism in America and Europe. Fifteen years of expanding research on the holiness movement reinforce this volume's continuing seminal value to cultural and social research. The new concluding essay describes the history of the revival through the turn of the century. This book expands our understanding of the fragmentation and coalescence of American religion by analyzing the factors which created numerous new holiness denominations. Dieter also outlines the historical and theological factors that separate this largely Wesleyan and Methodist wing of evangelicalism from the fundamentalism of Reformed evangelicals. The identification of such nuances will prove especially helpful to those struggling with the extreme diversity in American religion, especially in evangelicalism. For students and scholars of American religious movements as well as students of the feminist, temperance, abolitionist, and populist movements in American society.
Depuis Aristote, le loisir est un temps " libre ", c'est-à-dire propice à la réflexion ou à la méditation, ce que les Grecs considéraient comme le bien suprême de notre existence. Le loisir, pour des hommes libres, c'est l'occasion de penser leur liberté, de choisir la manière dont il vont assurer le progrès de leur connaissances (y compris la connaissance de soi), alors même qu'ils sont débarrassés des contraintes de la nécessité : le travail et la réussite sociale. Au fil du temps, se sont greffées à celle de loisir les notions de jeu, d'amusement, ou de récréation. La liberté devient ludique dans ce contexte et l'amusement l'expression d'une libre pratique de la vie en société. Activité autrefois réservée à une élite, le loisir a fini par s'insinuer dans l'ordre social, particulièrement en Amérique du Nord, où il voulait être plus égalitaire et, au cours des siècles, il s'est imposé comme l'un des pivots principaux de l'American Way of Life. Mais aux idéaux originels est venue subrepticement se substituer la logique du gain et de la réussite individuelle. A ceux qui penseraient encore le loisir comme un moyen d'élévation culturelle, l'instrumentalisation des loisirs dans une économie dominée par le profit dément cette idée. Qu'il s'agisse de tourisme, de voyages, de parcs d'attraction, ou plus simplement de cinéma ou de gastronomie, tout est prétexte à exalter la valeur financière du loisir par-delà ses valeurs esthétiques ou morales. Transformé en simple bien de consommation, le loisir ne cesse d'interroger les questions d'environnement, d'identité ethnique, ou de genre. A cet égard peut-on encore le considérer comme un facteur de libération sociale ou culturelle ? Crée-t-il les conditions favorables à la mise en œuvre d'un niveau de liberté, individuelle ou collective, plus élevé ? Il reste que le loisir, malgré ses dérives consuméristes n'en tient pas moins une place grandissante dans l'identité des peuples et dans le flux planétaire des cultures. A ce titre, il nous est aussi vital que le travail dont il est l'inévitable complément.
The beach has always been the place to shake off the stresses of urban life, and to relax with friends and family. And yet, as Troy Messenger shows, the beach has been a site for religious revival for as long as it's been a haven from the workday world. In this history of Ocean Grove, New Jersey, the first permanent camp meeting ground for religious revival, Messenger examines how the emergence of the beach appeared hand in hand with America's need to escape the secular world of work through leisure and religious renewal. Author note: Troy Messenger is director of worship and a lecturer at Union Theological Seminary.
In The Jersey Shore, Dominick Mazzagetti provides a modern re-telling of the history, culture, and landscapes of this famous region, from the 1600s to the present. The Shore, from Sandy Hook to Cape May, became a national resort in the late 1800s and contributes enormously to New Jersey’s economy today. The devastation of Hurricane Sandy in 2012 underscored the area’s central place in the state’s identity and the rebuilding efforts after the storm restored its economic health. Divided into chronological and thematic sections, this book will attract general readers interested in the history of the Shore: how it appeared to early European explorers; how the earliest settlers came to the beaches for the whaling trade; the first attractions for tourists in the nineteenth century; and how the coming of railroads, and ultimately automobiles, transformed the Shore into a major vacation destination over a century later. Mazzagetti also explores how the impact of changing national mores on development, race relations, and the environment, impacted the Shore in recent decades and will into the future. Ultimately, this book is an enthusiastic and comprehensive portrait by a native son, whose passion for the region is shared by millions of beachgoers throughout the Northeast.
Excerpt from The Story of Ocean Grove: Related in the Year of Its Golden Jubilee About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic, navigating a period of change and the tenures of several important conductors who included William Mengelberg, Arturo Toscanini, and John Barbirolli. Judson also began managing individual artists, including pianists Alfred Cortot and Vladimir Horowitz, violinist Jasha Heifetz, and cellist Gregor Piatigorsky. He also organized the U.S. tours of several prominent composers, including Igor Stravinsky and Vincent d'Indy. At the same time, Judson began managing conductors. His first clients were Stokowski and Fritz Reiner. By the 1930s, Judson's conductor list included most of the important conductors working in America. Drawing on rich correspondence between Judson and the conductors and artists he served, James M. Doering demonstrates Judson's multifaceted roles, including involvement with programming choices, building audiences, negotiating with orchestra members and their unions, and exploring new technologies for extending the orchestras' reach. In addition to his colorful career behind the scenes at two preeminent American orchestras, Judson was important for a number of innovations in arts management. In 1922, he founded a nationwide network of local managers and later became involved in the relatively unexplored medium of radio, working first with WEAF in New York City and then later forming his own national radio network in 1927. Providing valuable insight into the workings of these orchestras and the formative years of arts management, The Great Orchestrator is a valuable portrait of one of the most powerful managers in American musical history.