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Helen Bannerman, who was born in Edinburgh in 1863, lived in India for thirty years. As a gift for her two little girls, she wrote and illustrated The Story of Little Black Sambo (1899), a story that clearly takes place in India (with its tigers and "ghi," or melted butter), even though the names she gave her characters belie that setting. For this new edition of Bannerman's much beloved tale, the little boy, his mother, and his father have all been give authentic Indian names: Babaji, Mamaji, and Papaji. And Fred Marcellino's high-spirited illustrations lovingly, memorably transform this old favorite. He gives a classic story new life.
A retelling of the well-known tale in which a little Indian boy finally outwits the succession of tigers that want to eat him.
A little boy in India whose name is Little Babaji, matches wits with several tigers that want to eat him.
The jolly and exciting tale of the little boy who lost his red coat and his blue trousers and his purple shoes but who was saved from the tigers to eat 169 pancakes for his supper, has been universally loved by generations of children. First written in 1899, the story has become a childhood classic and the authorized American edition with the original drawings by the author has sold hundreds of thousands of copies. Little Black Sambo is a book that speaks the common language of all nations, and has added more to the joy of little children than perhaps any other story. They love to hear it again and again; to read it to themselves; to act it out in their play.
T he material in this volume is culled from over two thousand stories about Maharajji gathered during five years from more than one hundred devotees. To these devotees who shared their treasured memo ries, I wish to express my deep love and appreciation. Some of them felt that no book could or should be written about a being with qualities as vast, formless, and subtle as Maharajji’s, and yet they contributed their stories nevertheless. I honor them for this kindness and I hope that in my zeal to share experiences of Maharajji with others who were not fortu nate enough to have met him, I have not misused their trust. Some devotees tell me that stories told by other devotees are not fac tually accurate. I have no way of ascertaining the authenticity of any single story. All I can report is that those o f us who gathered the stories were impressed by the credibility of those of us who told the stories. Though the responsibility for this manuscript lies solely with me, I am delighted to acknowledge a lot o f loving help from my friends:
Owinga is the story of a young Eskimo Girl living in the Arctic. Although she was a happy child living with her parents and brother, she wanted a pet whom she could love and call her own. However her father did not allow this because he stated that dogs could be mean and he was concerned that she would be hurt. In a strange and wonderful turn of fate her wish was granted and her life made complete.
Gerald tells of the very unusual animals he would add to the zoo, if he were in charge.
Born in Edinburgh in 1863, Helen Bannerman lived in India for thirty years. As a gift for her two little girls, she wrote and illustrated The Story of Little Black Sambo(1899), a story that clearly takes place in India (with its tigers and "ghi," or melted butter), even though the names she gave her characters belie that setting. For this new edition of Bannerman's much beloved tale, the little boy, his mother, and his father have all been given authentic Indian names: Babaji, Mamaji, and Dadaji. And Fred Marcellino's illustrations'lively and lavish'are unmistakably Indian in every detail. The Story of Little Babaji:an old favorite is lovingly, memorably transformed. 1996 Children's Books (NY Public Library) Notable 1997 Childrens' Trade Books in Social Studies (NCSS/CBC) 1997 Editor's Choice (Booklist) Booklist Notable Children's Books of 1997 ‘Lasting Connections of 1996' Book Links
Jan Brett reimagines a powerful Middle Eastern folk tale that celebrates hard work and appreciating your roots. Set in India, this gorgeous reimagining of the classic Middle Eastern folk tale "Abu Kassem's Slippers" features a poor tiger cub who is a very hard worker. His mother weaves him slippers to protect his feet from stones and thorns, and they allowed him to prosper--first making bricks, then building houses, and eventually becoming very wealthy. He continues to wear them until someone questions why such a prominent person would wear such worn shoes. Feeling embarrassed, Tiger tries to get rid of the slippers, but fate keeps bringing them back. Finally, Tiger sends them to his uncle, who weeps with pride when he sees the slippers his sister made and his nephew used to accomplish so much. He sets off right away to visit them, bringing the slippers along. Tiger can't believe the slippers are back again, but his little cub gives him an idea: honor the slippers by building a special place for them, to remind him of how far he's come. Jan Brett's lush, vibrant version of this story will inspire fans of her international retellings to appreciate the hard work that leads to all of their successes.
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