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The Story of Felanee is based on real life events. It is a story of courage, of survival, of ethnic conflict and violence that tears people and communities apart in the most brutal, savage way. Set in Assam, which has seen two major agitations that have crippled the economy, this is a story that will shock the reader by its sheer passion, and its brutal honesty. The callousness and utter disregard for human life, the ugly play for power, for electoral gain, the sham and petty hypocrisies, the bloody horror of ethnic violence all lie exposed in this powerful novel written by one of Assam’s leading fiction writers. The story revolves around the experiences of one woman: Felanee. Her name means ‘thrown away’—so called because as her mother lay dying in the burning riot-torn village, Felanee was thrown into a swamp and left to die. But against all odds, Felanee—and thousands like her—survived. Like the reeds that grow in such profusion along the bank of Assam’s rivers, the rootless inhabitants of the refugee camps and makeshift shanties, whose stories form the core of Felanee, are swept along by the wind and thrown onto new hostile terrain but they cling on with tenacity to take root again and again. Published by Zubaan.
A half-burnt bus passes through a city charring everything alive and beautiful in its wake. The newly wed Arunima watches helplessly as the aftermath of her insurgent brother-in-law's absence engulfs her husband's large, loving family. Ayengla secretly supplies food to the insurgents until, one day, a horrible act of violence changes her life irrevocably. A bold and sensitive witness to her times, Arupa Patangia Kalita is one of the most powerful voices in contemporary Assamese literature. Written in Tears brings together some of her best novellas and stories set against a surreally beautiful landscape torn and scarred by conflict. This is a mighty chronicle of the disturbing and searing history of aggression and hate that has plagued Assam for decades.
An extraordinary, ever-relevant collection of stories from one of Assam’s greatest living writers. Hira Barua, an ageing widow living in a conflict-ridden region of Assam with her beloved Tibetan spaniel fears she is beginning to resemble a lonely Englishwoman from her past. A vicious sexual assault by the invading military drives a group of women into a shelter home. On a fateful night, a group of prostitutes make an extraordinary sacrifice for the safety of their companions. In these, and thirteen other piercing, intimate portraits, women navigate family, violence, trauma, ambition and domesticity with caution, grace and quiet resilience. Originally published as Mariam Austin othoba Hira Barua, this remarkable collection by one of Assam’s finest living writers won the Sahitya Akademi Award in 2014. In this brilliant English translation, Arupa Patangia Kalita’s powerful voice is brought to fresh and vivid life. Written in a variety of styles, from gritty social realism, folklore to magical realism, The Loneliness of Hira Barua is a modern classic of Indian literature. ‘Patangia’s fiction, over the last two decades, has repeatedly knocked on the doors of [our] conscience’ — Open
Dust of the Caravan is a selection of writings by Anis Kidwai sketching the personal and political journey of a Muslim woman through the first eight decades of the 20th century. In Kidwai’s often humorous and always incisive and compassionate telling of the travels that took her from a birth and upbringing in rural Awadh into the maelstrom of Partition and its aftermath, lies a rich tapestry of tales. Simultaneously a social history of life in rural Awadh in the early 20th century and the birth of the national movement in the region as well as an account of the traditions of mutual respect and understanding between different faiths in a shared culture and the rupture of those very traditions during Partition, this book is also the story of a woman’s journey from the home into the world and from ‘family values’ towards autonomous beliefs, friendships, and activism. In addition to its value as a literary work, Dust of the Caravan is an important resource in the fields of history, sociology, and gender studies.
Exploring themes of personal loss, sexuality, identity and selfhood, and a quest for meaning in a fluid world, this collection of short stories by Ambai articulates the real experience of women and communicates their silences in words and images.
For decades, Sunderlal Bahuguna has been an environmental activist in his native India, well known for his efforts on behalf of the Himalayas and its people. In the 1970s, he was instrumental in the successful Chipko (or "hug") movement during which local people hugged trees to prevent logging for outside concerns. He was also a leader of the long opposition to the Tehri Dam. In both conflicts, the interests of outsiders threatened the interests of local people living relatively traditional lives. George Alfred James introduces Sunderlal Bahuguna's activism and philosophy in a work based on interviews with Bahuguna himself, his writings, and journalistic accounts. James writes that Bahuguna's work in the Indian independence movement and his admiration for the nonviolence of Gandhi has inspired a vision and mode of activism that deserves wider attention. It is a philosophy that does not try to win the conflict, but to win the opponent's heart.
Kuldhara, a village in the Rajasthan desert, perched at the edge of time. Abandoned, cursed, nearly two hundred years ago, to remain a heap of rubble and stone. It lies dreaming of its vibrant past when the streets echoed with laughter and the fields swayed green and gold. What happened one night that drove its inhabitants from their homes, never to return? Did they flee to preserve their honour, when the covetous gaze of a local lord fell on Pari, the headman’s daughter? Where did they go? How did they survive?
Lajja, The Controversial Novel By Bangladeshi Writer Taslima Nasrin, Is A Savage Indictment Of Religious Extremism And Man S Inhumanity To Man. The Duttas-Sudhamoy, Kironmoyee, And Their Two Children, Suranjan And Maya-Have Lived In Bangladesh All Their Lives. Despite Being Part Of The Country S Small Hindu Community, That Is Terrorized At Every Opportunity By Muslim Fundamentalists, They Refuse To Leave Their Country, As Most Of Their Friends And Relatives Have Done. Sudhamoy, An Atheist, Believes With A Naive Mix Of Optimism And Idealism That His Motherland Will Not Let Him Down.... And Then, On 6 December 1992, The Babri Masjid At Ayodhya In India Is Demolished By A Mob Of Hindu Fundamentalists. The World Condemns The Incident, But Its Fallout Is Felt Most Acutely In Bangladesh, Where Muslim Mobs Begin To Seek Out And Attack The Hindus.... The Nightmare Inevitably Arrives At The Duttas Doorstep-And Their World Begins To Fall Apart.... Unremittingly Dark And Menacing, The Novel Exposes The Mindless Bloodthirstiness Of Fundamentalism And Brilliantly Captures The Insanity Of Violence In Our Time.
The Blue-necked God (Nilakantha Braja), published in 1976, is one of Indira Goswami’s early novels and the first time that a writer highlighted the exploitation and poverty of widows, dumped in a ‘sacred’ city to eke out their days in prayer by uncaring, callous families under the guise of religious sanction and tradition. It was a book that raised many eyebrows when it was first published for this amazing narrative combined fact and fiction, autobiography and reflection in a fascinating mix as she tried to depict the confusion and the mental agony she herself experienced after the death of her husband through her character Saudamini. The physical, emotional, financial deprivation faced by the young widow has been woven into a perceptive text that drew on the author’s own research and experiences as she roamed the streets of Vrindavan and exposed, for the first time, the uglier side of the city and its traditions. ‘Indira Goswami is one of the pre-eminent literary figures in India and a woman of remarkable courage and conviction... She has also been an important voice in championing women’s causes, and has done much to highlight the plight of widows. [She] is one of those rare figures whose achievements as a writer are closely paralleled by their accomplishments as a social and political activist.’ - Amitav Ghosh Published by Zubaan.