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Judy Huxtable, a beautiful Swinging Sixties model and actress, met and fell in love with Peter Cook in 1967. They were together during the memorable hit shows 'Behind the Fridge' and 'Derek and Clive', divorcing in 1989. Being intimate with Peter meant that Judy was inevitably close to Peter's comic partner, Dudley Moore, and they all formed an extraordinary bond. She was in a unique position to observe the special relationship that Peter and Dud shared, and the rivalry that existed between them. In LOVING PETER, Judy gives a perceptive and poignant account of the Peter Cook that only she knew. She writes with a mix of humour, insight and sadness about one of the funniest, most enigmatic and troubled men on the planet. She describes what he was like as a husband, performer, friend, father and man and gives an inside view of what really made him tick; why he seemed to want to destroy those he loved the most; how he succumbed to the destructive forces of drink and drugs; and how he and Dudley really got on.
A revelatory and timely look at how technology boosts our cognitive abilities—making us smarter, more productive, and more creative than ever It’s undeniable—technology is changing the way we think. But is it for the better? Amid a chorus of doomsayers, Clive Thompson delivers a resounding “yes.” In Smarter Than You Think, Thompson shows that every technological innovation—from the written word to the printing press to the telegraph—has provoked the very same anxieties that plague us today. We panic that life will never be the same, that our attentions are eroding, that culture is being trivialized. But, as in the past, we adapt—learning to use the new and retaining what is good of the old. Smarter Than You Think embraces and extols this transformation, presenting an exciting vision of the present and the future.
Peter Cook and Dudley Moore are the greatest double act that Great Britain has ever produced. Today it's impossible to imagine modern sketch shows without them. If you're a fan of Monty Python, The Comic Strip or The Fast Show, then you're a fan of Cook and Moore. This collection of their works is a comprehensive compilation of the finest sketches that Cook and Moore ever wrote together - from the beginning of their partnership, in the groundbreaking stage show, Beyond The Fringe, to the notorious taboo busting Derek and Clive LPs that captured the spirit of punk rock, and inspired the scatological anarchy of Alternative Comedy. Featuring transcripts of one night stands long since almost forgotten, such as their Royal Variety performance, as well as a wealth of virtually unknown material, including previously unpublished scripts for Not Only But Also, Goodbye Again promises to be a revelation, even for Cook and Moore's most informed fans. As well as illuminating their work, this book also promises to shed light on their intimate yet turbulent relationship. from a middle class, public boarding school background, and diminutive, club-footed Moore, working class, but with an impressive musical talent came together to develop the closest of partnerships based on an instinctive, virtually intuitive sense of humour. Goodbye Again will chart the extraordinary friendship between the two men and its almost telepathic intensity, which not only bought them together but also pulled them apart time after time, until their eventual reconciliation
A collection of comic sketches.
This is a unique collection of Cook's finest and funniest writings of which many have never been published before.
'Pete and Dud' tells the story of one of Britain's finest comedy double-acts, Peter Cook and Dudley Moore.
This book examines the interconnections between punk and alternative comedy (altcom). It explores how punk’s tendency towards humour and parody influenced the trajectory taken by altcom in the UK, and the punk strategies introduced when altcom sought self-definition against dominant established trends. The Punk Turn in Comedy considers the early promise of punk-comedy convergence in Peter Cook and Dudley Moore’s ‘Derek and Clive’, and discusses punk and altcom’s attitudes towards dominant traditions. The chapters demonstrate how punk and altcom sought a direct approach for critique, one that rejected innuendo, while embracing the ‘amateur’ in style and experimenting with audience-performer interaction. Giappone argues that altcom tended to be more consistently politicised than punk, with a renewed emphasis on responsibility. The book is a timely exploration of the ‘punk turn’ in comedy history, and will speak to scholars of both comedy and punk studies.
Derek Stillwater, bioterrorism expert for the Department of Homeland Security, already has his bags packed for vacation when he gets the call: "Sarin gas attack on a detroit restaurant. Fifty-two dead." The killer calls himself the Serpent and demands three million dollars. If he is not paid on time, more people will die. Special Agent Jill Church is assigned to keep tabs on Stillwater. While the FBI brass are playing politics with the press, Stillwater and Church discover a disturbing link to a cult responsible for the sarin attacks on a Japanese subway. Furious at Stillwater's unorthodox methods, the FBI demands his immediate arrest. Now suspended from the case, Church knows that she and Stillwater are the only ones who can stop the Serpent from releasing sarin gas at a concert. 21,000 lives are at stake-including her own son's.
One Leg Too Few will feature an extensive range of fresh interviews, previously unpublished archive material and a wealth of information about the most creative (and explosive) double act that British comedy has ever produced. One Leg Too Few is a book about an extraordinary relationship: a friendship, a partnership - almost, at times, a marriage. Like a lot of marriages it ended badly, but for nearly 20 years, between the first date and the inevitable divorce, Peter Cook and Dudley Moore were the funniest thing on three continents. One Leg Too Few is the story of that relationship, and the comedy that came from it.
Legendary musician Richard Marx offers an enlightening, entertaining look at his life and career. Richard Marx is one of the most accomplished singer-songwriters in the history of popular music. His self-titled 1987 album went triple platinum and made him the first male solo artist (and second solo artist overall after Whitney Houston) to have four singles from their debut crack the top three on the Billboard Hot 100. His follow-up, 1989’s Repeat Offender, was an even bigger smash, going quadruple platinum and landing two singles at number one. He has written fourteen number one songs in total, shared a Song of the Year Grammy with Luther Vandross, and collaborated with a variety of artists including NSYNC, Josh Groban, Natalie Cole, and Keith Urban. Lately, he’s also become a Twitter celebrity thanks to his outspokenness on social issues and his ability to out-troll his trolls. In Stories to Tell, Marx uses this same engaging, straight-talking style to look back on his life and career. He writes of how Kenny Rogers changed a single line of a song he’d written for him then asked for a 50% cut—which inspired Marx to write one of his biggest hits. He tells the uncanny story of how he wound up curled up on the couch of Olivia Newton-John, his childhood crush, watching Xanadu. He shares the tribulations of working with the all-female hair metal band Vixen and appearing in their video. Yet amid these entertaining celebrity encounters, Marx offers a more sobering assessment of the music business as he’s experienced it over four decades—the challenges of navigating greedy executives and grueling tour schedules, and the rewards of connecting with thousands of fans at sold-out shows that make all the drama worthwhile. He also provides an illuminating look at his songwriting process and talks honestly about how his personal life has inspired his work, including finding love with wife Daisy Fuentes and the mystery illness that recently struck him—and that doctors haven’t been able to solve. Stories to Tell is a remarkably candid, wildly entertaining memoir about the art and business of music.