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Excerpt from The Story of Bruges Few great mediaeval towns possess so many memorials of the past, alike in masonry and on parchment, as does 'the ancient town of Bruges.' They have been indited by the patience of the scribe in breviary and in charter-roll; they have been perpetuated by the art of the painter, in gold and glowing tones, in portrait and in altar-piece; they have been graven with an iron pen in wood and metal and stone they have been handed down by word of mouth through countless generations. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Edited by two of the world's most prominent specialists on Galbert today, Jeff Rider and Alan V. Murray, this book brings together essays by established scholars who have been largely responsible for the radical changes in the understanding of Galbert and his work that have occurred over the last thirty years and essays by younger scholars.
Excerpt from The Life, Travels, and Literary Career of Bayard Taylor The author cannot do less than acknowledge, in this place, his great obligations to the father and mother of Mr. Taylor, to Mrs. Annie Carey, his sister, and to Dr. Franklin Taylor, his cousin, for their generous courtesy and most important assistance in gathering the facts for this volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In New York Times bestseller Steve Berry’s latest Cotton Malone adventure, one by one the seven precious relics of the Arma Christi, the weapons of Christ, are disappearing from sanctuaries across the world. After former Justice Department agent Cotton Malone witnesses the theft of one of them, he learns from his old boss, Stephanie Nelle, that a private auction is about to be held where incriminating information on the president of Poland will be offered to the highest bidder—blackmail that both the United States and Russia want, but for vastly different reasons. The price of admission to that auction is one of the relics, so Malone is first sent to a castle in Poland to steal the Holy Lance, a thousand-year-old spear sacred to not only Christians but to the Polish people, and then on to the auction itself. But nothing goes as planned and Malone is thrust into a bloody battle between three nations over information that, if exposed, could change the balance of power in Europe. From the tranquil canals of Bruges, to the elegant rooms of Wawel Castle, to deep beneath the earth into an ancient Polish salt mine, Malone is caught in the middle of a deadly war—the outcome of which turns on a secret known as the Warsaw Protocol.
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Bruges was undoubtedly one of the most important cities in medieval Europe. Bringing together specialists from both archaeology and history, this 'total' history presents an integrated view of the city's history from its very beginnings, tracing its astonishing expansion through to its subsequent decline in the sixteenth century. The authors' analysis of its commercial growth, industrial production, socio-political changes, and cultural creativity is grounded in an understanding of the city's structure, its landscape and its built environment. More than just a biography of a city, this book places Bruges within a wider network of urban and rural development and its history in a comparative framework, thereby offering new insights into the nature of a metropolis.
Lonely Planet: The world's leading travel guide publisher Lonely Planet Pocket Bruges & Brussels is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you in Bruges and Brussels. Climb the famous bell tower in Bruges' Markt, wonder at the Burg's shining gilt or take an audio tour of world music at Brussels' Musee des Instruments de Musique; all with your trusted travel companion. Inside Lonely Planet Pocket Bruges & Brussels: Full-colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Essential info at your fingertips - hours of operation, phone numbers, websites, transit tips, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, going out, shopping, hidden gems that most guidebooks miss Free, convenient pull-out Bruges & Brussels map (included in print version), plus over 15 colour neighbourhood maps User-friendly layout with helpful icons, and organised by neighbourhood to help you pick the best spots to spend your time Covers Burg, Markt, Groeningemuseum, Royal Quarter Museums, Grand Place, Ilot Sacre, Parc du Cinquantenaire, EU Quarter, the Marolles, Ste-Catherine, Musee Horta and more eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing The Perfect Choice: Lonely Planet Pocket Bruges & Brussels, a colorful, easy-to-use, and handy guide that literally fits in your pocket, provides on-the-go assistance for those seeking only the can't-miss experiences to maximize a quick trip experience. Looking for more extensive coverage? Check out Lonely Planet Belgium & Luxembourg for a comprehensive look at all the region has to offer. Authors: Written and researched by Lonely Planet. About Lonely Planet: Since 1973, Lonely Planet has become the world's leading travel media company with guidebooks to every destination, an award-winning website, mobile and digital travel products, and a dedicated traveller community. Lonely Planet covers must-see spots but also enables curious travellers to get off beaten paths to understand more of the culture of the places in which they find themselves. Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
A BRIEF HISTORY of PRINTING IN ENGLAND England was slow to take up printing and slow and backward in the development of it. It was 25 years after the invention of printing before any printing was done in England. It was many years after that before the work of the English printers could compare with that done on the continent. The reason for this is to be found in the conditions of the country itself. Although the two great universities had long been in existence, Oxford dating back to 1167 and Cambridge to 1209, England as a whole was a backward country. In culture and the refinements of civilization, as well as in many more practical things, England was not so far advanced as the rest of Europe nor was it to be so for many years to come. England at this time was an agricultural and grazing country. A colony of Flemings had been brought over to start the cloth industry. There was still, nevertheless, a large export of wool to Flanders, which was there woven and sent back as cloth. The English nobles lived largely on their estates, looking after their tenants, hunting for diversion, and doing a little fighting occasionally when life became otherwise unbearably uninteresting. They were not an educated class and the peasantry were profoundly ignorant. The cities which, as always, depended upon manufacture and commerce were just beginning to grow, with the exception of some of the seaport towns which were already prosperous and wealthy. Not only was this general condition true, but there were special conditions which rendered the middle of the fifteenth century unfavorable to culture and to the introduction of a new invention auxiliary to culture. In 1450 England was shaken and horrified by the bloody insurrection of peasants, with its attendant outrages, known as Jack Cade’s Revolt. Scarcely had order been restored when a disputed succession to the crown plunged the country into the bloody civil war between the adherents of the Houses of York and Lancaster, known as the Wars of the Roses. This period of civil strife lasted for thirty years and affected the general welfare of England very seriously. It was especially marked by mortality among the noblest families in the realm, many of which were actually exterminated. Some time within this bloody half-century the art of printing was introduced into England. There is in existence a book printed in Oxford and dated on the title page 1468. Upon the existence of this book, and upon a somewhat doubtful legend, has been built a claim that English printing originated in Oxford. This claim, however, has practically ceased to be maintained. The legend appears to be baseless, and it has been generally concluded that the date is a misprint and that it should be 1478, an X having been dropped in writing the Roman date, a not uncommon error in publications of this period. Historians have now generally agreed that the introduction of printing in England is due to William Caxton, one of the most interesting figures in the whole annals of printing. A BRIEF HISTORY of PRINTING IN ENGLAND