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Arash lives in the city of Ray in ancient Persia. At the age of twelve he is a capable archer. His dream is to shoot an arrow far enough to mark the border between the rival empires of Persia and Tooran. He believes that Simorgh the Queen of Birds has given him a message in the form of a riddle that will help him achieve his dream. But he is unaware that Ahriman the Devil and his Deevs are plotting against him. This book is inspired by the ancient story of Arash the Swift Arrow who with a single shot sent an arrow all the way to the Oxus River and marked the border between Persia and her rival empire of Tooran. The story introduces several other characters of Persian mythology including King Hooshang, Simorgh, Zahak, Ahriman and his Deevs, as well as the Zoroastrian philosophy of the constant battle between Good and Evil, to an audience of 8 to 12 year olds. Children with or without Persian heritage, might be more attracted to the mystery and intrigue in which the heroes are children their own age. 2nd edition includes references for further reading.
This well-balanced reference on ancient Persia demonstrates the region's contributions to the growth and development of human civilization from the 7th century BCE through the fall of the Persian Sasanian Empire in 651CE. Knowledge of ancient Persia is often gleaned from the writings of the ancient Greeks and Romans—two civilizations that viewed the Persians as enemies. This one-of-a-kind reference provides unbiased coverage of the cultural history of the Persian Empire, examining the Median, Achaemenid, Parthian, Kushan, and Sasanian dynasties and tracing the development and maturation of Iranian societies during a period of nearly 1,500 years. As one of the most comprehensive studies on the topic, this historical overview explores the region's rich past while providing insight into the cultures and civilizations the Persians came to rule and influence. Using primary sources written and inscribed by the ancient Persians themselves, the encyclopedia studies the pre-Islamic civilizations of Iran in the Middle East, the Caucasus, Central Asia, and the Indian subcontinent. Incorporating contributions from scholars who discuss the rise and fall of various Persian dynasties, the work offers some 180 entries that cover such topics as religion, royal nobility, the caste system, and political assassinations. The content offers perspectives from a variety of disciplines—from anthropology to archaeology, geography, and art history, among other areas.
This book is the first extensive research on the role of poetry during the Iranian Revolution (1979) and the Iran-Iraq War (1980-1988). How can poetry, especially peaceful medieval Sufi poems, be applied to exalt violence, to present death as martyrdom, and to process war traumas? Examining poetry by both Islamic revolutionary and established dissident poets, it demonstrates how poetry spurs people to action, even leading them to sacrifice their lives. The book's originality lies in fresh analyses of how themes such as martyrdom and violence, and mystical themes such as love and wine, are integrated in a vehemently political context, while showing how Shiite ritual such as the pilgrimage to Mecca clash with Saudi Wahhabi appreciations. A distinguishing quality of the book is its examination of how martyrdom was instilled in the minds of Iranians through poetry, employing Sufi themes, motifs and doctrines to justify death. Such inculcation proved effective in mobilising people to the front, ready to sacrifice their lives. As such, the book is a must for readers interested in Iranian culture and history, in Sufi poetry, in martyrdom and war poetry. Those involved with Middle Eastern Studies, Iranian Studies, Literary Studies, Political Philosophy and Religious Studies will benefit from this book. "From his own memories and expert research, the author gives us a ravishing account of 'a poetry stained with blood, violence and death'. His brilliantly layered analysis of modern Persian poetry shows how it integrates political and religious ideology and motivational propaganda with age-old mystical themes for the most traumatic of times for Iran." (Alan Williams, Research Professor of Iranian Studies, University of Manchester) "When Asghar Seyed Gohrab, a highly prolific academician, publishes a new book, you can be certain he has paid attention to an exciting and largely unexplored subject. Martyrdom, Mysticism and Dissent: The Poetry of the 1979 Iranian Revolution and the Iran-Iraq War (1980-1988) is no exception in the sense that he combines a few different cultural, religious, mystic, and political aspects of Iranian life to present a vivid picture and thorough analysis of the development and effect of what became known as the revolutionary poetry of the late 1970s and early 1980s. This time, he has even enriched his narrative by inserting his voice into his analysis. It is a thoughtful book and a fantastic read." (Professor Kamran Talattof, University of Arizona)
This work examines the entire corpus of the Sistani Cycle of Epics, both parts included in Ferdowsi’s Shāhnāmeh and those appearing in separate manuscripts. It argues that the so-called “epic literature” of Iran constitutes a kind of historiography, encapsulating reflections of watershed events of Iran’s antiquity. By examining the symbiotic relationship of the texts’ content and form, the underpinning discourse of the various stories is revealed to have been shaped by polemics of political legitimacy and religious conflict. This discourse, however, is not abstract. The stories narrate, within their generic constraint, some of the affairs of the Sistani kingdom and its relationship to the Parthian throne, mainly from the first century BCE to the end of the second century CE.
You see, Edward, editor and budding Grail Knight, youre part of the Merlin myth, and you have been for a long time, said Merlin enigmatically. The figure of Merlin, magician, enchanter, trickster, strategist of King Arthurs Camelot, wise old man of Celtic myth, has intrigued and enthralled readers for centuries, but who, really, was he? Did he ever actually exist? Boston editor Edward Burbage is given a unique opportunity to find out. Hes invited to Merlins home on Mertowney Mountain to interview him. The invitation includes free transportation, and Merlins mountain is not in this world, and for that matter, how on Earth could Burbage be talking to Merlin anyway? Merlin is supposed to be only a character from an old myth, isnt he? Over the course of five years, starting in 2034, Burbage conducts his interviews, and the revelations Merlin makes are astounding. He has been many mythic figures, taken on many guises, such as the Irish Cuchulainn, the Egyptian Anubis, the Navaho Monster Slayer, the Greek Herakles, the Polynesian Maui, and even a few holy men like Saint Columba of Iona and John the Evangelist of Patmos, author of Revelation. Hes worked as initiator, war-god, slayer of inimical spirits, prophet, seer, a guide to the soul in the after-life, geomancer, terraformer, a fisher up of islands, and especially a devoted field agent to the Great Mother, Herself operating under many guises such as Morrigan, Isis, Changing Woman, and Hera. But why has Edward Burbage been brought to Mertowney Mountain? Its not just so Merlin can tell his true story. Merlin has a plan for him, and hes preparing things all the time hes recounting his exploits. Edward Burbage has a key role to play in the next installment of the long life of Merlin. Hes about to step onto the world stage of myth disclosing a long withheld mystery, the secret of the Mer-Line, the truth and power behind Merlin himself.
Through a global series of case studies, this pioneering book delves into refugee entrepreneurship - a major economic, political and social issue emerging as a top priority. Stories from Australia, Germany, Pakistan and many other countries, highlight the obstacles facing refugees as they try to integrate and set up businesses in their new countries. Engaging contributions set the stage for a cross-analysis of the particularities and limitations faced by refugee entrepreneurs, culminating in an extended discussion about the future implications of refugee entrepreneurship for theory, policy and practice. This interdisciplinary book explores the motivations and drivers of refugee entrepreneurship, making it an insightful read not only for those engaged in entrepreneurship, but also for those interested in migration studies from a variety of academic disciplines.
The Essential Voices series intends to bridge English-language readers to cultures misunderstood and under- or misrepresented. It has at its heart the ancient idea that poetry can reveal our shared humanity. The anthology features 130 poets and translators from ten countries, including Garous Abdolmalekian, Kaveh Akbar, Kazim Ali, Reza Baraheni, Kaveh Bassiri, Simin Behbahani, Mark S. Burrows, Athena Farrokhzad, Forugh Farrokhzad, Persis Karim, Ahmad Karimi-Hakkak, Sara Khalili, Mimi Khalvati, Esmail Khoi, Abbas Kiarostami, Fayre Makeig, Anis Mojgani, Yadollah Royai, Amir Safi, SAID, H.E. Sayeh, Roger Sedarat, Sohrab Sepehri, Ahmad Shamlu, Solmaz Sharif, Niloufar Talebi, Jean Valentine, Stephen Watts, Sholeh Wolpé, Nima Yushij, and many others. Praise Between arm-flexing states, the U.S. and Iran, the past burns and the future is held hostage. In a twilight present tense, the poets emerge, sure-footed and graceful, imagining another way, another vision of being. The range of these Iranian poets is prodigious and dizzying. Sometimes they "consider the saga of a bee / humming over minefields / in pursuit of a flower," sometimes they "bring your lips near / and pour your voice / into my mouth." Essential Voices: Poetry of Iran and Its Diaspora is a place where heartbreak and hope gather. At the shores of language, drink this bracing, slaking music. —Philip Metres, author of Shrapnel Maps Essential Voices: Poetry of Iran and its Diaspora takes the extraordinary position that poetic arts from the homeland and diaspora should be read alongside each other. This vital book invites English-language readers to step into a lineage and tradition where poems—from playful to elegiac, prosaic to ornate—are fundamental to everyday living. It is the kind of book that requires two copies: one to give to a beloved, and one to keep for oneself. —Neda Maghbouleh, author of The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race Essential Voices: Poetry of Iran and Its Diaspora offers a profoundly satisfying journey into the poetic canon of my homeland—an anthology with an ambition, expanse, depth, and diversity that truly earns its essential tag. So many poets I was hoping would be in here are here, from contemporary icons to new luminaries, plus I got to explore several poets I had never before read. Everyone from students of poetry to masters of the form should take this ride through the soul and psyche of Iran, which endures no matter where the border, beyond whatever the boundary! —Porochista Khakpour, author of Brown Album: Essays on Exile and Identity Iranians rely on poetry to give comfort, elevate the ordinary, and illuminate the darkness. Essential Voices: Poetry of Iran and its Diaspora layers the work of the masters with fresh voices, using sensual imagery to piece together a society fractured by revolution, war, and exile. Let the poets lead you into an Iran beyond the news reports—a place where tenderness and humor and bitterness and melancholia balance together like birds on a wire, intricately connected and poised to take flight.  —Tara Bahrampour, author of To See and See Again: A Life in Iran and America
From antiquity to the Enlightenment, Persian culture has been integral to European history. Interest in all things Persian shaped not just Western views but the self-image of Iranians to the present day. Hamid Dabashi maps the changing geography of these connections, showing that traffic in ideas about Persia did not travel on a one-way street.
A collection of fifty-eight traditional Persian folktales and legends translated from Kermānī and Bakhtīarī, including a guide to the pronunciation of Persian words and a glossary.