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Hugh Garner was a hard-drinking, opinionated tough guy who fought with editors, publishers and everyone else he considered part of the Establishment. Yet beneath this brash, angry exterior, Garner was a writer of sensitive short stories and a novel, Cabbagetown, that has become a Canadian classic. Garner's stories were drawn from his own rough, adventurous life, a life portrayed in all its wildness and pathos in The Storms Below. From an impoverished childhood in Toronto's working-class Cabbagetown to his time riding the rails in the Depression, from the Spanish Civil War to the Royal Canadian Navy, from youthful radicalism to cantakerous, middle-aged conservatism, Paul Stuewe chronicles the many passages of Garner's controversial career. A definitive biography of a unique Canadian writer, drawing on extensive interviews with Garner's family, friends and colleagues, The Storms Below has the excitement and emotional impacy of a good novel.
Leadership lessons from Captain Sandy Yawn, a renowned superyacht captain with over 30 years of international maritime experience, and star of the reality show Below Deck Mediterranean. Everyone experiences a moment in life when they need to lead. Sometimes it's a team, sometimes it's a company, a classroom, a patient ward, a family, or simply your own individual self. Based on the leadership lessons she's gathered from her resourceful and resilient life, Captain Sandy, a superyacht captain and star of Bravo's Below Deck Mediterranean, shares the leadership skills and critical thinking inherent to being a captain that can empower anyone to navigate their way to a successful life. Among some of the stories/lessons she'll share: How she selects and sizes up her crew even before embarking on a charter, deciding who to invest in and how to bring out their best. Things happen at sea. No matter how much you plan and train, so much can go wrong so she'll discuss the level of persistence and faith that's required in solving an especially knotty problem. Authority and discipline are required to lead, but they must be leavened with compassion, understanding, and a desire to see your crew succeed. She describes the seamless flow that happens in great teamwork and how she loves seeing the way her deckhands pitch in with the stews when needed. For Captain Sandy, this represents leading with empathy, figuring out who your teammates are and what motivates them, then communicating in a way that motivates and makes them feel understood. As a captain, Sandy is constantly upgrading her knowledge and skill set, which is as much a part of her job as steering a vessel. Sustaining excellence requires constant effort, whether you find yourself at the end of a journey, halfway through or at the start of a new one. And the learning never stops. Woven throughout her stories are Captain Sandy's optimism and abiding faith that, given the right tools and opportunities, individuals are capable of so much more than they realize, especially when they can find someone to believe in them.
Originally published in 1949, Storm Below tells the story of a fictional Royal Canadian Navy ship and its crew. The adventure unfolds over six days of an escort run across the Atlantic Ocean to Newfoundland during the Second World War. The ship, the HMCS Riverford, is a composite of the vessels, mostly corvettes, that author Hugh Garner served on during his time in the Canadian navy, and the Canadian sailors whose experiences he relates are masterfully drawn from the crewmen he knew during his months at sea. In his preface to Storm Below, his first novel, Garner says: "It takes all kinds to make a world, and it also takes all kinds to make a war – or fight one after some of the others make it.... They [his characters] are not even 'typical' sailors, if such exist. All I can say to justify them is that they are drawn in the image of hundreds who made up the Royal Canadian Navy. They do not need an apology – they were out there, and we won."
The second book in the critically acclaimed Obsidian and Blood trilogy: The year is Two House, and the Emperor of the Mexica has just died. The protections he afforded the Empire are crumbling, and the way lies wide open to the flesh-eating star-demons--and to the return of their creator, a malevolent goddess only held in check by the War God's power. The council should convene to choose a new Emperor, but they are too busy plotting against each other. And then someone starts summoning star-demons within the palace, to kill councilmen... Acatl, High Priest of the Dead, must find the culprit before everything is torn apart. REVIEWS: ‘Political intrigue and rivalry among a complex pantheon of divinities drive this well-paced murder mystery set at the height of the Aztec Empire in the late 15th century. De Bodard reintroduces the series hero Acatl, high priest of the dead, immediately following the death of the Tenochtitlan leader. One of the council members in charge of choosing a successor has been brutally murdered in what looks like an attempt to influence the decision. But the deaths continue and the political situation grows more complex, while the empire looks to be increasingly at risk of invasion by malignant powers. Acatl must go face-to-face with the most powerful god in his world and put the good of the empire above his antipathy for is rivals to achieve the uneasy succession. De Bodard incorporates historical fact with great ease and manages the rare feat of explaining complex culture and political system without lecturing or boring the reader.’ —Publishers Weekly ‘Another thing that intrigues me here is the whole fact that historically we know that the real empire died out mysteriously and completely and as such there is always that thought in the back of my mind that the author could choose to bring about the end of days. That highlighted sense of possible doom is something that is missing from too many novels. The way the story is told in this book is very impressive, the plot is both mature and seductive, twisting and turning like a weather vane in a force 9 gale while the action is both bloodthirsty and imaginative. The world building is fantastic and we get to learn even more of this rich culture and the many gods and creatures of the dark. I really can’t fault this book at all and recommend it to one and all but if you haven’t yet read Servant of the Underworld I suggest that you get them both and read them in order, you won’t be disappointed.’ —SF Book Reviews ‘Bodard’s writing is polished and striking, as she convincingly fills in the colorful elements of the Aztec culture–even if those colors tend to be of blood and bile as well as flowers and hummingbirds... beautiful, grimy, breathtaking, and morbid. 5*’ —Examiner ‘Aliette de Bodard has done it again. Harbinger of the Storm is an action packed Aztec mystery opera with magic, interventions from the gods and more twists and turns than the first book. It even has a love story with amusing snippets here and there... The story is self contained and can be enjoyed standalone, but you will not want to miss out on the first. I wish it was 2012 already even if the world is going under while I read the final Obsidian & Blood.’ —Cybermage
The standalone follow up to Shadows of the Short Days is a gritty, dark fantasy novel for fans of China Mieville and Neil Gaiman, that will thrill readers as they explore Hrimland's dark, horrifying depths. CHANGE DOES NOT ALWAYS HAPPEN FOR THE BETTER. War on the mainland is draining Reykjavík. For some, the remote islands off Hrímland's coast are their only hope of survival. Elka, a recovering addict, has fled there with her son Sölvi. In their village they find a new life - all thanks to the Deep, a peculiar power their neighbours praise for the booming fishing industry. Everything seems perfect, but Sölvi does not trust the people who take his mother in. Kari is a professor of sorcery, recruited for a career-making venture - an excavation of an ancient power. He must go deep into the magical wasteland, find what is buried there, and turn the tide of the war forever. But the world might not be ready for the storm he will unearth . . . and how far will a grieving woman go to find some peace, and what will she sacrifice?
It is a day in the country, and everthing is hot and still. Then the hazy sky begins to shift. Something is astir, something soundless.
A panoramic social history of hurricanes in the Caribbean The diverse cultures of the Caribbean have been shaped as much by hurricanes as they have by diplomacy, commerce, or the legacy of colonial rule. In this panoramic work of social history, Stuart Schwartz examines how Caribbean societies have responded to the dangers of hurricanes, and how these destructive storms have influenced the region's history, from the rise of plantations, to slavery and its abolition, to migrations, racial conflict, and war. Taking readers from the voyages of Columbus to the devastation of Hurricane Katrina, Schwartz looks at the ethical, political, and economic challenges that hurricanes posed to the Caribbean’s indigenous populations and the different European peoples who ventured to the New World to exploit its riches. He describes how the United States provided the model for responding to environmental threats when it emerged as a major power and began to exert its influence over the Caribbean in the nineteenth century, and how the region’s governments came to assume greater responsibilities for prevention and relief, efforts that by the end of the twentieth century were being questioned by free-market neoliberals. Schwartz sheds light on catastrophes like Katrina by framing them within a long and contentious history of human interaction with the natural world. Spanning more than five centuries and drawing on extensive archival research in Europe and the Americas, Sea of Storms emphasizes the continuing role of race, social inequality, and economic ideology in the shaping of our responses to natural disaster.
"Beautiful, vivid writing and a power-packed plot . . . I truly loved it."--Lauren Tarshis, bestselling author of the I SURVIVED series "Awesome. Super-intense, suspenseful, edge-of-your-seat stuff."--Max Brallier, New York Times bestselling author of the LAST KIDS ON EARTH series A major hurricane is raging across the southern United States, and two unsuspecting kids are about to have the adventure of a lifetime! Perfect for kids who love high-stakes plots and natural disaster movies, and anyone interested in extreme weather! And coming in January 2022, don't miss another epic adventure, SNOW STRUCK. A little rain and wind don't worry Alejo--they're just part of life at the beach. As his padrino says, as long as there are birds in the waves, it's safe. When people start evacuating, though, Alejo realizes things might be worse than he thought. And they are. A hurricane is headed straight for Puerto Rico. Emily's brother, Elliot, has been really sick. He can't go outside their New Orleans home, so Emily decides to have an adventure for him. She's on a secret mission to the tiny island Elliot loves. She's not expecting to meet up with an injured goose or a shy turtle. And nothing has prepared her for Megastorm Valerie. Soon Alejo and Emily will be in Valerie's deadly path. Who will survive?
The Storm relates the events of a week-long storm that hit London starting on 24 November and reaching its height on the night of 26/27 November 1703. It is known as the Great Storm of 1703, and it was described by Defoe as "The Greatest, the Longest in Duration, the widest in Extent, of all the Tempests and Storms that History gives any Account of since the Beginning of Time." During the work on this piece Defoe used other peoples personal accounts of the storm submitted to him through newspaper add. Defoe also shared his view on the reasons of the great disaster, claiming that the destruction of the sovereign fleet, in which about one-fifth of the navy was lost, was a punishment for their poor performance against the Catholic armies of France and Spain during the first year of the War of the Spanish Succession. The Storm is a pioneering work of journalism and science reporting. It has been called the first substantial work of modern journalism, and it is the first detailed account of a hurricane in Britain. Daniel Defoe (1660-1731), was an English trader, writer, journalist, pamphleteer, and spy, most famous for his novel Robinson Crusoe. Defoe is noted for being one of the earliest proponents of the novel, as he helped to popularize the form in Britain with others such as Samuel Richardson, and is among the founders of the English novel. He was a prolific and versatile writer, producing more than five hundred books, pamphlets, and journals on various topics, including politics, crime, religion, marriage, psychology, and the supernatural.