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When her lover asks her to tell him a story, Eva Luna complies with this collection of tales.
A visitor from Peru, happening upon an exhibition of photographs from the Amazon jungle in an obscure Florentine picture gallery, finds his attention drawn to a picture of a tribal storyteller seated among a circle of Michiguenga Indians. There is something odd about the storyteller. He is too light-skinned to be an Indian. As the visitor stares at the photograph, it dawns on him that he knows this man. The storyteller is his long-lost friend, Saul Zuratas, his classmate from university who was thought to have disappeared in Israel. The Storyteller is a brilliant and compelling study of the world of the primitive and its place in our own modern lives.
In this magical bestseller, the story-telling heroine of "Eva Luna" returns with a rich treasure trove of tales--two dozen vibrant, enchanting demonstrations of her artistry. Here is the foreign made indelibly familiar by the imagination, the passion, and the eloquence of one of the world's leading writers.
An esteemed memoirist and one of the great editors in British publishing examines aging with the grace of Elegy for Iris and the wry irreverence of I Feel Bad About My Neck.
The magnificent title story of this collection of fairy tales for adults describes the strange and uncanny relationship between its extravagantly intelligent heroine--a world renowned scholar of the art of story-telling--and the marvelous being that lives in a mysterious bottle, found in a dusty shop in an Istanbul bazaar. As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable. The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor. "A dreamy treat.... It is not merely strange, it is wondrous." --Boston Globe "Alternatingly erudite and earthy, direct and playful.... If Scheherazade ever needs a break, Byatt can step in, indefinitely." --Chicago Tribune "Byatt's writing is crystalline and splendidly imaginative.... These [are] perfectly formed tales." --Washington Post Book World
Newly Reissued New York Times Bestselling Author “Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful.” —Los Angeles Times When Isabel Allende’s daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.
A child of two worlds -- the son of an aristocratic Spanish military man turned landowner and a Shoshone warrior woman -- young Diego de la Vega cannot silently bear the brutal injustices visited upon the helpless in late-eighteenth-century California. And so a great hero is born -- skilled in athleticism and dazzling swordplay, his persona formed between the Old World and the New -- the legend known as Zorro.
Here is the story of one Black American Communist who became disillusioned with Communism and penned this cautionary tale of the perils of his experience. According to the author: "Ten years I labored in the cause of Communism. I was a dedicated "comrade." All my talents and efforts were zealously used to bring about the triumph of Communism in America and throughout the world. To me, the end of capitalism would mark the beginning of an interminable period of plenty, peace, prosperity and universal comradeship. All racial and class differences and conflicts would end forever after the liquidation of the capitalists, their government and their supporters. ..Little did I realize until I was deeply enmeshed in the Red Conspiracy, that just and seeming grievances are exploited to transform idealism into a cold and ruthless weapon against the capitalist system-that this is the end toward which all the communist efforts among Negroes are directed. Indeed, I had entered the red conspiracy in the vain belief that it was the way to a "new, better and superior" world system of society. Ten years later, thoroughly disillusioned, I abandoned communism."
New York Times and worldwide bestselling author Isabel Allende returns with a sweeping novel that journeys from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil that offers “a timely message about immigration and the meaning of home” (People). During the biggest Brooklyn snowstorm in living memory, Richard Bowmaster, a lonely university professor in his sixties, hits the car of Evelyn Ortega, a young undocumented immigrant from Guatemala, and what at first seems an inconvenience takes a more serious turn when Evelyn comes to his house, seeking help. At a loss, the professor asks his tenant, Lucia Maraz, a fellow academic from Chile, for her advice. As these three lives intertwine, each will discover truths about how they have been shaped by the tragedies they witnessed, and Richard and Lucia will find unexpected, long overdue love. Allende returns here to themes that have propelled some of her finest work: political injustice, the art of survival, and the essential nature of—and our need for—love.
One of the most dramatic figures among Latin America's romantic writers and the distinguished woman writer of her century, Juana Manuela Gorriti brings passion and intrigue to the scene of writing. An exile from her native Argentina who sought refuge first in Bolivia and then in Peru, her lifetime of travel and displacement is echoed in her fictions. Her short stories tell of homelessness and nomadic yearnings, taking the reader from the Peruvian highlands, where Spanish colonizers plot to rob the treasures of the Incas, to the Argentine capital city plagued by sinister political intentions. Her later fictions move from Chile to scenes of the California Gold Rush. Covering the wide landscape of the Americas, Gorriti tracks the spirit of nineteenth-century adventurers and dandies, nation builders and soldiers who participate in the conflicts of settlement in a new and lawless land. Women are the protagonists here, mediating episodes of civil strife as they voice their despair about the treachery of fortune seekers in Latin America in the years following Independence from Spain. Dreams and Realities offers a sampling of Gorriti's stories, showing the range of her commitment to political fiction drawn in the romantic style. Originally published in four volumes under the titles Suenos y realidades and Panoramas de la vida, her works deal with the tyranny of the Rosas regime, the mediating role of women, and the clash of European and indigenous cultures. Notwithstanding her personal political leanings, Gorriti's stories and fictions provide a generous dose of swashbuckling adventure and romance. Translated into English for the first time by Sergio Waisman and with an Introduction, Chronology, and Critical Notes by Francine Masiello, the book gives a woman's view of the world of political intrigue and civil unrest that marks Latin America's turbulent nineteenth century.