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The Stones of Paris in History and Letters is a two volume study on the city of Paris written by Benjamin Ellis Martin and Charlotte M. Martin. Through the numerous chapters regarding some of the most famous French authors and artists the Martins portray the painting of the French capital going deeper in its soul and showing something more than a city of shows or a huge bazaar._x000D_ Table of Contents:_x000D_ Volume 1:_x000D_ Three Time-worn Staircases_x000D_ The Scholars' Quarter of the Middle Ages_x000D_ Molière and his Friends_x000D_ From Voltaire to Beaumarchais_x000D_ The Paris of the Revolution_x000D_ Volume 2:_x000D_ The Southern Bank in the Nineteenth Century_x000D_ The Paris of Honoré de Balzac_x000D_ The Paris of Alexandre Dumas_x000D_ The Paris of Victor Hugo_x000D_ The Making of the Marais_x000D_ The Women of the Marais
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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.