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“I was across the marsh, by a stone wall.” I hadn’t intended to give away where I’d been, but I was getting flustered. “By the Stonemason’s Playground?” Tommy asked. “What’s that?” I said, trying to sound dumb. “It’s a haunted playground,” Brad said with a shiver. I could tell he liked being scared. “The kids who sneak into the playground to play are turned to stone. They never come back?” Tommy added. Haunted or not, this was the one place I could go to be myself. I decided that no story was going to stop me from visiting the Stonemason’s Playground. Ages 9 and up. Educational Versions have exercises designed to meet Common Core standards. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Open the world of reading to a child by having them read for 15 minutes a day.
“I was across the marsh, by a stone wall.” I hadn’t intended to give away where I’d been, but I was getting flustered. “By the Stonemason’s Playground?” Tommy asked. “What’s that?” I said, trying to sound dumb. “It’s a haunted playground,” Brad said with a shiver. I could tell he liked being scared. “The kids who sneak into the playground to play are turned to stone. They never come back?” Tommy added. Haunted or not, this was the one place I could go to be myself. I decided that no story was going to stop me from visiting the Stonemason’s Playground. Ages 9 and up. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Open the world of reading to a child by having them read for 15 minutes a day.
“There's a werewolf around. I just know it.” “Johnson lost another lamb last night.” “They found what was left of it torn to bits down by the railroad track.” “And they found tracks of the monster too.” “It was horrible.” “They were huge.” Sheriff Corbin listened as the talk around him started raising the pulses of the crowd. Finally he stepped in. “All right, that's enough,” he yelled. “Frankly I don't believe all this talk, but if you folks are going to get all agitated up about it, then we're just going to have to figure out a sensible solution. Otherwise everybody is going to start killing off everybody else and before you know it the whole town will be staying up there on cemetery hill.” Find out what happens to this small town in this creepy tale of terror. Ages 9 and up. Educational Versions have exercises designed to meet Common Core standards. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Open the world of reading to a child by having them read for 15 minutes a day.
“Then the train pulls away from the station,” Peter said. “And anyone riding in boxcar 1313 on the night of a full moon, never comes back. They go to the hobo graveyard to die.” Those were the words that started the challenge; The challenge that would change my life forever. Read this short, but creepy tale to find out what happened when Aaron took boxcar 1313 one cold, moonlit night. Ages 9 and up. Educational Versions have exercises designed to meet Common Core standards. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Open the world of reading to a child by having them read for 15 minutes a day.
The fog rolled in, wrapping itself around my shoulders like a stale, wet, gray cloak. It gathered deeper and deeper, like an old friend happy to see me after a long absence. And it hid me. It hid my presence from the watchful eyes in the cabin before me. That was fine with me. I needed the concealment more than I needed the sight. In fact, I didn't need to see the cabin at all. I could smell it. And I could smell most strongly the one thing I wanted more than anything else in the world right now. The thing that made my stomach ache with hunger. Sweet, young, tender flesh about fifteen years old. A werewolf's favorite meal. Find out what happens to the people in the cabin in this 15-minute tale of terror. Ages 9 and up. Educational Versions have exercises designed to meet Common Core standards. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Open the world of reading to a child by having them read for 15 minutes a day.
"What's wrong, Mommy?" Even a five-year-old could tell something was wrong. There she was-the same little girl I had seen years ago. She was standing at the front window of Duncan's nursery, holding the rag doll from the old toy box in the attic, silently saying, "It's me, it's me..." A true ghost story that will give you chills and warm your heart In 1971, Kathleen McConnell and her family moved into a historic home known as the Fontaine Manse. Two days after moving in, she and her husband had an extraordinary experience that left them with no doubt that unseen residents occupied the house, too. This is the true story of how Kathleen McConnell came to know and care for the spirit children who lived in the attic of the mansion-Angel Girl, Buddy, and The Baby. From playing ball with Kathleen, to saving her son Duncan from drowning, the spirit children became part of the McConnell family in ways big and small. Finally, a heart-wrenching decision triggered an unexpected and dramatic resolution to the spirit children's plight. Don't Call Them Ghosts is the inspiring story of the transcendent and lasting power of a mother's love.
Ghosts and other supernatural phenomena are widely represented throughout modern culture. They can be found in any number of entertainment, commercial, and other contexts, but popular media or commodified representations of ghosts can be quite different from the beliefs people hold about them, based on tradition or direct experience. Personal belief and cultural tradition on the one hand, and popular and commercial representation on the other, nevertheless continually feed each other. They frequently share space in how people think about the supernatural. In Haunting Experiences, three well-known folklorists seek to broaden the discussion of ghost lore by examining it from a variety of angles in various modern contexts. Diane E. Goldstein, Sylvia Ann Grider, and Jeannie Banks Thomas take ghosts seriously, as they draw on contemporary scholarship that emphasizes both the basis of belief in experience (rather than mere fantasy) and the usefulness of ghost stories. They look closely at the narrative role of such lore in matters such as socialization and gender. And they unravel the complex mix of mass media, commodification, and popular culture that today puts old spirits into new contexts.
E. H. Gombrich's Little History of the World, though written in 1935, has become one of the treasures of historical writing since its first publication in English in 2005. The Yale edition alone has now sold over half a million copies, and the book is available worldwide in almost thirty languages. Gombrich was of course the best-known art historian of his time, and his text suggests illustrations on every page. This illustrated edition of the Little History brings together the pellucid humanity of his narrative with the images that may well have been in his mind's eye as he wrote the book. The two hundred illustrations—most of them in full color—are not simple embellishments, though they are beautiful. They emerge from the text, enrich the author's intention, and deepen the pleasure of reading this remarkable work. For this edition the text is reset in a spacious format, flowing around illustrations that range from paintings to line drawings, emblems, motifs, and symbols. The book incorporates freshly drawn maps, a revised preface, and a new index. Blending high-grade design, fine paper, and classic binding, this is both a sumptuous gift book and an enhanced edition of a timeless account of human history.
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.