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'Brand new series. Same top-notch writing.' Eva Dolan When a young man is found stabbed to death in a side street in Newcastle city centre in the run up to Christmas, it looks like a botched robbery to DCI David Stone. But when DS Frankie Oliver arrives at the crime scene, she gets more than she bargained for. She IDs the victim as Herald court reporter, thirty-two-year old Chris Adams she's known since they were kids. With no eyewitnesses, the MIT are stumped. They discover that when Adams went out, never to return, he was working on a scoop that would make his name. But what was the story he was investigating? And who was trying to cover it up? As detectives battle to solve the case, they uncover a link to a missing woman that turns the investigation on its head. The exposé has put more than Adams' life in danger. And it's not over yet.
THREE STONE AND OLIVER NOVELS IN ONE! The Lost 'He was her child. The only one she'd ever have. It would kill her to learn that he was missing.' Alex arrives home from holiday to find that her ten-year-old son Daniel has disappeared. It's the first case together for Northumbria CID officers David Stone and Frankie Oliver. The Insider When the body of a young woman is found by a Northumberland railway line, it's a baptism of fire for the Murder Investigation Team's newest detective duo: DCI David Stone and DS Frankie Oliver. The Scandal When a young man is found stabbed to death in a side street in Newcastle city centre in the run up to Christmas, it looks like a botched robbery to DCI David Stone. But when DS Frankie Oliver arrives at the crime scene, she gets more than she bargained for.
Ranging from 1981 to 1997, the 15 conversations featured in this collection reveal a man frustrated by what he sees as the hypocrisies of American politics, of conservatism, and of the Hollywood film industry. Though the subjects of "Nixon, JFK, Born on the 4th of July, The Doors", and "Heaven and Earth" are rooted in the turbulent 1960s, Stone as interviewee and filmmaker is firmly entrenched in the present. Film stills.
In this powerful and evocative memoir, Oscar-winning director and screenwriter, Oliver Stone, takes us right to the heart of what it's like to make movies on the edge. In Chasing The Light he writes about his rarefied New York childhood, volunteering for combat, and his struggles and triumphs making such films as Platoon, Midnight Express, and Scarface. Before the international success of Platoon in 1986, Oliver Stone had been wounded as an infantryman in Vietnam, and spent years writing unproduced scripts while taking miscellaneous jobs and driving taxis in New York, finally venturing westward to Los Angeles and a new life. Stone, now 73, recounts those formative years with vivid details of the high and low moments: we sit at the table in meetings with Al Pacino over Stone's scripts for Scarface, Platoon, and Born on the Fourth of July; relive the harrowing demon of cocaine addiction following the failure of his first feature, The Hand (starring Michael Caine); experience his risky on-the-ground research of Miami drug cartels for Scarface; and see his stormy relationship with The Deer Hunter director Michael Cimino. We also learn of the breathless hustles to finance the acclaimed and divisive Salvador; and witness tensions behind the scenes of his first Academy Award-winning film, Midnight Express. The culmination of the book is the extraordinarily vivid recreation of filming Platoon in the depths of the Philippine jungle with Kevin Dillon, Charlie Sheen, Willem Dafoe, Johnny Depp et al, pushing himself, the crew and the young cast almost beyond breaking point. Written fearlessly, with intense detail and colour, Chasing the Light is a true insider's story of Hollywood's years of upheaval in the 1970s and '80s, and Stone brings this period alive as only someone at the centre of the action truly can.
Oliver Stone is a master of in-your-face movie making. In picture after picture - in what the director refers to as "wakeup cinema" - he takes on big, controversial topics and verges on filmic assault of the audience to drive home his point of view. Stone's artistic warfare, evidenced in such widely seen films as Platoon and JFK, has brought him acclaim as one of the few commercially successful Hollywood directors unafraid to make bold, meaningful films and has brought him criticism as a self-anointed sayer of the truth on whatever subject his eye comes to rest. His provocative style has triggered an enormous critical response, with interviews, reviews, and commentaries numbering in the thousands - remarkable especially for a filmmaker whose first noteworthy film, Salvador, opened in 1986. In this thoroughgoing assessment of Stone's life and work, Frank Beaver not only uses the rich response to the films to inform his own analysis but makes the case that the director has used it as well. There is, Beaver suggests, "a telling symbiosis between critical response and ongoing practice in Stone's emergence as a unique director". Beaver explores the way in which criticism has undeniably helped to shape the course of Stone's ideas and filmmaking techniques.
Stone himself serves as guide to this no-holds-barred retrospective—an extremely candid and comprehensive monograph of the renowned and controversial writer, director, and cinematic historian in interview form. Over the course of five years, Academy Award-winning filmmaker Oliver Stone (Midnight Express, Scarface, Platoon, JFK, Natural Born Killers, Snowden) and New York Times bestselling author Matt Zoller Seitz (The Wes Anderson Collection) discussed, debated, and deconstructed the arc of Stone's outspoken, controversial life and career with extraordinary candor. This book collects those conversations for the first time, including anecdotes about Stone's childhood, Vietnam, his struggles with post-traumatic stress disorder, and his continual struggle to reinvent himself as an artist. Their dialogue is illustrated by hundreds of never-before-seen photographs and documents from Stone's personal archive, dating back to Stone's birth: personal snapshots, private correspondence, annotated script pages and storyboards, behind-the-scenes photography, and production files from all of his films to date—through 2016's Snowden, and including Stone's epic Showtime mini-series Untold HIstory of the United States. Critical commentary from Seitz on each of Stone's films is joined by original essays from filmmaker Ramin Bahrani; writer, editor, and educator Kiese Laymon; writer and actor Jim Beaver; and film critics Walter Chaw, Michael Guarnieri, Kim Morgan, and Alissa Wilkinson. At once a complex analysis of a master director’s vision and a painfully honest critical biography in widescreen technicolor, The Oliver Stone Experience is as daring, intense, and provocative as Stone’s films—it's an Oliver Stone movie about Oliver Stone, in the form of a book. Both this book and Stone’s highly anticipated film, Snowden, will be released in September 2016 to coincide with Stone’s seventieth birthday (September 15, 1946). Also available from Matt Zoller Seitz: Mad Men Carousel, The Wes Anderson Collection: Bad Dads, The Wes Anderson Collection: The Grand Budapest Hotel, and The Wes Anderson Collection.
The life of the filmmaker from his childhood in Manhattan, through his experiences in Viet Nam, two marriages, and move from writing screenplays to directing Acadamy Award winning movies.
New York Times Bestselling Author Tess Oliver and Anna Hart have teamed up to bring you the sexiest, baddest bad boy around in the first Stone Brothers novel—Stone Cold Bad Jade He was definitely trouble, and the worst kind of trouble because he was wrapped up in an incredible package of muscles, ink and heartbreak. A guy like him was the last thing I needed now. A guy like Colt Stone was the last thing I ever needed. Colt Emotion, feelings and, hell, even love had been turned off in all of us Stone brothers long ago. Then Jade landed in my life. It was the last thing I ever wanted, to feel this way about someone. Attachments like this were only followed by heartbreak, and I wasn't into heartbreak. I wasn't into f*cking attachments. Bad boy Colt Stone has a notorious reputation for being a tough and dangerous heartbreaker. A brutal childhood hardened him to the idea of any type of emotional attachment to anyone. When he becomes the unwitting accomplice in Jade Morrow's escape from an abusive boyfriend, he soon finds that he'll do anything to keep her safe. Has Colt found the one girl who can break through to his impenetrable heart? When she runs away from her monstrous boyfriend, Jade Morrow has no place to go and no one to turn to. She accidentally lands in the arms of a handsome, tattooed stranger. Colt Stone is as formidable as he is appealing and Jade soon finds that he's equally hard to resist. When her troubled past catches up to her, Jade discovers just how far Colt will go to save her. Contains mature content. Recommended for readers 18+ Stone Brothers Series: Stone Cold Bad Heart of Stone Stone Deep
Provides the complete script for JFK, which details the investigation into President Kennedy's assassination, and includes reponses and comments about the film, and official reports and documentation
The girl’s hair was white below the scarf, now a scarf of snow, and there was a fine rime of ice on her eyebrows. Her mouth was so numb she couldn’t have spoken even if there had been someone to speak to. She wore the snowshoes she had found back in the cabin and had brought the supplies, painkiller and bandages, whatever she might need to dress a wound. She wondered if trappers wore snowshoes. Probably not. Anyway, a trapper wouldn’t put himself through the unpleasantness of coming out in a heavy snow like this to check his traps. In New Mexico, the law was you had to check the traps every thirty-six hours, but who paid any attention? An animal trapped stayed trapped.