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For centuries the world has been misled about the original source of the Arts and Sciences; for centuries Socrates, Plato and Aristotle have been falsely idolized as models of intellectual greatness; and for centuries the African continent has been called the Dark Continent, because Europe coveted the honor of transmitting to the world, the Arts and Sciences. It is indeed surprising how, for centuries, the Greeks have been praised by the Western World for intellectual accomplishments which belong without a doubt to the Egyptians or the peoples of North Africa.
"This former BBC journalist's passionate search for justice is a suspenseful confrontation with World War II history. A fascinating journey." --Anne-Marie O'Connor, national bestselling author of The Lady in GoldDina Gold grew up hearing her grandmother's tales of the glamorous life in Berlin she once led before the Nazis came to power and her dreams of recovering a huge building she claimed belonged to the family - though she had no papers to prove ownership. When the Wall fell in 1989, Dina decided to battle for restitution. Built by Dina's great grandfather in 1910, the property was the business headquarters of the H. Wolff fur company, one of the largest and most successful in Germany during the early part of the last century. In 1937, the Victoria Insurance Company foreclosed on the mortgage and transferred ownership of Krausenstrasse 17/18 to the Reichsbahn, Hitler's railways, that later transported millions of Jews across Europe to the death camps. The Victoria, headed then by a German businessman and lawyer with connections to the very top of the Nazi Party, is still today one of Germany's leading insurance companies. But during the war it was part of a consortium insuring workshops at Auschwitz. When the Third Reich was defeated in 1945 the building lay in the Soviet sector - just past Checkpoint Charlie - and beyond legal reach.
Book Includes: The Mis-education of the Negro, Stolen Legacy and The Willie Lynch Letter
Examines Levin's claims that the stage adaptation of Anne Frank's diary rejected a Jewish treatment of the work in favour of a play with a universal message. The text establishes the bias of the opposition to Levin and places the issue in the context of the wider cultural struggle of the 1950s.
In Stolen Legacy, ExFeds Diane and David Munson (former Federal Prosecutor and NCIS Agent) ratchet up suspense when Federal agent Eva Montanna is dragged into a dark conflict threatening her family. WWII history comes alive for her, but secrets from Grandpa Marty's past in the Dutch Resistance expose a relentless enemy fixed on revenge. New light shines on Marty's bravery in hiding Jewish families from the Gestapo, but what is he concealing? The Munsons' eighth thriller unveils priceless relics and a stolen legacy, forever changing Eva's life and her faith.
Tasoula Hadjitofi was only a child when her homeland, Cyprus, was invaded. As bombs fell and soldiers marched through the streets, her mother stood guard, reminding her children to not be afraid—not of the bombs or anything else that may follow. They would always have their family and their faith. Soon thereafter, Tasoula found herself homeless and nation-less. A refugee. Decades later, she's a successful entrepreneur and the honorary Cypriot consul to The Netherlands. But family and faith remained her touchstones—and she never lost her longing for "home." She often thought of the gorgeous Cypriot churches and their icons. One day, an art dealer offers her a chance to buy Cyprian icons stolen during the war. Icons hold a special place in the hearts of many Greek Cypriots. They are not just masterpieces—they are artistic manifestations of faith and a gateway to the divine.Outraged, Tasoula sets out on a quest to repatriate these artifacts. An immensely difficult task as icons often lack provenance in the eyes of the law. But she is determined. Yet the road to “The Munich Case”—the largest art trafficking sting in European history—is filled with mind games, subterfuge, global politics, and a shady figure named Van Rinj, whose motives are never entirely clear...
The passionate, true story of one man's quest to reclaim what the Nazis stole from his family--their beloved art collection--and to restore their legacy. Simon Goodman's grandparents came from German Jewish banking dynasties and perished in concentration camps. And that's almost all he knew--his father rarely spoke of their family history or heritage. But when he passed away, and Simon received his father's papers, a story began to emerge. The Gutmanns, as they were known then, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a world-class art collection that included works by Degas, Renoir, Botticelli, and many others, including a Renaissance clock engraved with scenes from the legend of Orpheus. The Nazi regime snatched everything the Gutmanns had labored to build: their art, their wealth, their social standing, and their very lives. Simon grew up in London with little knowledge of his father's efforts to recover their family's possessions. It was only after his father's death that Simon began to piece together the clues about the stolen legacy and the Nazi looting machine. He learned much of the collection had gone to Hitler and Goring; other works had been smuggled through Switzerland, sold and resold, with many pieces now in famous museums. More still had been recovered by Allied forces only to be stolen again by bureaucrats-- European governments quietly absorbed thousands of works of art into their own collections. Through painstaking detective work across two continents, Simon proved that many pieces belonged to his family, and successfully secured their return-- the first Nazi looting case to be settled in the United States. Goodman's dramatic story reveals a rich family history almost obliterated by the Nazis. It is not only the account of a twenty-year long detective hunt for family treasure, but an unforgettable tale of redemption and restoration.
This new, two-volume edition of "What They Never Told You In History Class" is the first major revision in over fifteen years. It contains a wealth of new information that has never been included in any previous edition. It has now been divided into two volumes.
2016 Reprint of 1909 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Originally published as "The Instruction of Ptah-Hotep" and also as "The Maxims of Ptahhotep," the work is believed by some scholars to be the oldest book in the world. Authorship is attributed to Ptahhotep, a vizier under King Isesi of the Egyptian Fifth Dynasty (ca. 2414-2375 BC). It is a collection of maxims and advice in the sebayt ("teaching") genre on human relations and are provided as instruction for his son. The work survives today in papyrus copies, including the Prisse Papyrus which dates from the Middle Kingdom and is on display at the Bibliotheque Nationale in Paris. There are considerable differences between the Prisse Papyrus version and the two texts at the British Museum. The 1906 translation by Battiscombe Gunn, published as part of the "Wisdom of the East" series and which is reprinted here, was made directly from the Prisse Papyrus, in Paris, rather than from copies. Some lessons include: Learning by listening to everybody and knowing that human knowledge is never perfect are a leitmotif. Avoiding open conflict wherever possible should not be considered weakness. Justice should be pursued and in the end it will be a god's command that prevails. Greed is the base of all evil and should be guarded against, while generosity towards family and friends is praiseworthy."