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In this intellectually bracing work, John C. Lilly, whose groundbreaking research inspired Day of the Dolphins and Altered States, likens humans to biochemical robots without an operating manual. By learning to program the robot, he argues, humans gain spiritual independence. Knowing one’s core beliefs and understanding how they direct one’s actions are critical steps towards such independence. But for many people, spiritual beliefs are like clothes, put on and taken off for various occasions — and like clothes, become a kind of confining uniform, rendering one person virtually identical to the next. In The Steersman, Lilly shows readers how to identify their guiding beliefs and, most importantly, how to change them in ways that they choose, making it possible to break out of the confines of beliefs accepted without consideration and navigate a new path of self-discovery.
At last, here is the eagerly anticipated new novel by Rosemary Kirstein, critically acclaimed author of The Steerswoman and The Outskirter’s Secret. This though-provoking story calls to mind the writing of Ursula K. LeGuin and Sheri Tepper. How do you find a person you have never seen, or have never heard described? And what if the consequences of not finding him are too terrible to imagine? The steerswoman Rowan has learned that Slado, a mysterious wizard, has secretly been working spells of incredible power. Both the Inner Lands and the Outkskirts are now threatened by his magic—and before the destruction becomes too great to reverse, Rowan must find Slado so that he can be stopped. But how does one stop the most powerful man in the world? In the seaside town of Alemeth, the Annex holds centuries of steerswomen’s journals. They may contain clues to Slado’s location, but combing through them would take more time than Rowan has to spend. Then she encounters a lost friend: Janus, one of the few rare Steersmen. But Janus quit the order without explanation. Now the bright, beloved companion of Rowan’s student days has become a man dominated by dark moods and even darker secrets. When sleepy Alemeth transforms into a place of chaos, terror, and sudden death, Rowan wonders if all the secrets are connected. The shocking answer will change the steerswoman—and her world—forever. . . .
In Wild, Cheryl Strayed writes of The Ten Thousand Things: "Each of Dermoût’s sentences came at me like a soft knowing dagger, depicting a far-off land that felt to me like the blood of all the places I used to love.” And it's true, The Ten Thousand Things is at once novel of shimmering strangeness—and familiarity. It is the story of Felicia, who returns with her baby son from Holland to the Spice Islands of Indonesia, to the house and garden that were her birthplace, over which her powerful grandmother still presides. There Felicia finds herself wedded to an uncanny and dangerous world, full of mystery and violence, where objects tell tales, the dead come and go, and the past is as potent as the present. First published in Holland in 1955, Maria Dermoût's novel was immediately recognized as a magical work, like nothing else Dutch—or European—literature had seen before. The Ten Thousand Things is an entranced vision of a far-off place that is as convincingly real and intimate as it is exotic, a book that is at once a lament and an ecstatic ode to nature and life.