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A remarkable anthology of Berg's translations representing his unique method of mingling his own poetic sensibility with the poets, thus retaining the profound music of the works. The collected poems, taken from more literal English translations, explore visions from Nahuatl religious chants, Eskimo songs, and Zen traditions as well as European, Latin American, and Russian offerings including Sappho, Rimbaud, Radnoti, Mayakovsky, Tsvetayeva, Annensky, and Paz. Includes short essays detailing the history of the translations. Annotation copyrighted by Book News, Inc., Portland, OR
The Steelband Movement examines the dramatic transformation of pan from a Carnival street music into a national art and symbol in Trinidad and Tobago. By focusing on pan as a cultural process, Stephen Stuempfle demonstrates how the struggles and achievements of the steelband movement parallel the problems and successes of building a nation. Stuempfle explores the history of the steelband from its emergence around 1940 as an assemblage of diverse metal containers to today's immense orchestra of high-precision instruments with bell-like tones. Drawing on interviews with different generations of pan musicians (including the earliest), a wide array of archival material, and field observations, the author traces the growth of the movement in the context of the grass-roots uprisings of the 1930s and 1940s, the American presence in Trinidad in World War II, the nationalist movement of the postwar period, the aftermath of independence from Britain in 1962, the Black Power protests and the oil boom of the 1970s, and the recession of recent years. The Steelband Movement suggests that the history of pan has involved a series of negotiations between different ethnic groups, socioeconomic classes, and social organizations, all of which have attempted to define and use the music according to their own values and interests. This drama provides a window into the ways in which Trinidadians have constructed various visions of a national identity.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
In a readable, informed and absorbing discussion of cricket's defining controversies - bodyline, chucking, ball-tampering, sledging, walking and the use of technology, among many others - Fraser explores the ambiguities of law and social order in cricket.
The great C L R James once asked: 'What do they know of cricket who only cricket know?' For some of us answering that can keep you awake at night. Soumya Bhattacharya knows this: he has a steady job, a loving wife, a daughter he dotes on. But most of all he has cricket. Or perhaps more accurately: cricket has him. Ever since he can remember, he's loved the game. From his first knockabouts on the living-room carpet - with his mother's paper bats and balls - he progressed to Test Match Special on short-wave, then to the whole panoply of obsession: one-dayers, Test matches, TV highlights, re-runs of TV highlights, always following one team - India. When you come from a country where the game is more than a religion, you must like cricket, right? In this sparkling memoir of a lifetime spent in the company of eleven men, a green field and a billion other worshippers, Soumya Bhattacharya gives us a guided tour of the soul of a cricket obsessive. Part reportage, part travelogue, part cultural politics, You Must Like Cricket? takes us from his home in Kolkata to Lord's and back again as Bhattacharya explores the joys and the lows (mostly the lows) of a thirty-year love affair, how one game has become so closely tied to a nation's identity, and the troubling hold cricket has over him. But if your home ground was called Eden Gardens, where else would you rather be?
This selection of the very best, and most intriguing, writing on cricket, drawn from the mid-eighteenth century to the present day, adopts a fresh approach. It is arranged around the theme of the many things that must happen simply for a day's play to happen - from creating a clearing in a Malaysian jungle to getting to the ground - so includes, alongside writing by players both great and unknown, the perspectives of spectators, umpires, scorers and other unsung heroes of the game. There are contributions from John Arlott, Neville Cardus, C. L. R. James and E. V. Lucas; Marcus Trescothick writes on his introduction to cricket aged three; Angus Fraser on meeting Nelson Mandela; Phil Tufnell on being shanghaied into getting a haircut by Mike Gatting; and Rachael Heyhoe Flint on being the first woman to step onto the Lord's ground as a player. But it is the cricket itself and the outstanding players and their achievements that remain the focus - the greats of the recent and distant past involved in some of their most famous exploits. From 'disgraceful scenes at Lord's', described by Irish writer Robert Lynd, to North America, which W. G. Grace toured in 1872, and from a match played on ice to the tropical islands of Fiji and Samoa, this is a collection that does full justice to the extraordinary breadth, diversity and enduring fascination of the greatest game in the world.