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DK Eyewitness Travel Guide: Russia will lead you straight to the best attractions this diverse country has to offer. From the majestic cities of Moscow and St. Petersburg to the sandy beaches of the Baltic Coast and from the lush Volga Delta to the snowcapped Caucasus Mountains, explore the largest country in Europe. Experience the grandeur of the Kremlin, the Palace Embankment in St. Petersburg, and the historic sights in the Olympic city of Sochi, immerse yourself in the flavors of the local cuisine, and don't miss out on the world-famous Russian Ballet. Discover DK Eyewitness Travel Guide: Russia. + Detailed itineraries and "don't-miss" destination highlights at a glance. + Illustrated cutaway 3-D drawings of important sights. + Floor plans and guided visitor information for major museums. + Guided walking tours, local drink and dining specialties to try, things to do, and places to eat, drink, and shop by area. + Area maps marked with sights. + Detailed city maps each include a street finder index for easy navigation. + Insights into history and culture to help you understand the stories behind the sights. + Hotel and restaurant listings highlight DK Choice special recommendations With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Russia truly shows you what others only tell you.
Victor Arnautoff reigned as San Francisco's leading mural painter during the New Deal era. Yet that was only part of an astonishing life journey from Tsarist officer to leftist painter. Robert W. Cherny's masterful biography of Arnautoff braids the artist's work with his increasingly leftist politics and the tenor of his times. Delving into sources on Russian émigrés and San Francisco's arts communities, Cherny traces Arnautoff's life from refugee art student and assistant to Diego Rivera to prominence in the New Deal's art projects and a faculty position at Stanford University. As Arnautoff's politics moved left, he often incorporated working people and people of color into his treatment of the American past and present. In the 1950s, however, his participation in leftist organizations and a highly critical cartoon of Richard Nixon landed him before the House Un-American Activities Committee and led to calls for his dismissal from Stanford. Arnautoff eventually departed America, a refugee of another kind, now fleeing personal loss and the disintegration of the left-labor culture that had nurtured him, before resuming his artistic career in the Soviet Union that he had fought in his youth to destroy.
Amazing Art Adventures gathers together hundreds of exciting, unexpected and memorable art experiences from around the world.
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
Following the success in 2000 of Seas, Cities, and Dreams, the authors return with a second volume on the works of this remarkable 19th-century master who raised European maritime painting to a new level. A towering figure in his day, he shot to international fame at an early age. His exhibitions drew enormous crowds from all over the world and earned him the admiration of Vernet and Turner. He was elected a member of five European academies and was personally acquainted with most of the crowned heads of his day. Throughout his long and colorful career Aivazovsky claimed to have painted over 6,000 pictures. The authors—the foremost experts on the artist—have gathered the material for this book from public and private collections worldwide. The large number of paintings illustrated offer a significant addition to the published corpus of Aivazovsky's oeuvre. Their chronological arrangement makes this book an invaluable resource for scholars, collectors, and Aivazovsky's many admirers.
Now available in PDF format. DK Eyewitness Travel Guide: Russia, a new title in the award-winning DK Eyewitness Travel guidebook series, showcases the best of this diverse country, from the majestic cities of Moscow and St. Petersburg to the sandy beaches of the Baltic Coast and from the lush Volga delta to the snow-capped Caucasus Mountains. Using unique illustrated maps and 3-D cutaway drawings of key locations, travelers can discover the grandeur of the Kremlin, the Palace Embankment in St. Petersburg, and the historic sights in the Olympic city of Sochi-nearly 100 illustrations in all. Throughout, special features illuminate Russia's history and cultural heritage, local cuisine, and experiences sure to last a lifetime, like where to watch the world-famous Russian Ballet. Full-color maps, city plans, and thematic tours and walks enable travelers to explore the country region-by-region, as well as when traveling in the main cities of Moscow and St. Petersburg. Hotel and restaurant listings include DK Choice recommendations, and the practical trip-planning section covers visa information, air and train travel, when to go to Russia, and so much more. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Russia truly shows you this country as no other guidebook can.
This travel guide describes selected important historical relics,sites and museums in the Baltic Sea region telling the history ofthe Cold War period. There is public access to nearly all the sites included in the book. It covers places such as missile bases, large artillery batteries, secret police prisons, closed military towns, partisan bunkers, execution and burial sites, nuclear bunker complexes, secret printing houses, former Soviet sculptures and architecture along with many of the sites where important events took place, such as demonstrations, freedom struggles etc. The museums described recount the histories of the Berlin Wall, the military build-up in both East and West, the military crises, the terror of Stalin and the Communist secret police, the armed and unarmed resistance in former Soviet countries and its satellite states, the deportations of slave labourers to remote parts of the Soviet Union, the deportations to the GULAG camps and the struggles for freedom from Communist regimes in Estonia, Latvia, Lithuania, Poland, East Germany and Russia.
Norway and Russia have been closely related through the ages, both geographically and historically, and have experienced similar problems relating to climate, building maintenance and national wooden architecture. As a result, the parallel study of architectural conservation and restoration theories and practices in both neighbouring Northern states makes for a stimulating collective monograph. Architectural Conservation and Restoration in Norway and Russia delves into the main challenges of historic and contemporary architectural preservation practices in the two countries. The book consists of three main parts: the discovery and preservation of historical architecture in the late nineteenth to early twentieth century; contemporary approaches to former restorations and the conservation and maintenance of historical architecture; and, finally, current questions concerning preservation of twentieth-century architectural heritage which, due to different building technologies and artistic qualities, demand revised methods and historical evaluation. This is a valuable resource for academics, researchers and students in different areas of architecture (medieval, nineteenth-century, wooden and contemporary architecture) as well as in the fields of art, architectural history, cultural heritage and Scandinavian and Russian studies.
"In this volume, which accompanies the largest exhibition ever mounted at the Guggenheim Museum, twenty-one essays by eminent scholars from Germany, Great Britain, Russia, and the United States explore the activity of the Russian and Soviet avant-garde in all its diversity and complexity. These essays trace the work of Malevich's Unovis (Affirmers of the New Art) collective in Vitebsk, which introduced Suprematism's all-encompassing geometries into the design of textiles, ceramics, and indeed whole environments; the postrevolutionary reform of art education and the creation of Moscow's Vkhutemas (Higher Artistic-Technical Workshops), where the formal and analytical princples of the avant-garde were the basis of instruction; the debates over a "proletarian art" and the transition to Constructivism, "production art," and the "artist-constructor"; the organization of new artist-administered "museums of artistic culture"; the "third path" in non-objective art taken by Mikhail Larionov; the return to figuration in the mid-1920s by the young artists - and former students of the avant-garde - in Ost (the Society of Easel Painters); the debates among photographers, in the late 1920s and early 1930s, on the superiority of the fragmented or continuous image as a representation of the new socialist reality; book, porcelain, fabric, and stage design; and the evolution of a new architecture, from the experimental projects of Zhivskul'ptarkh (the Synthesis of Painting, Sculpture, and Architecture Commission) to the multistage competition, in 1931-32, for the Palace of Soviets, which "proved" the inapplicability of a Modernist architecture to the Bolshevik Party's aspirations."