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Twenty-four hours ago Gil MacDonald and his men had been fighting off an ambush in a Vietnam jungle. Now, thanks to some kin of spell, they were in the middle of this Fantasy Land filled with flying dragons, wizards, crazy castles and dispossessed princes.
Alacrity Fitzhugh, a young space adventurer, is blackmailed into taking Hobart Floyt, a minor Terran bureaucrat, to claim a mysterious inheritance from a wealthy interstellar empire
By 1977 National Public Radio (NPR) was in trouble, plagued by too little funding and small audiences. The phenomenal success of its adaptation of Star Wars as a radio drama in 1981 gave NPR the needed ratings, publicity, and boost in donations that kept it afloat at exactly the time it was threatened the most. Most importantly, Star Wars brought a new audience to NPR. As it did in theaters, where George Lucas's films redefined movie making, so too did NPR's Star Wars forever change the artistic world of radio drama. That a radio network, dependent exclusively on audio, would find a lifeline in one of the most visually dynamic movies ever released is the stuff of irony. Utilizing new interviews with creatives such as Anthony Daniels (C-3PO), Ann Sachs (Princess Leia), Perry King (Han Solo), and director John Madden, and archival research, this book details how an unlikely alliance of academics, radio executives, Lucasfilm employees, actors, and behind-the-scenes artists banded together, despite the obstacles, to create a unique and consequential work. It is also the story of how writer Brian Daley was the fulcrum who made it all possible.
Hobart Floyt, unwitting inheritor of an interstellar spaceship, and his friend, Alacrity Fitzhugh, match wits with Earth's bureaucrats and unknown enemies as they seek Floyt's legacy
Han Solo and Chewbacca’s extraordinary exploits carry them across the galaxy in this awesome trilogy. Han Solo at Star’s End: Han Solo trusts no one, and does no favors. But when the best illegal ship rebuilder in the galaxy disappears, Han and Chewbacca agree to go after him—after all, the Millennium Falcon needs some very special repairs. Their search pits them against powerful and ruthless enemies out to destroy them, and finally leads them to an airless speck of desolate asteroid—the Authority prison planet known as Stars’ End. Han Solo’s Revenge: For a cool ten thousand credits, Han and Chewbacca will do just about anything—except transport slaves. For one thing, it means an instant death sentence. So when a high-paying cargo shipment turns out to be a consignment of slaves, Han and Chewie have to think fast. But Han forms a plan to turn the tables on the slavers and free the captives. Then, good deed accomplished, he scours the skies for the nasty joker who set him up—because revenge can be so sweet. Han Solo and the Lost Legacy: There’s a fabled treasure at stake and a price on Han’s head. So he and Chewbacca head for a planet rumored to hide undreamed-of riches. But once they get there, Han’s beloved spacecraft, the Millennium Falcon, is hijacked by a band of assassins and killer robots. Their chances for survival are so slim, they might as well risk it all. Features a bonus section following the novel that includes a primer on the Star Wars expanded universe, and over half a dozen excerpts from some of the most popular Star Wars books of the last thirty years!
Alacrity Fitzhugh is made commander of the White Ship, an advanced starship designed to trace the mysterious Precursor aliens and unlock their secrets
For the price of one, you get three Lando Calrissian novels: LANDO CALRISSSIAN AND THE MINDHARP OF SHARU, LANDO CLARISSIAN AND THE FLAMEWIND OF OSEON, and LANDO CALRISSIAN AND THE STARCAVE OF THONBOKA. You know him as a gambler, rogue, and con-artist; Lando's always on the frontier scanning his sensors for easy credits and looking for action in galaxies near and far.
Order in the Court! Star Wars: the most significant, powerful myth of the twenty-first century or morally bankrupt military fantasy? Six films. Countless books. $20 billion in revenue. No one can question the financial value or cultural impact of the Star Wars film franchise. But has the impact been for the good? In Star Wars on Trial's courtroom—Droid Judge presiding—Star Wars stands accused of elitist politics and sexism, religious and ethical lapses, the destruction of literary science fiction and science fiction film, and numerous plot holes and logical gaps. Supported by a witness list of bestselling science fiction authors, David Brin (for the prosecution) and Matthew Woodring Stover (for the defense) debate these charges and more before delivering their closing statements. The verdict? That's up to you. Covering the films from A New Hope to The Force Awakens, Brin and Stover provide new forewords that explore the newest generation of Star Wars films and what JJ Abrams must do to live up to—or redeem—the franchise.
Explore the galaxy far, far away. Four decades after the original Star Wars was released, changing cinema forever, the saga continues with all-new movies, books, comics, video games, and TV spin-offs. This collection of interviews and behind-the-scenes features includes: Daisy Ridley on playing Rey in The Force Awakens, an exploration of rare prototype toys that never made it into stores, and Mark Hamill’s thoughts on working with Sir Alec Guinness. “The Best of Star Wars Insider proves we don’t know all there is to know about Star Wars.” – New York Journal of Books