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A breathtaking debut, The Star Cafe heralds "an utterly original artist, already writing with something like mastery".--Robert Kelly.
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Mary Jo Bona reconstructs the literary history and examines the narrative techniques of eight Italian American women's novels from 1940 to the present. Largely neglected until recently, these women's family narratives compel a reconsideration of what it means to be a woman and an ethnic in America. Bona discusses the novels in pairs according to their focus on Italian American life. She first examines the traditions of italianitá (a flavor of things Italian) that inform and enhance works of fiction. The novelists in that tradition were Mari Tomasi (Like Lesser Gods, 1949) and Marion Benasutti (No Steady Job for Papa, 1966). Bona then turns to later novels that highlight the Italian American belief in the family's honor and reputation. Conflicts between generations, specifically between autocratic fathers and their children, are central to Octavia Waldo's 1961 A Cup of the Sun and Josephine Gattuso Hendin's 1988 The Right Thing to Do. Even when writers choose to steer away from the familial focus, Bona notes, their developmental narratives trace the reintegration of characters suffering from a crisis of cultural identity. Relating the characters' struggles to their relationship to the family, Bona examines Diana Cavallo's 1961 A Bridge of Leaves and Dorothy Bryant's 1978 Miss Giardino. Bona then discusses two innovative novels—Helen Barolini's 1979 Umbertina and Tina De Rosa's 1980 Paper Fish—both of which feature a granddaughter who invokes her grandmother, a godparent figure. Through Barolini's feminist and De Rosa's modernist perspectives, both novels present a young girl developing artistically. Closing with a discussion of the contemporary terrain Italian American women traverse, Bona examines such topics as sexual identity when it meets cultural identity and the inclusion of italianitá when Italian American identity is not central to the story. Italian American women writers, she concludes, continue in the 1980s and 1990s to focus on the interplay between cultural identity and women's development.
In Curly Hair and Other Stories, Betty Hunley Carlyon reminisces about her Midwestern upbringing, her married life, and her duties as first lady of a nationally renowned community college in Michigan. Throughout the book, she shares happy and humorous tales of family, friends, marriage, children, and grandchildren. Readers will find this to be a beautiful testament to her. Lovely in face, spirit, and heart, Mrs. Carlyon was a prolific letter writer and a gracious and consummate hostess. In this book, she fills her stories with laughs, insights, perspectives, understandings, information, and even some tears—the good kind! They are heartfelt, written with love and gratitude.
This heartwarming book that speaks about hope and healing comes in a collection of short stories that deal with love and loss, death and deliverance. We journey through life carrying with us the stories that we do not readily share to others. And so we live, endure and patiently go through the humdrum routine of this world. But it is in the mundane things that change often happens; for deliverance always comes to hearts who hold on to hope. Sometimes deliverance comes through mere acceptance. Sometimes it comes through a person, a place, a circumstance or sometimes it comes solely through the welcoming of hope. And often, it comes, garbed not in an extravagant declaration, but in a simple and quiet realization: Begin again, dream again, live again. These are the stars we carry in our pockets.
Jarvis's witty humor is on display as Bear and Bird, unlikely best friends, return in a second collection of tender, charmingly illustrated stories. "OK," said Bird. "I'll be on this rock. I promise I won't wander off. I'll stay on the rock." And she did. Even when it grew legs . . . and a little head. Bear and Bird are the best of friends, but yesterday they had a falling out. And although they can't quite remember why, each is sure that a new best friend is now in order. If Bear sends an anonymous letter floating down the river, will it be found by someone nice--someone with whom he has as much in common as he did with Bird? In this quartet of tales, the endearing duo is back to show that even friends who sometimes get their wires crossed can always be each other's best supporter--whether making plans to meet that go comically awry, baking hideously inedible surprise cakes, or savoring a starlit moment together (and getting carried away with wishes for just one more thing to make it perfect). With his signature subtle wit, irresistible art, and an underlying affection, Jarvis draws newly independent readers into a sweet friendship for the ages.
This groundbreaking collection reinvigorates the debate over the inclusion of multiethnic literature in the American literary canon. While multiethnic literature has earned a place in the curriculum on many large campuses, it is still a controversial topic at many others, as recent campus and corporate revivals of The Great Books attest. Many still perceive multiethnic literature as being governed by ideological and political issues, perpetuating a false distinction between highbrow "literary" texts and multiethnic works. Through historical overviews and textual analyses, the contributors not only argue for the aesthetic validity of multiethnic literature, but also examine the innovative ways in which multiethnic literature is taught and critiqued. The following questions are also addressed: Who and what determines literary value? What role do scholars, students, the reading public, book awards, and/or publishers play in affirming literary value? Taken together, these essays underscore the necessity for maintaining vibrant conversations about the place of multiethnic literature both inside and outside the academy.
"How much of myself is in there? It's all me. Especially in Reader's Block, all that personal stuff re: Reader and/or Protagonist, ex-wife, ex-galfriends, children, lack of money, isolation, messed-up life, and/or some items dictated by novelistic necessity---and of course there is necessary invention there also, e.g., a house at a cemetery---but even little items like a couple of yellow stones from Masada or a reproduction of Giotto's Dante---I plucked up whatever was ready at hand. Is that laziness, or is it what they speak of as using what one knows? Take your pick."---David Markson To Francoise Palleau-Papin --Book Jacket.
A collection of 27 original essays, some formal and some personal, document the history of Italian American culture for general readers and for teachers of multicultural studies. They investigate Italian-American identity and contributions to American culture through accounts of everyday life, fiction, films, poetry, music, customs, traditions, social mores, religion, and other features. Among the contributors are an anthropologist, a playwright, several poets and novelists, a singer, an opera critic, and several literary critics and cultural historians. The chronology begins of course with 1492; the lexicon does not indicate pronunciation. Double spaced. Annotation copyrighted by Book News, Inc., Portland, OR