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The long-awaited second collection by a central literary figure, Columbia University professor, and poetry editor of the Boston Review.
"The classic Wordsworth poem is depicted in vibrant illustrations, perfect for pint-sized poetry fans."
A poetry collection that both illustrates what mindfulness is and encourages young, growing minds to be present, from poet and educator Georgia Heard, with art by Isabel Roxas. Poets have long observed the world in a mindful way. They point out beauty we might have missed, draw our attention to our inner thoughts, and call us to see our society in new ways. But as daily life become more and more chaotic, children grow distracted. According to the CDC, 9.4% of children have ADHD and 7% have anxiety/depression. And these numbers continue to climb. As treatment doctors recommend healthy eating, physical activity, plenty of sleep, and mindfulness techniques. Georgia Heard is a poet and educator—and she has long had her own meditation practice. In My Thoughts Are Clouds, she uses poetry to demonstrate what mindfulness is and gives kids—and their parents and teachers—accessible ways to learn mindfulness tools.
This book describes clouds of many shapes and sizes that drift and dance across the sky.
With piercing clarity and craftsmanship, Mary Oliver has fashioned an unforgettable poem of questioning and discovery, about what is observable and what is not, about what passes and what persists. As the U.S. Poet Laureate, Stanley Kunitz, has said: "Mary Oliver's poetry is fine and deep; it reads like a blessing. Her special gift is to connect us with our sources in the natural world, its beauties and terrors and mysteries and consolations." The Boston Globe has called Mary Oliver "a great poet . . . she is amazed but not blinded." And the Miami Herald has said: "The gift of Oliver's poetry is that she communicates the beauty she finds in the world and makes it unforgettable."
“A strutting, dazzling, exhilarating” collection of poems by the Kingsley Tufts Poetry Award–winning author of The Cloud Corporation (The Village Voice). In his critically acclaimed debut collection, Timothy Donnelly pairs an extraordinary gift for rhetorical exuberance with a stunning formal mastery. The title poem conjures an imaginary play, populated by objects, that forms an allegorical rendering of a single lifetime. In “Accidental Species,” he puts forth a remarkable statement about his own efforts as a poet, a humorous ars poetica by way of a heartbreaking lover’s complaint. For its thoughtfulness, range, and sheer energy, Twenty-Seven Props for a Production of Eine Lebenszeit is a remarkable work from one of our most original young poets. “Filled with dreams both romantic and funny . . . [Donnelly’s] self-deprecating surrealism is vivid and often touching.” —Ken Tucker, The Baltimore Sun
"The Gathering Cloud collates research into the history and language of meteorology with current thinking about data storage and climate change. Archival material from the Met Office Archive and Library in Exeter has been studied and sifted, along with classical, medieval, and Victorian sources, including, in particular, Luke Howard's classic essay On the Modifications of Clouds, first published in 1803. This research material is presented as a sequence of texts and images, acting both as a primer to the ideas behind the project and as a document of its movement between formats, from the data centre to the illuminated screen, from the live performance to the printed page. In his foreword media theorist Jussi Parikka describes the work as "a series of material transformations made visible through a media history executed as digital collage and print publication, hendecasyllabic verse, and critical essay"."--Publisher's website.