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In the heart of a bustling town lies the Stanton House Convent, a beacon for artists seeking inspiration and solace. Beneath its historic charm and creative pulse lies a chilling secret known only to a select few. Room 313, an ordinary space at first glance, is the epicenter of whispered legends, unsolved mysteries, and artistic genius that comes at a terrifying cost. As the doors of Room 313 swing open to various inhabitants over the years—Craig, the sculptor, Julie, the passionate painter; William, the haunted writer; Father Hendrick, the determined exorcist—each becomes entwined in a gripping dance with forces beyond comprehension. The room's eerie allure draws them in, but will they emerge unscathed, or will they become yet another shadow in its dark legacy? From the enigmatic director Amanda Walker, whose ties to the room run deeper than anyone suspects, to Steven's quest for understanding before seeking solace elsewhere, the lives touched by Room 313 are forever altered. Rumors swirl, the media descends, and the Stanton House's reputation teeters between a haven for unparalleled creativity and a doorway to the unknown. In "Shadows of the Stanton House: Room 313", delve deep into the tangled web of passion, fear, and the supernatural. Discover the room's ancient origins, its victims, its champions, and the eldritch forces that lie in wait. Unravel the mysteries, but beware—for some secrets demand a heavy price. Join us in a tale where the boundaries between reality and nightmare blur, and where every corner of the Convent may echo with whispers from the past.
"Of the crucial men close to President Lincoln, Secretary of War Edwin Stanton (1814-1869) was the most powerful and controversial. Stanton raised, armed, and supervised the army of a million men who won the Civil War. He organized the war effort. He directed military movements from his telegraph office, where Lincoln literally hung out with him ... Now with this worthy complement to the enduring library of biographical accounts of those who helped Lincoln preserve the Union, Stanton honors the indispensable partner of the sixteenth president"--
This reference work covers the supernatural and speculative fiction published by Arkham House Publishers, Inc., of Sauk City, Wisconsin. In 1937, promising Wisconsin writer August Derleth decided to publish a collection of the stories of his recently deceased friend, H. P. Lovecraft. After two years of failed attempts, Derleth and another Lovecraft fan, Donald Wandrei, published the collection themselves under the name of Arkham. In the years that followed, Arkham House published the works of many of the foremost American and British writers of weird fiction, including Basil Copper, Lord Dunsany, Robert E. Howard, and Robert Bloch. Arkham published Ray Bradbury's first book, Dark Carnival, in 1947. The work begins with a history of the house and biography of August Derleth; it also includes a chapter on H. P. Lovecraft's connection to Arkham. The main body of the text consists of chronologically listed descriptions and current values of the more than 230 titles published by Arkham House and its two imprints, Mycroft & Moran and Stanton & Lee. These entries detail editions, reprints, special points, restoration, care, buying and selling, investment, and future trends. Other features include alphabetical indeces of titles and authors, lists of scarcity and value ranking, a list of annual stock lists and catalogs, and a bibliography of reference literature. The book is illustrated throughout with dust jacket reproductions and photographs.
The long-awaited collection of James the Stanton's beloved Gnartoons comics is here! Drink a 40 with a skateboarding dog, light a cop car on fire with a herd of friendly forest critters, and eat a pizza brunch with a bunch of radical dinosaurs. Stanton's trademark trippy humor wriggles and shines its way through each lushly illustrated comic vignette, now lovingly presented in a deluxe hardcover.
A bold new collection showcasing the trailblazing individuals who fought for women’s suffrage, honoring the Nineteenth Amendment’s centennial anniversary. On August 18, 1920, women in the United States secured their right to vote with the passage of the Nineteenth Amendment to the Constitution. Their fight for suffrage took decades of campaigning and marching, protesting and picketing, speeches and imprisonments. Millions of women across the country gave their all to achieve victory. From Lucretia Mott, who stoked the first flames of the suffrage movement in the 1800s, to Alice Paul, the militant twentieth-century suffragist who helped clinch ratification, Women Win the Vote! maps the road to the Nineteenth Amendment through the lives of nineteen of these fierce and courageous women who paved the way. With vivid profiles of iconic figures like Sojourner Truth and Elizabeth Cady Stanton, as well as those who may be less well-known, like Mary Ann Shadd Cary and Adelina Otero-Warren, this vibrant collection celebrates the one hundredth anniversary of the Nineteenth Amendment and the daring individuals who upended tradition to empower future generations of women.
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Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,[email protected].