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The Myth of Nergal and Ereskigal, preserved in two versions, a Middle-Babylonian one from Tell el-Amarna and a much longer Standard Babylonian one probably composed in Assyria in the early first millennium BCE, tells the story of why and how Nergal, son of Ea, the god of wisdom, descended into the Netherworld by the "ladders of heaven," fell in love with Ereskigal, queen of the Netherworld, and eventually deposed her and usurped her throne. Like all Mesopotamian myths, the story is replete with enigmatic details, puns and intertextual allusions making it a heavily encoded text with hidden levels of interpretation. In allegorical reading, the myth was a complement to the Descent of Istar (SAACT 6), and the mission of Nergal could be associated with that of the king as a heavenly savior sent to the rescue of the sinners. This volume provides an in-depth analysis of the myth and the most complete reconstruction of the Standard Babylonian version yet presented. The reconstructed text is given both in cuneiform and in up-to-date transliteration and translation, complete with a critical apparatus, philological commentary, and a full glossary and sign list. The Introduction also contains an edition and discussion of the Amarna version and an extensive study of the god Nergal in Assyrian sources. Ideal both as a textbook for classroom use and as a resource for non-Assyriologists wishing to study the myth first-hand.
The stories translated here all of ancient Mesopotamia, and include not only myths about the Creation and stories of the Flood, but also the longest and greatest literary composition, the Epic of Gilgamesh. This is the story of a heroic quest for fame and immortality, pursued by a man of great strength who loses a unique opportunity through a moment's weakness. So much has been discovered in recent years both by way of new tablets and points of grammar and lexicography that these new translations by Stephanie Dalley supersede all previous versions. -- from back cover.
Annotation After a general discussion of methods and approaches, Walls explores the construction of desire in the Gilgamesh Epic; a Freudian analysis of Horus and Seth; and sex, power, and violence in Nergal and Ereshkigal. Annotation c. Book News, Inc., Portland, OR (booknews.com).
Rivkah Harris’s cross-cultural and multidisciplinary approach breaks new ground in assessing Mesopotamian attitudes toward youth and mature adulthood, aging and the elderly, generational conflict, gender differences in aging, relationships between men and women, women’s contributions to cultural activities, and the "ideal woman." To uncover Mesopotamian perspectives, Harris combed through primary sources - including literature and myth, letters, economic and legal texts, and visual materials. Even such pivotal cultural influences as the Gilgamesh Epic and Enuma Elish are reinterpreted in an original manner.
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There is ample evidence across our solar system of cataclysmic and catastrophic destruction events. The asteroid belt, for example, may be the remains of an exploded planet! The known planets are scarred from incredible impacts, and teeter in their orbits due to causes heretofore inadequately explained. Rejecting the naturalist and materialist assumptions of catastrophism forwarded by other researchers, Farrell asserts that it is time to take the ancient myths of a Cosmic War in the heavens seriously. Incorporating extraterrestrial artifacts, cutting-edge ideas in contemporary physics, and the texts of ancient myths into his argument, Farrell maintains that an ancient interplanetary war was fought in our own solar system with weapons of extraordinary power and sophistication. In doing so, he offers a solution to an enigma that has long mystified researchers, disclosing a cause of that ancient war, the means by which it was waged, and the real nature of the secret technology behind the ancient “Tablets of Destinies.” It is all here, folks! The history of the Exploded Planet hypothesis, and what mechanism can actually explode a planet. The role of plasma cosmology, plasma physics (even plasma paleophysics) and scalar physics. The ancient texts telling of such destructions: from Sumeria (Tiamat’s destruction by Marduk), Egypt (Edfu and the Mars connections), Greece (Saturn’s role in the War of the Titans) and the ancient Americas.
The ancient civilization of Mesopotamia thrived between the rivers Tigris and Euphrates over 4,000 years ago. The myths collected here, originally written in cuneiform on clay tablets, include parallels with the biblical stories of the Creation and the Flood, and the famous Epic of Gilgamesh, the tale of a man of great strength, whose heroic quest for immortality is dashed through one moment of weakness. Recent developments in Akkadian grammar and lexicography mean that this new translation, complete with notes, a glossary of deities, place-names, and key terms, and illustrations of the mythical monsters featured in the text, will replace all other versions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God’s covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.
Literature begins at Sumer, we may say. Given that this ancient crossroads of tin and copper produced not only bronze and the entire Bronze Age, but also by neccesity, the first system of record-keeping and the technique of writing. Scribal schools served to propogate the new technique and their curriculum grew to create, preserve and transmit all manner of creative poetry. In a lifetime of research, the author has studied multiple aspects of this most ancient literary oeuvre, including such questions as chronology and bilingualism, as well as contributing fundamental insights into specific genres such as proverbs, letter-prayers and lamentations. In addition, he has drawn conclusions for the comparative or contextual approach to biblical literature. His studies, widely scattered in diverse publications for nearly fifty years, are here assembled in convenient one-volume format, made more user-friendly by extensive cross-references and indices.
Cuneiform records made some three thousand years ago are the basis for this essay on the ideas of death and the afterlife and the story of the flood which were current among the ancient peoples of the Tigro-Euphrates Valley. With the same careful scholarship shown in his previous volume, The Babylonian Genesis, Heidel interprets the famous Gilgamesh Epic and other related Babylonian and Assyrian documents. He compares them with corresponding portions of the Old Testament in order to determine the inherent historical relationship of Hebrew and Mesopotamian ideas.