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AMERICA AT THE POINT OF NO RETURN The next election is the most important one America has faced in more than a century. That’s not campaign hype. America is divided as almost never before—with contesting political factions regarding themselves not as rivals but as enemies. And the frightening thing is that, in large part, they’re right. The Democratic Party has become the party of “identity politics”—and every one of those identities is defined against a unifying national heritage of patriotism, pride in America’s past, and hope for a shared future. Offering only antagonism based on group identity—whether race, sex, or something else—the Democrats look forward to imposing nationally what they have achieved in California: one-party rule in a lockdown nation, where the ruling class makes every decision and doles out benefits to favored groups. Against them is a divided Republican Party. Gravely misunderstanding the opposition, old-style Republicans still seek bipartisanship and accommodation, wrongly assuming that Democrats care about playing by the tiresome old rules laid down in the Constitution and other fundamental charters of American liberty. The new core of the Republican Party is the populists and nationalists, who are tired of losing. The party’s only hope of victory, they are all that stand between the United States as we have traditionally understood it and a revolution—less dramatic in appearance but just as consequential as the Bolshevik Revolution in Russia. Michael Anton, the author of the most scathing, memorable, and quoted essay of the 2016 campaign season, “The Flight 93 Election”—which Rush Limbaugh called “one of the greatest columns ever written”—now explains in depth why the stakes have risen even higher. Ranging across every hot-button political topic of our time—from immigration to nationalism to war—and informed by a profound understanding of classical and American political philosophy, The Stakes will transform the way you view politics and America’s future.
How a form of play becomes a sport: players, agents, referees, leagues, tournaments, sponsorships, and spectators, and the culture of professional computer game play. Competitive video and computer game play is nothing new: the documentary King of Kong memorably portrays a Donkey Kong player's attempts to achieve the all-time highest score; the television show Starcade (1982–1984) featured competitions among arcade game players; and first-person shooter games of the 1990s became multiplayer through network play. A new development in the world of digital gaming, however, is the emergence of professional computer game play, complete with star players, team owners, tournaments, sponsorships, and spectators. In Raising the Stakes, T. L. Taylor explores the emerging scene of professional computer gaming and the accompanying efforts to make a sport out of this form of play. In the course of her explorations, Taylor travels to tournaments, including the World Cyber Games Grand Finals (which considers itself the computer gaming equivalent of the Olympics), and interviews participants from players to broadcasters. She examines pro-gaming, with its highly paid players, play-by-play broadcasts, and mass audience; discusses whether or not e-sports should even be considered sports; traces the player's path from amateur to professional (and how a hobby becomes work); and describes the importance of leagues, teams, owners, organizers, referees, sponsors, and fans in shaping the structure and culture of pro-gaming. Taylor connects professional computer gaming to broader issues: our notions of play, work, and sport; the nature of spectatorship; the influence of money on sports. And she examines the ongoing struggle over the gendered construction of play through the lens of male-dominated pro-gaming. Ultimately, the evolution of professional computer gaming illuminates the contemporary struggle to convert playful passions into serious play.
When the Stakes Are High is based on the premise that powers have continually played a decisive role in international conflicts. Consequently, one of the key questions concerns the conditions that are likely to trigger or abate dispute escalation into major power conflicts. In this book, Vesna Danilovic provides a rigorous theoretical and empirical analysis of these conditions. Since the most precarious and common form of dispute between major powers arises over third nations, the author's primary focus is on so-called extended deterrence. In this type of deterrence, one side attempts to prevent another side from initiating or escalating conflict with a third nation. When the Stakes Are High addresses such questions as: When is extended deterrence likely to be effective? What happens if deterrence fails? In what circumstances is war likely to result from a deterrence failure? The author's main argument is that a major power's national interests, which shape the inherent credibility of threats and which are shaped by various regional stakes, set the limits to the relevance of other factors, which have received greater scholarly attention in the past. Strongly supported by the empirical findings, the arguments in this work draw important implications for conflict theory and deterrence policy in the post-Cold War era. This book will appeal to the reader interested in international relations, in general, and in theories of international conflict, deterrence, causes of wars, great power behavior, and geopolitics, in particular. Vesna Danilovic is Assistant Professor of Political Science, Texas A&M University.
Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future. The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize. In a series of incisive essays, Smith exposes the stark contradictions at the heart of American life, holding all of us, individually and as a nation, to account. We've gotten used to looking away, but the fissures and casual violence of institutional oppression are ever-present. There is a future that is not as grim as our past. In this profound work, Smith helps us envision it with care, honesty, and imagination.
Scholars have long regarded ‘Bread, Politics and Political Economy in the Reign of Louis XV’ (1976) as marking an important moment in the study of the social, political and cultural history of eighteenth-century France. ‘The Stakes of Regulation’ is the companion volume to a new edition of this landmark study, revealing how Kaplan’s thinking has evolved in reaction both to the changing intellectual, epistemological, historiographical and socio-political environment, and to the significant scholarship that has been accomplished during the past forty years. Kaplan remains faithful to his original premise: that the subsistence question is at the core of eighteenth century history, and that the issues joined by the struggle over liberalization continue to shape our destiny today through the bristling tension between liberty and equality, and the debate over the necessity, legitimacy and character of regulation.
This trio of plays explores the use of drama as a support in healing, training, and entertaining all. Using the healing and accessible art of theater, timely interests-addiction, HIV, mental illness, racial injustice, sexual harassment, and more-are brought to life in a trio of contemporary scripts. In the title play, "The Stakes," an idealistic African American social worker-the target of workplace racism, sexual harassment, and political machinations-is encouraged by a coworker who shares with her his enthusiasm for African proverbs. A young woman strives to overcome her dual afflictions of mental illness and substance dependence in "Abiona." With the help of health-care professionals, plus her own insights related to her African heritage, she learns to find hope again. In an addiction-recovery center, one man struggles in his quest for sobriety. He finds solace in learning that the origins of the group's holiday celebration can be found in African traditions. "GumBO" won the 2000 Script Writing Award given by the Gwendolyn Brooks Center of Chicago.
To save both democracy and a decent economy, here’s why it’s crucial that Americans elect a truly progressive president. The 2020 presidential election will determine the very survival of American democracy. To restore popular faith in government—and win the election—Democrats need to nominate and elect an economic progressive. The Stakes explains how the failure of the economy to serve ordinary Americans opened the door to a demagogic president, and how democracy can still be taken back from Donald Trump. Either the United States continues the long slide into the arms of the bankers and corporate interests and the disaffection of working Americans—the course set in the past half century by Republican and Democratic presidents alike—or we elect a progressive Democrat in the mold of FDR. At stake is nothing less than the continued success of the American experiment in liberal democracy. That success is dependent on a fairer distribution of income, wealth, and life changes —and a reduction in the political influence of financial elites over both parties. The decay of democracy and economic fairness began long before Trump. The American republic is in need of a massive overhaul. It will take not just a resounding Democratic victory in 2020 but a progressive victory to pull back from the brink of autocracy. The Stakes demonstrates how a progressive Democrat has a better chance than a centrist of winning the presidency, and how only this outcome can begin the renewal of the economy and our democracy. A passionate book from one of America’s best political analysts, The Stakes is the book to read ahead of the 2020 primaries and general election.
UPPING THE STAKES is the story of Lily Jarman, an alluring woman whose life of wealth and privilege ends abruptly, forcing her to find a way to save her life and her family. Catapulted into the casino world of high-stakes gambling and sexual adventure, Lily risks more as her drug use escalates, thrusting her further into a life of turmoil. In this compelling search for independence, she embarks on a roller coaster journey from Atlantic City to New York and Las Vegas where she learns that upping the stakes comes with powerful life changing consequences.
How would artistic practice contribute to political change in post–World War II Japan? How could artists negotiate the imbalanced global dynamics of the art world and also maintain a sense of aesthetic and political authenticity? While the contemporary art world has recently come to embrace some of Japan’s most daring postwar artists, the interplay of art and politics remains poorly understood in the Americas and Europe. The Stakes of Exposure fills this gap and explores art, visual culture, and politics in postwar Japan from the 1950s to the 1970s, paying special attention to how anxiety and confusion surrounding Japan’s new democracy manifested in representations of gender and nationhood in modern art. Through such pivotal postwar episodes as the Minamata Disaster, the Lucky Dragon Incident, the budding antinuclear movement, and the ANPO protests of the 1960s, The Stakes of Exposure examines a wide range of issues addressed by the period’s prominent artists, including Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art Association), Katsura Yuki, and Nakamura Hiroshi. Through a close study of their paintings, illustrations, and assemblage and performance art, Namiko Kunimoto reveals that, despite dissimilar aesthetic approaches and divergent political interests, Japanese postwar artists were invested in the entangled issues of gender and nationhood that were redefining Japan and its role in the world. Offering many full-color illustrations of previously unpublished art and photographs, as well as period manga, The Stakes of Exposure shows how contention over Japan’s new democracy was expressed, disavowed, and reimagined through representations of the gendered body.
Will national independence bring to the peoples of South East Asia liberty and democracy? Or will it mean corrupt government, factional strife and insolvency? Or will it mean eventual absorption by totalitarian communism? In this book, first published in 1950, the author analyses these questions, using the case history of Indonesia since 1940, in which he played a leading role, to illustrate his points. He gives an outline of the history of South East Asia, its domination by the West and its convulsion by war and nationalism. The seven nations of South East Asia – Ceylon, Burma, Siam, Indo-China, Malaya, Indonesia and the Philippines – have a great deal in common: except for Siam, they are all struggling through the formative years of nationhood; except for Ceylon, they were all occupied and pillaged by Japan during the War. They are of great value to other nations as a source of raw materials and foodstuffs. Their political and economic structure is of vital importance, both to themselves and to us and unless their new nationalism can be strengthened, the free world may lose a valuable asset to its economy and an ally against totalitarianism in Asia.