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Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the U.S. under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as "Apples," written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange.
Experts on the unexplained and paranormal research, Brad and Sherry Steiger turn their unique and remarkable talents to the bold storytelling of encounters with the unknown from throughout the ages. From mysterious strangers and unpredictable beings to weird behavior and paranormal phenomena, they investigate claims of visits from ghastly ghosts, otherworldly creatures, aliens living among us, phantoms, spirits and other accounts of encounters with the unexplained. Over 130 astounding accounts of Real Encounters, Different Dimensions and Otherworldy Beings with the supernatural such as: Visitors from other worlds who have had Earth under surveillance for centuries, conducting their activities in secret-even abducting humans for their own research and undeclared ends. Members of secret societies who developed advanced technology centuries ago which has been kept hidden in underground or undersea cities. Time Travelers from the Future. Beings who claim to be our descendants from the future who are returning to study the true destiny of humankind. Ghosts that haunt people, places, and things--and poltergeists that create havoc. Beasties and monsters found in everyone’s worst nightmares--and sometimes in their campsites, fields, and yards. Other Dimensional Visitors, Beings, Creatures, or Entities that come not from a faraway world in our solar system or any other, but from an adjacent space-time continuum existing on another vibrational/dimensional frequency or level. Previously unknown, unidentified terrestrial life-forms, such beings as ""sky-critters,"" ""sky fish,” “rods,” and “orbs.” As yet unknown physical energies that may be activated by the psyche, the unconscious level of the humanmind. Archetypal creatures and entities of the collective unconscious that are the result of energies that are accessible through dreams, meditations, and other states of altered consciousness. Interactions with beings that have been dubbed elves, fairies, devas throughout the centuries. The marvelous, creative facet of dreams. Out-of-body mind-traveling through Time and Space. Majestic beings who are described in the scriptures of many world religions as angels or demons.
'You are here to catch militants, so you have to catch militants. This is your business. You can't say, I have a budget of only 30,000, so I can't catch them.' This anonymous confession by an army officer splits wide open the anatomy of staged encounters in India's northeast, and explains how awards and citations are linked to a body count. Speaking to investigative journalist and conflict specialist Kishalay Bhattacharjee, the confessor tells of the toll this brutality has taken on him.An essay by Bhattacharjee and a postscript that analyses the hidden policy of extra-judicial killings and how it threatens India's democracy contextualize this searing confession. An explosive document on institutionalized human rights abuse.
The cultural phenomenon of exhibiting non-European people in front of the European audiences in the 19th and 20th century was concentrated in the metropolises in the western part of the continent. Nevertheless, traveling ethnic troupes and temporary exhibitions of non-European humans took place also in territories located to the east of the Oder river and Austria. The contributors to this edited volume present practices of ethnographic shows in Russia, Poland, Czechia, Slovenia, Hungary, Germany, Romania, and Austria and discuss the reactions of local audiences. The essays offer critical arguments to rethink narratives of cultural encounters in the context of ethnic shows. By demonstrating the many ways in which the western models and customs were reshaped, developed, and contested in Central and Eastern European contexts, the authors argue that the dominant way of characterizing these performances as “human zoos” is too narrow. The contributors had to tackle the difficult task of finding traces other than faint copies of official press releases by the tour organizers. The original source material was drawn from local archives, museums, and newspapers of the discussed period. A unique feature of the volume is the rich amount of images that complement every single case study of ethnic shows.
An anthropologist recounts an Algerian theater troupe’s 2016 US tour, detailing the highs and lows of the cross-cultural exchange. Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the United States under the auspices of the Center Stage program, sponsored by the US State Department to promote cross-cultural dialogue and understanding. The title of the play Istijmam produced was translated as “Apples,” written by Abdelkader Alloula, a renowned Algerian playwright, director, and actor who was assassinated in 1994. Goodman take readers on tour with the actors as they move from the Kennedy Center in Washington, D.C. to the large state universities of New Hampshire and Indiana, and from a tiny community theater in small-town New England to the stage of the avant-garde La MaMa Theater in New York City. Staging Cultural Encounters takes up conundrums of cross-cultural encounter, challenges in translation, and audience reception, offering a frank account of the encounters with American audiences and the successes and disappointments of the experience of exchange. “This is a ground-breaking and beautifully written work in the anthropology of performance as well as an intervention in experimental anthropology, wherein theater play is both ethnographic subject and method. The book is accompanied by a detailed website of audio-visual examples, making this a hyper-text, a multi-modal way of knowing. It is a tour de force.” —Deborah Kapchan, author of Theorizing Sound Writing “In this engrossing ethnography [Goodman] brings to life the excitements, hopes and disappointments of their staged cultural encounter. We are shown in fascinating detail what lies behind and before the tour: the actors’ intense disciplined dedication to avant garde theatre practices, the political and economic constraints of contemporary Algeria, the labour of translation, the performance traditions of the Algerian market place. . . . Subtle, searching and empathetic, with touches of wry humor, Goodman’s study will become an instant classic in anthropology, theatre and performance studies.” —Karin Barber, London School of Economics, author of A History of African Popular Culture
Using a relational approach to the study of interpersonal communication, this text provides comprehensive coverage of popular theories and concepts in interpersonal communication. The research base of the book draws from communication, but also emphasizes the interdisciplinary nature of the study of personal relationships.
Taking inspiration from real-life scenarios, this book narrates stories about people from different walks of life. As such, these are stories that everyone can relate to as it tells tales about people who we encounter in our daily lives. What happens when a young man gets entangled in the vicious cycle of corporate politics or when a young boy faces his worst fears in school? How a first-time mother fights with her anxieties and quells it to accept the best gift of life when she discovers an unusual friend? How far can a woman go for her family or how does a girl, rejected by the world, find the recipe for true love? How a creepy incident shakes a local town with a ghostly affair or how a con man takes advantage of blind superstitions and defraud a person of a lot of money? Discover the adventures of a loyal dog or a young kid seeking pure love , and more such immersive tales. Indulge yourself in these diverse vignettes and discover the various shades of daily life. 'Short Shots' is a collection of tales inspired by real-life encounters, presented with a fictional twist. It provides a glimpse of life’s different facets and oddities. Explore these fast-paced, gripping narratives with a twist that will keep you engaged till the end.
The subject of UFOs has been hotly debated. Are UFOs space vehicles from another world? Are they top-secret military aircraft of some kind? Or are they simply a figment of our imagination? Malcolm Robinson is a UFO & Paranormal Researcher with over 40 year's expertise and has had `hands on' experience with each of the cases contained in this book. The full story regarding the wave of UFO sightings over the town of Bonnybridge is given here, as is the full story of Scotland's first `reported' UFO abduction (the A70 Incident) This book presents the most fascinating UFO cases that Scotland has to offer and clearly shows that Scotland as a country has been touched by the UFO presence. This book will leave you with little doubt that mankind is dealing with a very real and bona fide phenomenon, as the witnesses in this book can clearly testify to.
25 presentations on the spiritual life, with four major talks by H.H. the Dalai Lama.
A play that traces a journey into the depths of the Amazon rainforest, incorporating innovative technology into a solo performance.