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The Paris Commune was the biggest and last popular revolution in western Europe - ending the cycle of revolutions that started in 1789. The Parisians, reeling from defeat in the Franco-Prussian War set up their own revolutionary administration. Government troops eventually retook the city and took a terrible revenge: thousands died in the bloodbath that followed. The short-lived Commune and its repression cast a long shadow. It exposed deep divisions in French society and became a potent inspiration for the radical left. This stirring new study written with great zest, and a vivid sense of time and place lets the reader experience these tumultuous events at first hand and provides a comprehensive synthesis of recent research in both French and English.
In 1870 Bismarck ordered the Prussian Army to invade France, inciting one of the most dramatic conflicts in European history. It transformed not only the states-system of the Continent but the whole climate of European moral and political thought. The overwhelming triumph of German military might, evoking general admiration and imitation, introduced an era of power politics, which was to reach its disastrous climax in 1914. First published in 1961 and now with a new introduction, The Franco-Prussian War is acknowledged as the definitive history of one of the most dramatic and decisive conflicts in the history of Europe.
This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-sià ̈cle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.
Imperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.
In this biography, musicologist and historian Frits Zwart carefully examines in great detail a musical life lived by Willem Mengelberg, undeniably the greatest conductor in Dutch music history.
In this vivid fifty-year history of Germany from 1871-1918—which inspired events that forever changed the European continent—here is the story of the Second Reich from its violent beginnings and rise to power to its calamitous defeat in the First World War. Before 1871, Germany was not yet nation but simply an idea. Its founder, Otto von Bismarck, had a formidable task at hand. How would he bring thirty-nine individual states under the yoke of a single Kaiser? How would he convince proud Prussians, Bavarians, and Rhinelanders to become Germans? Once united, could the young European nation wield enough power to rival the empires of Britain and France—all without destroying itself in the process? In this unique study of five decades that changed the course of modern history, Katja Hoyer tells the story of the German Empire from its violent beginnings to its calamitous defeat in the First World War. This often startling narrative is a dramatic tale of national self-discovery, social upheaval, and realpolitik that ended, as it started, in blood and iron.
A vivid account of the Chinatown race riots in 1871 Los Angeles, now counted among the worst hate crimes in American history.
Contemporary Spanish Realist painter Antonio Lopez Garcia is one of those artists, like Bacon and Balthus, who, in a century dominated by the avant-garde and its legacy, has managed to craft an individualistic style on the margins of prevailing trends. Known for his exquisite explorations of the mundane--starkly lit people, buildings, plants and interiors--he deftly calls attention to these familiar forms, allowing the viewer to pore over their details. Sometimes hyperrealistic, Lopez Garcia has been criticized by many art critics for neoacademism and praised by others, like Robert Hughes, who consider him a master Realist. As Lopez Garcia told Michael Brenson in 1989, "Reality has a highly resonant physical appearance that twentieth-century man perceives from different angles to those distinctive of other ages." The volume includes a text by art historian Jose M. Faerna.