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"Wickedly clever . . . Ruhl's unique, breezily elegant dialogue is fully present, as is her pleasingly loopy logic."—Variety "In the smart, rollicking Stage Kiss . . . passion and fidelity engage in a kind of elegant pas de deux. . . . The play manages to be both wholly original and instantly recognizable . . . with its combination of hilarity and trenchancy."—The New Yorker Award-winning playwright Sarah Ruhl brings her unique mix of lyricism, sparkling humor, and fierce intelligence to her new romantic comedy, Stage Kiss. When estranged lovers He and She are thrown together as romantic leads in a long-forgotten 1930s melodrama, the line between off-stage and on-stage begins to blur. A "knockabout farce that channels Noël Coward and Michael Frayn" (Chicago Tribune), Stage Kiss is a thoughtful and clever examination of the difference between youthful lust and respectful love. Ruhl, one of America's most frequently produced playwrights, proves that a kiss is not just a kiss in this whirlwind romantic comedy, which will receive its New York premiere at Playwrights Horizons in winter 2014. Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dead Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and have been produced in many theaters around the world.
In this slow-burn yet highly combustible enemies-to-lovers romance, perfect for fans of Rachel Lynn Solomon and Abby Jimenez, two stage actors find themselves falling for each other with each onstage kiss...against their better judgment. Actress Eden Blake’s biggest claim to fame is a mortifying pharmaceutical commercial for male enhancement pills. That is, until the female lead on the nationwide tour of Broadway’s hit Pride & Prejudice musical abruptly quits, and Eden is called up to fill the role. The cast of Liz and Darcy: The Musical has just settled into a three-week run in Washington, DC, and Broadway royalty Brennon Thorne is set to play Darcy. Despite Brennon’s reputation as being “a dream to work with,” Eden’s first impression of him is more like a nightmare. Now, she’ll have to kiss the pompous jerk eight shows per week. Brennon can’t disguise his disdain for understudies like Eden. But New York is filled with reminders of his most recent failed relationship, and this American tour is a much-needed distraction from his loneliness. As Eden and Brennon take the stage playing Jane Austen’s most memorable characters, their reality begins to mirror Elizabeth and Darcy’s—explosive chemistry and all. Together, they power through press performances and curtain calls, even as rumors of Brennon’s checkered romantic past resurface and prove to Eden that he can’t be trusted. But with each choreographed stage kiss, Eden and Brennon’s passion for the stage—and each other—ignites. Maybe, just maybe, not all rumors are to be believed—and not all showmances are doomed to fail.
THE STORY: A poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably, says Variety . After Callie meets Sara, the two unexpectedly fall in love. Their first kiss provokes a violent attack that transfo
In this slow-burn yet highly combustible enemies-to-lovers romance, perfect for fans of Rachel Lynn Solomon and Abby Jimenez, two stage actors find themselves falling for each other with each onstage kiss...against their better judgment. Actress Eden Blake’s biggest claim to fame is a mortifying pharmaceutical commercial for male enhancement pills. That is until the female lead on the nationwide tour of Broadway’s hit Pride & Prejudice musical abruptly quits and Eden is called up to fill the role. The cast of Liz and Darcy: The Musical has just settled into a three-week run in Washington, DC, and Broadway royalty Brennon Thorne is set to play Darcy. Despite Brennon’s reputation as being “a dream to work with,” Eden’s first impression of him is more like a nightmare. Now, she’ll have to kiss the pompous jerk eight shows per week. Brennon can’t disguise his disdain for understudies like Eden. But New York is filled with reminders of his most recent failed relationship, and this American tour is a much-needed distraction from his loneliness. As Eden and Brennon take the stage playing Jane Austen’s most memorable characters, their reality begins to mirror Elizabeth and Darcy’s—explosive chemistry and all. Together, they power through press performances and curtain calls, even as rumors of Brennon’s checkered romantic past resurface and prove to Eden that he can’t be trusted. But with each choreographed stage kiss, Eden and Brennon’s passion for the stage—and each other—ignites. Maybe, just maybe, not all rumors are to be believed—and not all showmances are doomed to fail.
THE STORY: At Peter and Rita's wedding, a mysterious old man insists on kissing the bride. While honeymooning, Peter gradually realizes that the woman by his side is not his wife. The wedding kiss caused Rita's soul and the old man's to change plac
Welcome to Kissing Creek, where romance-themed puns and love are around every corner... Barista and pseudo-mom Audrey Miller doesn’t believe in happily-ever-after—which means she definitely lives in the wrong town. But her younger siblings depend on her, which means a lifetime stuck in Kissing Creek and serving Pink Passion mochas with Chocolate Smooch donuts. Which is exactly when the town’s hot new professor walks in for a coffee and into her life... Ronan Walsh is an academic walking cliché, right down to the elbow patches on his blazer. She knows his type—intelligent and charming, yet sweet as a cinnamon roll. He’s the sort of man she’s inevitably attracted to... and the sort of man who is always out of her league. Ronan isn’t putting down roots and Audrey is definitely not going anywhere soon. And neither of them are looking for anything permanent. But in the lovestruck town of Kissing Creek, that might be all the invitation love needs... Each book in the Kissing Creek series is STANDALONE: *Kissing Lessons *Kissing Games
"The Assembled Parties is Greenberg's most richly emotional work in years, and the most beautifully detailed."—New York magazine "This tragicomedy shocks us into realizing how hungry we have been for witty and wounded grown-ups who toss off gorgeously written observations without knowing how little we know about what we think we know."—Newsday Meet the Bascovs, an Upper West Side Jewish family in 1980. In an opulent apartment overlooking Central Park, former movie star Julie and her sister-in-law Faye bring their families together for a traditional holiday dinner on a night when things don't go as planned. Twenty years later, as 2001 approaches, the Bascovs's seemingly picture-perfect life may be about to crumble. An incisive portrait of a family grasping for stability at the dawn of a new millennium, The Assembled Parities premiered on Broadway in 2013 to rave reviews and a Tony Award nomination for Best Play. Richard Greenberg has written two dozen plays in his thirty-year career, including Take Me Out (Tony Award for Best Play, Drama Desk Award, NY Drama Critics Circle Award, Outer Critics Circle Award, Lucille Lortel Award), The Dazzle (Outer Critics Circle Award), Three Days of Rain (L.A. Drama Critics Award, Pulitzer Prize finalist), The American Plan, the book for a musical adaptation of Far From Heaven, and many more. He has received the Oppenheimer Award for a new playwright as well as the first PEN/Laura Pels Award for a playwright in mid-career.
Published in conjunction with the band, KISS: 1977 - 1980 is the definitive photographic chronicle of KISS at the height of their popularity, showcasing the band on and off stage, in the photo studio, and in unguarded candid moments. From her archive, Goldsmith has compiled fan favorites as well as many never-before-seen photographs, all which perfectly capture the enduring phenomenon that is KISS. Chances are you've seen numerous iconic pictures by award-winning photographer Lynn Goldsmith, who has photographed every important rock musician and band of the late twentieth century: The Rolling Stones, Bruce Springsteen, The Police, Talking Heads, Frank Zappa, Bob Dylan, and Patti Smith, among many others. KISS rose to meteoric prominence with their extravagant live performances featuring fire-breathing, blood spitting, guitars bursting into flames, shooting rockets, levitating drum kits, and pyrotechnic showpieces. With makeup and costumes, Paul Stanley, Gene Simmons, Peter Criss, and Ace Frehley created characters and origin stories similar to comic book characters: the Starchild, the Demon, the Space Ace, and the Catman. When put all together, it wasn’t just a stadium rock concert, it was dynamic performance art that is still on the road today! Goldsmith, Stanley, and Simmons have created this book as a thanks to the KISS Army, many of whom have been devoted to the band for more than 40 years and have brought their children and grandchildren into appreciating the music, as well as the spectacle of the band’s live performances. With a simple matte white laminated padded cover that highlights the KISS logo and edged with gilding, the end result could be compared to a kind of bible, holding the relics that their supporters cherish.
You wanted the truth, you got the truth—the hottest book in the world! Fueled by an explosive mix of makeup, costumes, and attitude, KISS burst onto the music scene thirty years ago and has become a rock institution. The band has sold more than eighty million records, has broken every concert attendance record set by Elvis Presley and the Beatles, stands behind the Beatles alone in number of gold records from any group in history, and has spawned more than 2,500 licenses. There would have been no KISS without Gene Simmons, the outrageous star whose superlong tongue, legendary sexual exploits, and demonic makeup have made him a rock icon. KISS and Make-Up is the wild, shocking, unbelievable story, from the man himself, about how an immigrant boy from Israel studied to be a rabbi, was saved by rock and roll, and became one of the most notorious rock stars the world has ever seen. Before Gene Simmons there was Chaim Witz, a boy from Haifa, Israel, who had no inkling of the life that lay ahead of him. In vivid detail Gene recounts his childhood growing up in Haifa under the watchful eye of his beloved, strong-willed mother, a concentration camp survivor; his adolescent years attending a Jewish theological center for rabbinical studies in Brooklyn; his love of all things American, including comic books, superheroes, and cowboys; and his early fascination with girls and sex, which prompted him to start a rock band in school after he saw the Beatles on The Ed Sullivan Show. KISS and Make-Up is not just the classic story of achieving the American dream through the eyes of an immigrant boy making good, but a juicy, rollicking rock and roll read that takes you along for the ride of your life with KISS, from the 1970s, when they were the biggest band in the world, through the ’80s, when they took off their world-famous war paint, and into the ’90s, when they came back bigger and badder than ever to become the number one touring band in the world. In his own irreverent, unapologetic voice, Gene talks about the girls (4,600 of them and counting); his tight bond with KISS cofounder Paul Stanley; the struggles he and Paul had with Ace Frehley and Peter Criss and their departures from the group; the new band members and Eric Carr’s untimely death; the enormous love and affection he has for the people who put him there in the first place—the KISS Army and the ever-loyal KISS fans around the world; his love life, including stories about his relationships with Cher and Diana Ross and with Shannon Tweed, Playmate of the Year, mother of his son and daughter, and his companion of eighteen years; and much more. Full of dozens of photographs, many never-before-seen pictures from Gene’s private collection, KISS and Make-Up is a surprising, intimate look at the man behind the mask. For the first time Gene reveals all the facets of his complex personality—son, rock star, actor, record producer, businessman, ladies’ man, devoted father, and now author.
A veteran music journalist explores how four legendary rock bands—KISS, Cheap Trick, Aerosmith, and Starz—laid the foundation for two diametrically opposed subgenres: hair metal in the '80s and grunge in the '90s. It was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on. In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.