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"Model Making for the Stage explains the practical techniques that will promote accurate scale model making for the theatre. Topics covered include: practical information about model-making materials and setting up a good working environment; foundation skills, techniques and exercises to introduce model making; how to construct scale interiors, exteriors and furniture, and create accurate scale figures; different types of model within a design process; the scenographic model as a communication tool; collaborating with the director and fellow designers as an integral part of model-making process; the importance of considering the performers during the model-making process; information about theatre technology, scenic construction and painting; and presenting the final scenographic model"--Publisher's description.
An inspiring account of teachers in ordinary circumstances doing extraordinary things, showing us how to transform education What School Could Be offers an inspiring vision of what our teachers and students can accomplish if trusted with the challenge of developing the skills and ways of thinking needed to thrive in a world of dizzying technological change. Innovation expert Ted Dintersmith took an unprecedented trip across America, visiting all fifty states in a single school year. He originally set out to raise awareness about the urgent need to reimagine education to prepare students for a world marked by innovation--but America's teachers one-upped him. All across the country, he met teachers in ordinary settings doing extraordinary things, creating innovative classrooms where children learn deeply and joyously as they gain purpose, agency, essential skillsets and mindsets, and real knowledge. Together, these new ways of teaching and learning offer a vision of what school could be—and a model for transforming schools throughout the United States and beyond. Better yet, teachers and parents don't have to wait for the revolution to come from above. They can readily implement small changes that can make a big difference. America's clock is ticking. Our archaic model of education trains our kids for a world that no longer exists, and accelerating advances in technology are eliminating millions of jobs. But the trailblazing of many American educators gives us reasons for hope. Capturing bold ideas from teachers and classrooms across America, What School Could Be provides a realistic and profoundly optimistic roadmap for creating cultures of innovation and real learning in all our schools.
Here is a practical, accessible introduction to one of the most complex jobs in theatre. Linda Apperson clearly and concisely leads the reader through the procedures and responsibilities of stage management, from auditions to closing night. What is “blocking”? How do you “call” a show? Who is the technical director, and why do you want him or her as your best friend? How can you tame (or endure) a prima donna? When is the best time to offer advice to the actors? Ms. Apperson answers these and countless other questions in a resource book that will become a constant companion for both the novice and the experienced theatre person. Especially useful is her attention to personal relationships among actors and crew. She insists that working to create an atmosphere of respect backstage will improve the show onstage, and she shows precisely how this is done, based upon her years of experience in managing the stage. Stage Managing and Theatre Etiquette includes samples of prompt scripts and other essential stage manager’s tools.
An invaluable guide to the traditions and best practices of the professional stage actor, from first rehearsal to final curtain. Professional stage actors are expected to have ready knowledge of a multitude of unwritten yet well-established protocols. Traditionally, this knowledge was passed along from one generation of stage actors to the next via word of mouth, or were learned by having one’s missteps corrected—until now. In The Stage Actor’s Handbook, these protocols have finally been assembled into one volume, allowing theatre artists to know in advance what is expected of them. A definitive guide for professionals and aspiring professionals alike, this book details best practices on everything from rehearsal demeanor to backstage etiquette. It also shares the theatre’s unique vernacular and revered superstitions, as well as field-tested guidelines on touring, interactions with the public, and more. Written by established theatre pros Michael Kostroff (The Producers, Les Misérables)and Julie Garnyé (Cats, Come From Away), The Stage Actor’s Handbook features bits of wisdom contributed by legendary stage actors, including Bebe Neuwirth, John Lithgow, Chita Rivera, Alfred Molina, Billy Porter, Betty Buckley, Harvey Fierstein, Sam Waterston, Jason Alexander, Cynthia Nixon, and Sir Patrick Stewart.
The Stage Manager’s Toolkit provides a comprehensive account of the role of the stage manager for live theatre with a focus on both written and verbal communication best practices. The book outlines the duties of the stage manager and assistant stage manager throughout a production, discussing not only what to do but why. The book identifies communication objectives for each phase of production, paperwork to be created, and the necessary questions to be answered in order to ensure success. This book was written for Stage Management courses in Theatre programs and for the working professional.
The Most Widely Used Manual For Aspiring And Veteran Stage Managers - Now Revised and Expanded The next best thing to shadowing a Broadway stage manager, this detailed, behind-the-scenes book as been brought completely up to date. First published in 1991, it is widely used and has been lauded as the most comprehensive, educational book on stage management available. From preproduction planning and first rehersals to opening night and final strike, all the essentials of the profession are presented here in a friendly, engaging style. Blending how-to information with anecdotes from his own career, author Thomas A. Kelly explains the entire theatrical process, including: - Organizing all rehearsals and performances - Maintaining the working script, cue sheets, and daily records - Supervising the technical aspects of the show - Running shows outdoors and at other non-theatrical venues - Dealing with performers and crew members on all levels This new edition reflects all the latest developments and innovations in the industry and adds a totally new chapter on opera stage management, complete with an in-depth breakdown of the challenges this style of production presents. The text is supported by sample documents, diagrams, and charts that straddle time-honored approaches with what can be generated by today's computer software. All the latest stage machinery is discussed, along with tips on finding employment. This guide remians the first choice for anyone who works in any branch of the profession, whether amateur, educational, or professional.
Japan has a wide range of unique, highly refined performing arts that haveeveloped over centuries. This guide provides a brief history andntroduction to the features of each genre, together with recommendations oflays that are accessible to non-Japanese audiences. Brief synopses arerovided to approximately fifty selected plays, and well-known popularompanies, actors, writers, and directors are introduced. The text is widelyllustrated, and includes information about theatre listings, how to getickets, and which plays are available on DVD. It will be invaluable fornyone planning a visit to Japan and keen to experience its theatre firsthand,s well as providing additional insights for students of Japanese theatrend literature.
Expert, Practical Advice for Everyone in Show Business Now updated and expanded, this second edition of The Stage Producer’s Business and Legal Guide is the ultimate survival kit for anyone presenting live entertainment. The information contained in this handbook is essential for those working in Broadway, regional, stock, or university theater; concert halls; opera houses; and more. Attorney, producer, and playwright Charles Grippo provides comprehensive advice on every aspect of the theater business and the law, including: Crowdfunding Your Production New Opportunities to Raise Money Self-Production Licensing and Producing Plays Devised Theater and Collaborations Creating Jukebox Musicals Organizing a Theater Company Theatrical Insurance Maintaining a Harassment-Free Environment Negotiating Contracts Essential Rules Every Board Member Must Know Managing a Not-for-Profit Theater Company Navigating Taxes Using Third-Party Intellectual Property And much, much more! The entire range of individuals involved in entertainment—producers, performers, writers, directors, managers, and theater owners—will find invaluable practical and legal advice in this handy guide.
The long awaited new edition of this celebrated bestseller.
Written in a straightforward manner, with complicated matters clearly explained, Stage Writers Handbook is truly a work no writer for the stage can afford to be without. Here, for the first time, Dana Singer gathers the information and ideas stage writers need to conduct their careers in a businesslike manner, with all the protections the law provides.