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Excerpt from The Stabat Mater Speciosa and the Stabat Mater Dolorosa I here present to the reader, in the original Latin and in English translations preserving the measure of the Latin, the two most tender hymns of the Roman Church, the Stabat Mater Speciosa and the Stabat Mater Dolorosa, or, as they are frequently called, the Mater Speciosa and the Mater Dolorosa. They are closely related: in metrical structure they are alike, and much of the language is the same in both. But though they thus resemble each other in external features, they differ in spirit and aim. The first is a paean, the second a dirge; the first is adapted to Christmas, the second to Good Friday; the first contemplates the cradle of Christ, the second His cross. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Latin Hymns With Original Translations: In Four Parts; I. Dies Irae; II. Stabat Mater (Dolorosa); III. Stabat Mater (Speciosa); IV. Old Gems in New Settings One great secret Of the power and enduring popu larity Of this Hymn is, undoubtedly, its genuineness. A vital fincerity breathes throughout. It is a cry a'e Drofundz's; and the cry becomes sometimes - so in tense are the terror and solicitude - almoft a Ihriek. It is in the highefi degree pathetic. The Muse is Mater Lachrymarum, Our Lady Of Tears. Every line weeps. Underneath every word and syl lable, a living heart throbs and pulsates. The very rhythm, or that alternate elevation and depre ion Of the voice, which prosodi s call the my}: and the t/jefis, one might almof't fancy were synchronous With the contrae'rion and the dilatation of the heart. It is more than dramatic. The horror and the dread are real: are aetual not afted. A human heart is laid bare, quivering with life, and we see and hear its tumultuous throbbings. We sympathize - nay, be fore we are aware, we have changed places. We, too, tremble and quail and cry aloud. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."