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Egypt, 1912—Amelia Peabody and her dashing archeologist husband, Radcliffe Emerson, are once again in danger as they search for a priceless, stolen bust of legendary Queen Nefertiti and Amelia finds herself the target of assassins in this long-awaited, eagerly anticipated final installment of Elizabeth Peters’ bestselling, beloved mystery series. Arriving in Cairo for another thrilling excavation season, Amelia is relaxing in a well-earned bubble bath in her elegant hotel suite in Cairo, when a man with knife protruding from his back staggers into the bath chamber and utters a single word—"Murder"—before collapsing on the tiled floor, dead. Among the few possessions he carried was a sheet of paper with Amelia’s name and room number, and a curious piece of pasteboard the size of a calling card bearing one word: "Judas." Most peculiarly, the stranger was wearing a gold-rimmed monocle in his left eye. It quickly becomes apparent that someone saved Amelia from a would-be assassin—someone who is keeping a careful eye on the intrepid Englishwoman. Discovering a terse note clearly meant for Emerson—Where were you?"—pushed under their door, there can be only one answer: the brilliant master of disguise, Sethos. But neither assassins nor the Genius of Crime will deter Amelia as she and Emerson head to the excavation site at Amarna, where they will witness the discovery of one of the most precious Egyptian artifacts: the iconic Nefertiti bust. In 1345 B.C. the sculptor Thutmose crafted the piece in tribute to the great beauty of this queen who was also the chief consort of Pharaoh Akhenaten and stepmother to King Tutankhamun. For Amelia, this excavation season will prove to be unforgettable. Throughout her journey, a parade of men in monocles will die under suspicious circumstances, fascinating new relics will be unearthed, a diabolical mystery will be solved, and a brilliant criminal will offer his final challenge . . . and perhaps be unmasked at last.
This “fascinating and long overdue” biography reveals the remarkable life of a Baroness who was one of Britain’s most celebrated spies (Washington Post). From living in a shack in Tanzania to becoming Baroness Park of Monmouth, Daphne Park led a most unusual life—one that consisted of a lifelong love affair with the world of Britain’s secret services. In the 1970s, she was appointed to Secret Intelligence Service’s most senior operational rank as one of its seven Area Controllers. In Queen of Spies, Paddy Hayes recounts the evolution of the British Secret Intelligence Service (SIS) from World War II to the Cold War through the eyes of Daphne Park, one of its outstanding and most unusual operatives. It is a fascinating and intimate narrative of how the modern SIS went about its business whether in Moscow, Hanoi, or the Congo, and shows how Park was able to rise through the ranks of a field that had been comprised almost entirely of men. Queen of Spies captures all the paranoia, isolation, and deception of Cold War intelligence work, and combines it with the personal story of one extraordinary woman trying to navigate this secretive world. It is “as exciting as any good spy thriller—but it’s all true” (Kirkus, starred review).
Chronicles the life of art historian Sir Anthony Blunt, exploring his private and public personas and how he used his connections within English high society to work as a Soviet spy until he was exposed by Margaret Thatcher in 1979.
An Elizabethan espionage thriller in which playwright Christopher Marlowe spies on Mary, Queen of Scots while navigating the perils of politics, theater, romance—and murder. England, 1585. In Kit Marlowe's last year at Cambridge, he is approached by Queen Elizabeth's spymaster offering an unorthodox career opportunity: going undercover to intercept a Catholic plot to put Mary, Queen of Scots on Elizabeth's throne. Spying on Queen Mary turns out to be more than Kit bargained for, but his salary allows him to mount his first play, and over the following years he becomes the toast of London's raucous theater scene. But when Kit finds himself reluctantly drawn back into the world of espionage and treason, he realizes everything he's worked so hard to attain—including the trust of the man he loves—could vanish in an instant. Pairing modern language with period detail, Allison Epstein brings Elizabeth's lavish court, Marlowe's colorful theater troupe, and the squalor of sixteenth-century London to vivid, teeming life. At the center of the action is Kit himself—an irrepressible, irreverent force of nature.
Journalist. Suffragist. Antilynching crusader. In 1862, Ida B. Wells was born enslaved in Holly Springs, Mississippi. In 2020, she won a Pulitzer Prize. Ida B. Wells committed herself to the needs of those who did not have power. In the eyes of the FBI, this made her a “dangerous negro agitator.” In the annals of history, it makes her an icon. Ida B. the Queen tells the awe-inspiring story of an pioneering woman who was often overlooked and underestimated—a woman who refused to exit a train car meant for white passengers; a woman brought to light the horrors of lynching in America; a woman who cofounded the NAACP. Written by Wells’s great-granddaughter Michelle Duster, this “warm remembrance of a civil rights icon” (Kirkus Reviews) is a unique visual celebration of Wells’s life, and of the Black experience. A century after her death, Wells’s genius is being celebrated in popular culture by politicians, through song, public artwork, and landmarks. Like her contemporaries Frederick Douglass and Susan B. Anthony, Wells left an indelible mark on history—one that can still be felt today. As America confronts the unfinished business of systemic racism, Ida B. the Queen pays tribute to a transformational leader and reminds us of the power we all hold to smash the status quo.
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.
A fascinating journey through a single painting’s history, meanings and associations by “one of the great non-fiction writers of this and the last century” (Simon Schama, Financial Times). Acclaimed travel author and art historian Michael Jacobs was haunted by Velázquez’s enigmatic masterpiece Las Meninas from first encountering it in the Prado as a teenager. In Everything is Happening Jacobs searches for the ultimate significance of the painting by following the many associations suggested by each of its characters, as well as his own relationship to the work. From Jacobs’ first trip to Spain to the politics of Golden Age Madrid, to his meeting with the man who saved Las Meninas during the Spanish Civil war, to his experiences in the sunless world of the art history academy, Jacobs delivers a brilliantly discursive meditation on art and life that dissolves the barriers between the past and the present, the real and the illusory. Cut short by Jacobs’ death in 2014, and completed with an introduction and coda by his friend and fellow art lover, the journalist Ed Vulliamy, this visionary and often very funny book is a passionate, personal manifesto for the liberation of how we look at painting.
A perilous mission. An unforgivable betrayal. A secret lost in time... 1584: Elizabeth I rules England. But a dangerous plot is brewing in court, and Mary Queen of Scots will stop at nothing to take her cousin’s throne.
This is the diary of 12-year-old Kitty Lumsden, the daughter of Bloody Tower diarist, Tilly Middleton, who now lives with her family near the Thames, not far from her old Tower home. The drama is set against the historical backdrop of the Babington plot to end Elizabeth's life and put Mary Queen of Scots on the throne. But far from being innocent bystanders, the Lumsden family becomes intricately involved in a mass of secrets and spies...