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Poetry. "With this book of poems Etel Adnan establishes herself as a major poet who belongs beside internationally acclaimed poets like Transtromer, Bly, Neruda, Vallejo, and Pessoa." Eric Sellin"
This collection of essays concentrates on Arab-American writer and artist Etel Adnan. Up until now, there has been no single volume dedicated to her work despite Adnan's increasing recognition and acclaim across the United States, Europe, and the Middle East. The essays fall into two sections. In the first, the essays respond to the range of vision and experience in Adnan's writing and art through analysis and appreciation. The second section focuses on responses to and interpretations of Sitt Marie Rose, Adnan's well known novel about the Lebanese war. As a whole, the writings in this work seek to provide a comprehensive look at Adnan's literary and artistic accomplishments through analysis and close readings that place her texts within wider literary contexts.
Poetry. "THERE is a poem of hidden seams, fissures that we cross unsuspecting. A smooth surface conceals a universe of sudden shifts and transitions from one level to another a philosophical level which pursues the mysteries of consciousness and place, a second level which asks the same questions ('do I have to have a nationality in order to be human?') in a committed social and political vision, a passionate and engaged post-modernism." Michael Beard, Univ. of North Dakota"
Poetry. "In/somnia explores fissures within words as places where thought enters. Sleepless sleepers, we dream among ever more complex and hallucinatory realitites: `in/tense/in/season'"--Rosmari e Waldrop. Other titles by Etel Adnan, available from SPD include, THERE: IN THE LIGHT AND THE DARKNESS OF THE SELF AND OF THE OTHER; OF CITIES & WOMEN (LETTERS TO FAWWAZ); PARIS, WHEN IT'S NAKED; and THE ARAB APOCALYPSE.
Which suggestive plant caused a queen to faint when it was presented to her at court? What was the original French name for the Great Maiden's Blush rose that had the Victorians blushing? Why are figs and pomegranates thought to be the real forbidden fruit that led Adam and Eve into temptation? In this delightful gift book, master gardener Sonia Day brings together delicious tidbits from myth, history, botany, and plant lore to reveal how plants have seduced our hearts, minds, and bodies throughout the ages. Organized in thematic chapters that loosely follow the arc of a love affair, the book journeys from "Innocence" (the notion of a virgin being "deflowered" originated with the belief that flowers were pure and sexless), through such stages as "Flirtation," "Seduction," "Lust," "Deception," and "Rapture." Scattered throughout are love potions, examples from the Victorian "language of flowers," and charming anecdotes, all told in Day's delightfully irreverent and conversational voice. Gorgeously designed and featuring full-colour photos and illustrations throughout, this is a sumptuous tribute to our enduring fascination with plants that is sure to seduce readers everywhere.
Poetry. "A series of meditations following the sun, SEASONS arrives in mesmerizing waves of observation and reflection. The blue depths of Adnan's inquiry into the nature of Being, Time, knowledge itself crest moment upon moment of quiet revelation, as the passions of history, myth, today, and yesterday rage and subside beneath her watchful eye. 'To think is not to contemplate, it's to witness.' So stanzas wash upon the page's horizon, ever moving toward the mind's encounters with the world. Intimate with ephemera, alert to what's hidden, SEASONS seeks the universe within and beyond the spirit's changeable weather, finding everywhere its center." Megan Pruiett"
American ecopoetries of migration explore the conflicted relationships of mobile subjects to the nonhuman world and thus offer valuable environmental insight for our current age of mass mobility and global ecological crisis. In Ecopoetic Place-Making, Judith Rauscher analyzes the works of five contemporary American poets of migration, drawing from ecocriticism and mobility studies. The poets discussed in her study challenge exclusionary notions of place-attachment and engage in ecopoetic place-making from different perspectives of mobility, testifying to the potential of poetry as a means of conceptualizing alternative environmental imaginaries for our contemporary world on the move.
This text features essays from Ammiel Alcalay covering Mediterranean culture, Arabic literature, the war in Bosnia, the Israeli/Palestinian conflict, the destruction of Carthage, and much more.