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When were you last truly happy? Ganky Mop is confused, scared, bitter, romantic, lonely, desperate, recently single and in Budapest to commit suicide on new year's eve. But if life is difficult, why should dying be any different? The Spotted Hawk Swoops By is a story of the people you meet at the end of the world, and the kick-off party from rock bottom.
One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”
Despite the timeless themes of Olive Tilford Dargan's work and the acclaim she earned with her novels Call Home the Heart (1932) and A Stone Came Rolling (1935), the author, who published her best-known works under the pseudonym Fielding Burke, has been largely forgotten by the American literary establishment. In this first book-length study of Dargan's life and work, Kathy Cantley Ackerman poses these questions: Why did Dargan's proletarian and feminist writings fall out of public favor when the literary climate changed in the 1940s, and what are the issues raised in and by her work that today's readers should reconsider? The Heart of Revolution combines biography and history with a critical reading of Dargan's work. Ackerman pays close attention to the proletarian, feminist, and racial issues in the novels; she then examines the ways these issues intersect in the southern Appalachian and Piedmont regions. Dargan's aesthetic, articulated in her depiction of the southern textile mill strikes of 1929 and the early 1930s, defies the party line of the period that privileged the struggle of white working men over the concerns of women and minorities. Unlike her male--and many of her female--counterparts in the proletarian movement, Dargan envisions a world in which romantic love can coexist with the fight for socioeconomic revolution, a world in which the activist does not have to surrender her individuality. Through strong female characters, she reconstructs the paternalistic, capitalistic marriage-and-mother myth, replacing it with a model based on egalitarian principles--an ideology that has only gained relevance over time. Ackerman's exploration of class, race, and gender in Dargan's novels individually and her consideration of Dargan's work as a whole reveal the complicated reasons for the novelist's neglect and present a compelling argument for reevaluation of her fiction. A published poet, Kathy Cantley Ackerman is Writer-in-Residence at Isothermal Community College in Spindale, North Carolina. She lives in Charlotte.
This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States. The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record. In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.
Contains seventeen essays by pre-eminent scholars representing a variety of critical perspectives that focus on Walt Whitman's "Leaves of Grass". This book features contributors who treat Whitman's poetry, his biography, his politics, his reception in the United States and abroad, race and ethnic issues, and nineteenth-century America.