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A Finalist for the Pulitzer Prize Winner of the Kirkus Prize for Fiction • A Recipient of the Windham-Campbell Prize for Fiction • A Finalist for the James Tait Black Prize for Fiction • A Finalist for the Baileys Women's Prize for Fiction • A Finalist for the Rathbones Folio Prize • Longlisted for an Andrew Carnegie Medal for Excellence • One of New York Times Book Review 100 Notable Book Named a Best Book of the Year by Entertainment Weekly • GQ • The New York Times (Selected by Dwight Garner) • NPR • The Wall Street Journal • San Francisco Chronicle • Refinery29 • Booklist • Kirkus Reviews • Commonweal Magazine "In its poetic splendor and moral seriousness, The Sport of Kings bears the traces of Faulkner, Morrison, and McCarthy. . . . It is a contemporary masterpiece."—San Francisco Chronicle Hailed by The New Yorker for its “remarkable achievements,” The Sport of Kings is an American tale centered on a horse and two families: one white, a Southern dynasty whose forefathers were among the founders of Kentucky; the other African-American, the descendants of their slaves. It is a dauntless narrative that stretches from the fields of the Virginia piedmont to the abundant pastures of the Bluegrass, and across the dark waters of the Ohio River; from the final shots of the Revolutionary War to the resounding clang of the starting bell at Churchill Downs. As C. E. Morgan unspools a fabric of shared histories, past and present converge in a Thoroughbred named Hellsmouth, heir to Secretariat and a contender for the Triple Crown. Newly confronted with one another in the quest for victory, the two families must face the consequences of their ambitions, as each is driven---and haunted---by the same, enduring question: How far away from your father can you run? A sweeping narrative of wealth and poverty, racism and rage, The Sport of Kings is an unflinching portrait of lives cast in the shadow of slavery and a moral epic for our time.
"A contemporary portrait of a family subsumed by the scars of slavery"--
The daring, inventive novel (a sprawling family saga set in Kentucky that combines southern gothic with the drama of horse racing) from a brilliant young author named one of The New Yorker's "20 Best Writers Under 40." Here is the ambitious, strikingly original, and dazzling new novel from a young writer whose first novel, All the Living, received passionate praise and rave reviews, and earned her one of the highly coveted spots on The New Yorker's list of the "20 Best Writers Under 40" alongside such peers as Karen Russell, Wells Tower, Téa Obreht, and Dinaw Mengestu. But where that first novel had startling ambition and scope yet strictly contained its remarkable energy within notably spare language and a pared-down setting and time frame, this new novel's energy bursts out of the gate running and gallops through generations, consuming a multitude of characters and plots. The title The Sport of Kings refers to horse racing, and the novel centres itself within that world: a connected web of humans and animals, as well as a fertile patch of land, in the heart of Kentucky. With breathtaking fluency, C.E. Morgan puts us inside the consciousness of an extraordinary range of characters who inhabit that patch of land through the years: an adolescent trying to grow up under the withering gaze of his landowner father; a brilliant black woman struggling with her seeming fate to be a household servant; a whip-smart boy who grows up in the ghetto but seeks to know more about his mysterious origins; and a girl whose uncompromising love of her family's legacy leads her to gamble with her own life. C.E. Morgan's writing has been compared to that of Marilynne Robinson and James Salter, and her ability to articulate moments fleetingly observed or sudden subtle changes in tenor and mood has a similar effect of mingled surprise and inevitability. This is writing that, even in its wildest and most southern-gothic moments, contains both the ring of truth and the thrill of discovery.
'Behind the scenes' description of British flat racing based on Cassidy's experiences working in Newmarket.
Thoroughbred racing was one of the first major sports in early America. Horse racing thrived because it was a high-status sport that attracted the interest of both old and new money. It grew because spectators enjoyed the pageantry, the exciting races, and, most of all, the gambling. As the sport became a national industry, the New York metropolitan area, along with the resort towns of Saratoga Springs (New York) and Long Branch (New Jersey), remained at the center of horse racing with the most outstanding race courses, the largest purses, and the finest thoroughbreds. Riess narrates the history of horse racing, detailing how and why New York became the national capital of the sport from the mid-1860s until the early twentieth century. The sport’s survival depended upon the racetrack being the nexus between politicians and organized crime. The powerful alliance between urban machine politics and track owners enabled racing in New York to flourish. Gambling, the heart of racing’s appeal, made the sport morally suspect. Yet democratic politicians protected the sport, helping to establish the State Racing Commission, the first state agency to regulate sport in the United States. At the same time, racetracks became a key connection between the underworld and Tammany Hall, enabling illegal poolrooms and off-course bookies to operate. Organized crime worked in close cooperation with machine politicians and local police officers to protect these illegal operations. In The Sport of Kings and the Kings of Crime, Riess fills a long-neglected gap in sports history, offering a richly detailed and fascinating chronicle of thoroughbred racing’s heyday.
Although it has only been thirty years since the first female jockey rode onto the then male only turf of thoroughbred horse racing, they have since made their mark on the racetrack and in the winner's circle. Great Women in the Sport of Kings, the first book to consider the phenomenon of female jockeys, takes an indepth look at their lives. Through the oral histories of ten top female jockeys, the authors offer intimate portraits of how they overcame personal and professional obstacles to rise to the top of thoroughbred horse racing. In her Introduction, women's sports historian Mary Jo Festle explores the larger issues of women in sport, sexism in horse racing, the struggles female jockeys face, and the significance of their success. The jockey's include: Diane Nelson, Julie Krone, Paula Keim-Bruno, Jill Jellison, Gwen Jackson, Darci Rice, Rosemary Homiester, Jr., Donna Barton, Kristi Chapman, and Dodi Duys.
A level 1 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Jennifer Bassett. Horseracing is the sport of kings, perhaps because racehorses are very expensive animals. But when they win, they can make a lot of money for the owners, for the trainers, and for the people who put bets on them. Silver Blaze is a young horse, but already the winner of many races. One night he disappears, and someone kills his trainer. The police want the killer, and the owner wants his horse, but they can't find them. So what do they do? They write to 221B Baker Street, of course - to ask for the help of the great detective, Sherlock Holmes.
One summer, a young woman travels with her lover to the isolated tobacco farm he has inherited after his family dies in a terrible accident. As Orren works to save his family farm from drought, Aloma struggles with the loneliness of farm life and must find her way in a combative, erotically-charged relationship with a grieving, taciturn man. A budding friendship with a handsome and dynamic young preacher further complicates her growing sense of dissatisfaction. As she considers whether to stay with Orren or to leave, she grapples with the finality of loss and death, and the eternal question of whether it is better to fight for freedom or submit to love. All the Living has the timeless quality of a parable, but is also a perfect evocation of a time and place, a portrait of both age-old conflicts and modern life. It is an ode to the starve-acre Southern farm, the mountain landscape, and difficult love. In her lyrical and moving debut novel, C.E. Morgan recalls both the serenity of Marilynne Robinson and the shifting emotional currents and unashamed eroticism of James Salter. It is an unforgettable book from a major new voice.
Kevin Chong has grand plans. He draws up a to-do list of major milestones that will give him the life he always wanted—and the life that will inspire awe and envy in his friends. Things like settling down and starting a family; learning a foreign language; getting a tattoo. But these grand plans go out the window when Chong makes an unconventional decision: he's going to buy a racehorse. Not the whole thing—he'll become part—owner of the horse. Just don't ask him which part. Thus Chong meets Blackie, the racehorse that will win his heart, even if she doesn't always win on the track. He meets Randi, the cantankerous and foul-mouthed horse trainer with a heart of gold. He meets an assorted array of characters who work, live and drink at the track—and, one by one, the items on his to-do list are crossed out and replaced with horse-related ambitions. His goals are a bit more humble (cussing like a track worker replaces learning a foreign language), but his life has gained new meaning. The story is infused with the noise, excitement and faded glamour of the horse-racing world. It is strewn with fascinating tidbits about the history and tradition of this