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The Spoon Knife Anthology collects the work of over 25 authors, including Autonomous Press partners, disability studies scholars, established prose and poetry artists, and emerging storytellers from a variety of backgrounds. Together, these writers deliver a series of meditations on compliance and consent that are simultaneously intimate and alienating. "This jewel of a collection had me crying, laughing in parts, and becoming outraged. I hope that everyone in the care-taking communities of medicine and mental health reads these rare and wonderful first hand accounts for their own education." - Judy Grahn, author of A Simple Revolution, Another Mother Tongue, and Love Belongs to Those Who Do the Feeling "At the nexus of sexuality/sexual identity and disability resides a community that is as othered as one can be. And as has always been true, there resides in such a marginalized community wisdom about the human condition that is timely and necessary. We who do not understand the gradations and dynamism of Autism and other neural and generally physical challenges, who do not understand the gradations and dynamism of human sexuality, must humble ourselves before the varied voices of this community. They are our teachers. Michael Monje and her associate have gathered and produced an important anthology." - Richard Katrovas, author of Raising Girls in Bohemia and Swastika into Lotus
Lambda Literary Award 2014 Finalist in LGBT Nonfiction Foreword Reviews’ INDIEFAB Book of the Year Award 2014 Finalist in Family & Relationships Independent Publisher Book Awards 2015 (IPPY) Silver Medal in Sexuality/Relationships Next Generation Indie Book Awards 2015 Winner in LGBT -- What if you weren't sexually attracted to anyone? A growing number of people are identifying as asexual. They aren’t sexually attracted to anyone, and they consider it a sexual orientation—like gay, straight, or bisexual. Asexuality is the invisible orientation. Most people believe that “everyone” wants sex, that “everyone” understands what it means to be attracted to other people, and that “everyone” wants to date and mate. But that’s where asexual people are left out—they don’t find other people sexually attractive, and if and when they say so, they are very rarely treated as though that’s okay. When an asexual person comes out, alarming reactions regularly follow; loved ones fear that an asexual person is sick, or psychologically warped, or suffering from abuse. Critics confront asexual people with accusations of following a fad, hiding homosexuality, or making excuses for romantic failures. And all of this contributes to a discouraging master narrative: there is no such thing as “asexual.” Being an asexual person is a lie or an illness, and it needs to be fixed. In The Invisible Orientation, Julie Sondra Decker outlines what asexuality is, counters misconceptions, provides resources, and puts asexual people’s experiences in context as they move through a very sexualized world. It includes information for asexual people to help understand their orientation and what it means for their relationships, as well as tips and facts for those who want to understand their asexual friends and loved ones.
The work of queer autistic scholar Nick Walker has played a key role in the evolving discourse on human neurodiversity. Neuroqueer Heresies collects a decade's worth of Dr. Walker's most influential writings, along with new commentary by the author and new material on her radical conceptualization of Neuroqueer Theory. This book is essential reading for anyone seeking to understand the foundations, terminology, implications, and leading edges of the emerging neurodiversity paradigm.
DIVAn American poetry classic, in which former citizens of a mythical midwestern town speak touchingly from the grave of the thwarted hopes and dreams of their lives. /div
The acclaimed sculptor and furniture designer teaches readers how to make their own hand-carved wooden spoons in this beautifully illustrated volume. Marvels of craftsmanship, beauty, and function, Joshua Vogel’s sculptural kitchen tools are coveted far and wide. In The Artful Wooden Spoon, Vogel shares more than one hundred gorgeous pieces from his workshop gallery, providing rich visual inspiration as he explains the principles behind handcrafting spoons. Vogel offers simple instructions and step-by-step photographs that allow readers to make their own kitchen keepsakes. No expertise is necessary, and very few tools are required. With more than 225 photographs of Vogel’s stunning specimens, The Artful Wooden Spoon is a compelling invitation to explore an age-old art.
When three Operators are ritually murdered, it's up to private investigator Hoshi Archer to solve the case. Things get complicated with power-hungry bureaucrats, old rivals, and an immortal, amoral alien. Hoshi must decipher a deadly computer program and learn to communicate with the alien before it's too late for the next victim-and the city.
This third volume of the annual Spoon Knife anthology features new stories from three generations of cutting-edge queer and neurodivergent authors:Ada HoffmannAlexeigynaixAlyssa GonzalezAlyssa HillaryAndee JoyceAndrew M. ReichartB. AllenDora M. RaymakerEliza RedwoodJeff BakerJudy GrahnMelanie BellMike JungN. I. NicholsonNick WalkerOld Cutter JohnR. L. MosswoodSean CravenSteve SilbermanVerity ReynoldsIn these pages you'll find speculative fiction, magical realism, memoir, poetry, alternate history, and more, side-by-side or fused together into genre-bending mutant hybrid literary forms.In these pages you'll find night terrors, ancient goddesses, cyborg burglars, autistic superheroes, zeppelin armadas, interdimensional space pirates, spiritualist robot mechanics, and the meddlesome agents of the Reality Patrol.Spoon Knife 3: Incursions is a book that will expand your horizons, challenge your perceptions, invade your dreams, and inject its larvae into your brain. Read it before the Reality Patrol bans it.
Poetry. Literary Nonfiction. Women's Studies. LGBTQIA Studies. Disability Studies. Movement Studies. Dance. '"[I]n the slow gestures / of a person adjusting / to too much light' and with the faith of a chemist, Stephanie Heit sets fire inside her own dark and offers 'light someone not yet arrived/will understand.' THE COLOR SHE GAVE GRAVITY is a breathtaking (which is to say, life-giving) book that both stills and energizes by breaking and reforming the unseen bonds of DNA, language, geography, and history."--TC Tolbert "Stephanie Heit's THE COLOR SHE GAVE GRAVITY is a sonorous force field calling on tenderness, care, vigilance and abandon. An all-encompassing clarity saturates mind, spirit, movement and emotion. To locate the blind spot and unburden experience of the horizon's relentless pressure--this is what the text does tenfold, imparting and dispelling the inexplicable along peripheries and in intimately centered frames of movement: gorgeously evocative and intensely realized capacious psychic flows."--Brenda Iijima "Stephanie Heit has choreographed, in her first full-length poetry collection, a deeply engaging articulation of the interplay between mental illness and the creative instinct, history and destiny, and limitation and willful boundary. Here, we have an author brave enough to say 'I suffer' and talented enough to excavate the lyrical beauty of that suffering. THE COLOR SHE GAVE GRAVITY offers the reader a textured view of a graceful body torn between trying to remember and trying to forget."--Airea D. Matthews "In these fierce, moving poems, we witness a self as it seeks its right path through those landscapes we call world. We are taken along, wandering through urban streets or across beaches that once were lakes, sometimes dreamily, sometimes searingly awake, digging through stories and years. These poems enact one of our most potent human gifts: our ability to find ourselves tumbling, falling down, standing up--in proprioceptive relation to everything in our earthly realm."--Eleni Sikelianos THE COLOR SHE GAVE GRAVITY traces longing for connection between women. An ecopoetics of the bodymind, these poems take us inside a dance inside an imaginary city inside sculpted spaces inside the insomniac body inside sister grief inside she. The work emerges from a landscape of somatic engagement and by experiences of psychiatric systems and multiple hospitalizations. Cover Photo: "Crossing Visible," by Gwynneth VanLaven
From the moment his first novel was published, Larry Heinemann joined the ranks of the great chroniclers of the Vietnam conflict--Philip Caputo, Tim O’Brien, and Gustav Hasford. In the stripped-down, unsullied patois of an ordinary soldier, draftee Philip Dosier tells the story of his war. Straight from high school, too young to vote or buy himself a drink, he enters a world of mud and heat, blood and body counts, ambushes and firefights. It is here that he embarks on the brutal downward path to wisdom that awaits every soldier. In the tradition of Naked and the Dead and The Thin Red Line, Close Quarters is the harrowing story of how a decent kid from Chicago endures an extraordinary trial-- and returns profoundly altered to a world on the threshold of change.
Uncovering stories about disability history and life, OToole shares her firsthand account of some of the most dramatic events in Disability History, and gives voice to those too often yet left out. From the 504 Sit-in and the founding of the Center for Independent Living in Berkeley, to the Disability Forum at the International Woman's Conference in Beijing; through dancing, sports, queer disability organizing and being a disabled parent, OToole explores her own and the disability community's power and privilege with humor, insight and honest observations. "Corbett Joan OToole's Fading Scars: My Queer Disabled History is like a song-an anthem, a lullaby, a ballad, a love lyric and a chant all at once. This book of essays chronicles one person's life, but also the 40 years that disability rights and disability justice shaped American history. Its first-person accounts of historical events, fierce focus on disabled identities, and consistently accessible language and structure make it unusual-perhaps even unique-among disability memoirs. Bursting with ideas, stories, and arguments, Fading Scars is a book in which experience accrues into knowledge and emerges through the written word as wisdom. Fading Scars combines razor-sharp organization with passages of lyrical beauty. It establishes a new standard, perhaps even the beginning of a new aesthetic, for disability writing." - Margaret Price, author ofMad at School: Rhetorics of Mental Disability and Academic Life. "Illuminating disability history with clear and funny stories, this book builds a home where those of us who have lived on the sidelines can seek shelter." - Naomi Ortiz, Writer, Artist and Disability Justice Activist "Fading Scars is a must read for those interested in disability community, activism, and scholarship." - Kim Nielsen, author of A Disability History of the United States (ReVisioning American History)"