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A particularly robust approach to Rome's antique past was taken in the Middle Ages, spanning from the Late Antiquity in the fourth century, until roughly the thirteenth century AD. The Spolia Churches of Rome looks at how the church-builders treated the architecture of ancient Rome like a quarry full of prefabricated material and examines the cultural, economic and political structure of the church and how this influenced the building's design. It is this trend of putting old buildings to new uses which presents an array of different forms of architecture and design within modern day Rome. This book is both an introduction to the spolia churches of medieval Rome, and a guide to eleven selected churches.
A particularly robust approach to Rome's antique past was taken in the Middle Ages, spanning from the Late Antiquity in the fourth century, until roughly the thirteenth century AD. The Spolia Churches of Rome looks at how the church-builders treated the architecture of ancient Rome like a quarry full of prefabricated material and examines the cultural, economic and political structure of the church and how this influenced the building's design. It is this trend of putting old buildings to new uses which presents an array of different forms of architecture and design within modern day Rome. This book is both an introduction to the spolia churches of medieval Rome, and a guide to eleven selected churches.
Designed for the tourist seeking a fresh, authentic, Roman experience, this intimate, stimulating guide explores Rome's splendid modern architecture, its bustling close-in neighborhoods, and its rivers, magnificent fountains, and aqueducts. Itineraries take the reader to Fascist and occupied Rome of World War II, the nearby Alban Hills, and the Eternal City's lesser-known green spaces. Innovative chapters feature cultural and artistic Rome, including art galleries, jazz clubs, film locations, and rooftop bars--even places that offer a sumptuous (and free) "vernissage" of wine and hors d'oeuvres. With Bill and Dianne as guides-their voices part of the experience-the curious traveler will discover a housing project built under Mussolini; ascend a little-known holy Roman road on the city's outskirts; spend an evening in the out-of-the-way, artsy neighborhood of Pigneto; enjoy a trattoria where only Italians eat; and, among the book's many informative, creative "sidebars," find in one the troubling story of Rome's Jewish community, and in another locate sites in "Angels & Demons." 16 maps, 70 photos, an index, and detailed directions and instructions (including websites) make this "new" Rome easily accessible. For the frugally-minded, at times adventurous (at times armchair) traveler. Foreword by Rome Mayor Walter Veltroni.
Through intensive surveys of three fortifications in late Roman Greece, Frey reveals the untapped potential of spolia in demonstrating the critical role played by non-elites in bringing about the architectural and social changes that mark the end of classical antiquity. As his analysis demonstrates, when studied less as displaced objects to be classified by type and more as evidence for the construction process itself, spolia offer a unique opportunity to examine the ways in which common builders met the challenge of using pre-existing building materials to meet their contemporary architectural needs. This “bottom-up” approach offers an alternative to the traditional view that attributes change and innovation only to the genius of prominent individuals known to us in historical sources.
Provides the first full study of the predecessor church of St Peter's Basilica in Rome, from late antique construction to Renaissance destruction.
The first inter-disciplinary study to examine the construction and development of the world's first cathedral from its origins to 1600.
Integrating the written sources with Rome's surviving remains and, most importantly, with the results of the past half-century's worth of medieval archaeology in the city, The Making of Medieval Rome is the first in-depth profile of Rome's transformation over a millennium to appear in any language in over forty years. Though the main focus rests on Rome's urban trajectory in topographical, architectural, and archaeological terms, Hendrik folds aspects of ecclesiastical, political, social, military, economic, and intellectual history into the narrative in order to illustrate how and why the cityscape evolved as it did during the thousand years between the end of the Roman Empire and the start of the Renaissance. A wide-ranging synthesis of decades' worth of specialized research and remarkable archaeological discoveries, this book is essential reading for anyone interested in how and why the ancient imperial capital transformed into the spiritual heart of Western Christendom.
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
In (Re)using Ruins, Douglas Underwood presents a new account of the use and reuse of Roman urban public monuments in a crucial period of transition, A.D. 300-600. Commonly seen as a period of uniform decline for public building, especially in the western half of the Mediterranean, (Re)using Ruins shows a vibrant, yet variable, history for these structures. Douglas Underwood establishes a broad catalogue of archaeological evidence (supplemented with epigraphic and literary testimony) for the construction, maintenance, abandonment and reuses of baths, aqueducts, theatres, amphitheatres and circuses in Italy, southern Gaul, Spain, and North Africa, demonstrating that the driving force behind the changes to public buildings was largely a combined shift in urban ideologies and euergetistic practices in Late Antique cities.
The reuse of buildings and building materials from Roman antiquities into Christian Rome architecture, illustrated in cornices, pavement mosaics, columns and buildings.