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After Father Goriot and Lost Illusions, Splendours et misères des courtisanes completes "Vautrin's trilogy". This hero of the lowlands, a forger and murderer, is also a sublime lover and a poet in his own way, who devotes his Titanic strengths and infernal imagination to the fortune of the man he adores: Lucien de Rubempré. Balzac never cruelly took off againhis masks to a society whose secrets he penetrates compromises. From the underworld and prostitution circles to those of the police and the judiciary, to the highest levels of the State, he makes a merciless diagnosis of widespread gangrene, leading his captivated reader to discover the adventures of desire in the jungle of Paris, with superb energy.
This book is a novel by the French writer Honore de Balzac, first published in 1838. The novel explores the lives of several courtesans in Paris in the early 19th century, and is notable for its vivid portrayal of the city's social hierarchy and the characters' struggles to rise above it. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A literary scholar and investment banker applies economic criticism to canonical novels, dramatically changing the way we read these classics and proposing a new model for how economics can inform literary analysis. Every writer is a player in the marketplace for literature. Jonathan Paine locates the economics ingrained within the stories themselves, revealing how a text provides a record of its author’s attempt to sell the story to his or her readers. An unusual literary scholar with a background in finance, Paine mines stories for evidence of the conditions of their production. Through his wholly original reading, Balzac’s The Splendors and Miseries of Courtesans becomes a secret diary of its author’s struggles to cope with the commercializing influence of serial publication in newspapers. The Brothers Karamazov transforms into a story of Dostoevsky’s sequential bets with his readers, present and future, about how to write a novel. Zola’s Money documents the rise of big business and is itself a product of Zola’s own big business, his factory of novels. Combining close readings with detailed analyses of the nineteenth-century publishing contexts in which prose fiction first became a product, Selling the Story shows how the business of literature affects even literary devices such as genre, plot, and repetition. Paine argues that no book can be properly understood without reference to its point of sale: the author’s knowledge of the market, of reader expectations, and of his or her own efforts to define and achieve literary value.
Excerpt from The Splendors and Miseries of Courtesans The first idea of the human comedy came to me like a dream, an impossible project which I wel comed and then allowed to escape; it was a charm ing fancy that showed its smiling face but for an in stant, and spreading its wings fluttered back into a visionary heaven. Still, fancy often changes into fact and its tyrannical commands cannot be resisted. The idea occurred to me, in consequence of a com parison between the human and animal kingdoms. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.