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A richly-illustrated and important book that traces the rise and fall of one of the ancient world's largest and richest empires.
Xerxes, Great King of the Persian Empire from 486–465 B.C., has gone down in history as an angry tyrant full of insane ambition. The stand of Leonidas and the 300 against his army at Thermopylae is a byword for courage, while the failure of Xerxes’ expedition has overshadowed all the other achievements of his twenty-two-year reign. In this lively and comprehensive new biography, Richard Stoneman shows how Xerxes, despite sympathetic treatment by the contemporary Greek writers Aeschylus and Herodotus, had his reputation destroyed by later Greek writers and by the propaganda of Alexander the Great. Stoneman draws on the latest research in Achaemenid studies and archaeology to present the ruler from the Persian perspective. This illuminating volume does not whitewash Xerxes’ failings but sets against them such triumphs as the architectural splendor of Persepolis and a consideration of Xerxes’ religious commitments. What emerges is a nuanced portrait of a man who ruled a vast and multicultural empire which the Greek communities of the West saw as the antithesis of their own values.
This lavishly illustrated volume reaches back to prehistoric times to provide an overview of the main cultures that developed in this ancient area of the Middle East through the mid-7th century AD. An informative text incorporates the latest research in the field to unveil the complex artistic and historical legacy of this fascinating region, from the ceramics of northern Iran to the magnificent golden treasures and palaces of Persepolis, from the conquests of Alexander the Great to the military power of the Sassanians who left behind extraordinary rock reliefs. Throughout the book, photographs convey the wide range of architectural and artistic styles to emerge from pre-Islamic Persia. Comprehensive in scope and meticulous in its research and photography, this is an essential resource for art historians and art enthusiasts alike. Presented in a handsome slipcase.
A stunning portrait of the magnificent splendor and enduring legacy of ancient Persia The Achaemenid Persian kings ruled over the largest empire of antiquity, stretching from Libya to the steppes of Asia and from Ethiopia to Pakistan. From the palace-city of Persepolis, Cyrus the Great, Darius, Xerxes, and their heirs reigned supreme for centuries until the conquests of Alexander of Macedon brought the empire to a swift and unexpected end in the late 330s BCE. In Persians, historian Lloyd Llewellyn-Jones tells the epic story of this dynasty and the world it ruled. Drawing on Iranian inscriptions, cuneiform tablets, art, and archaeology, he shows how the Achaemenid Persian Empire was the world’s first superpower—one built, despite its imperial ambition, on cooperation and tolerance. This is the definitive history of the Achaemenid dynasty and its legacies in modern-day Iran, a book that completely reshapes our understanding of the ancient world.
The Caliph’s Splendor is a revelation: a history of a civilization we barely know that had a profound effect on our own culture. While the West declined following the collapse of the Roman Empire, a new Arab civilization arose to the east, reaching an early peak in Baghdad under the caliph Harun al-Rashid. Harun is the legendary caliph of The Thousand and One Nights, but his actual court was nearly as magnificent as the fictional one. In The Caliph’s Splendor, Benson Bobrick eloquently tells the little-known and remarkable story of Harun’s rise to power and his rivalries with the neighboring Byzantines and the new Frankish kingdom under the leadership of Charlemagne. When Harun came to power, Islam stretched from the Atlantic to India. The Islamic empire was the mightiest on earth and the largest ever seen. Although Islam spread largely through war, its cultural achievements were immense. Harun’s court at Baghdad outshone the independent Islamic emirate in Spain and all the courts of Europe, for that matter. In Baghdad, great works from Greece and Rome were preserved and studied, and new learning enhanced civilization. Over the following centuries Arab and Persian civilizations made a lasting impact on the West in astronomy, geometry, algebra (an Arabic word), medicine, and chemistry, among other fields of science. The alchemy (another Arabic word) of the Middle Ages originated with the Arabs. From engineering to jewelry to fashion to weaponry, Arab influences would shape life in the West, as they did in the fields of law, music, and literature. But for centuries Arabs and Byzantines contended fiercely on land and sea. Bobrick tells how Harun defeated attempts by the Byzantines to advance into Asia at his expense. He contemplated an alliance with the much weaker Charlemagne in order to contain the Byzantines, and in time Arabs and Byzantines reached an accommodation that permitted both to prosper. Harun’s caliphate would weaken from within as his two sons quarreled and formed factions; eventually Arabs would give way to Turks in the Islamic empire. Empires rise, weaken, and fall, but during its golden age, the caliphate of Baghdad made a permanent contribution to civilization, as Benson Bobrick so splendidly reminds us.
I.B.Tauris in association with the Iran Heritage Foundation Of profound importance in late antiquity,the Sasanian Empire is almost completely unknown today,except as a counterpoint to the Roman Empire.What are the reasons for this ignorance and why does the Sasanian Empire matter? In this brilliant and highly readable new history Touraj Daryaee fills a huge gap in our knowledge of world history.He examines the Sasanians'complex and colourful narrative and demonstrates their unique significance,not only for the development of Iranian civilisation but also for Roman and Islamic history. The Sasanians were the last of the ancient Persian dynasties and are best known as the preeminent practitioners of the Zoroastrian religion.From its foundation by Ardashir I in 224 CE, the Sasanian Empire was the dominant force in the Middle East for several centuries until its last king, Yazdgerd III, was defeated by the Muslim Arabs,whose horsemen swept away his seemingly far more powerful empire in the 7th century.Theirs was the first post Hellenic civilisation in the Near East to operate on an imperial scale and its sphere of influence and contact was unparalleled-from India to the Levant and from the Arabian Peninsula to the Caspian Sea. In this concise yet comprehensive new book,Touraj Daryaee provides an unrivalled account of Sasanian Persia.Drawing on extensive new sources he paints a vivid portrait of Sasanian life and unravels the divergent strands that contributed to the making of this great Empire:religion-not just Zoroastrianism but also Manichaeaism;the economy;administration;the multiple languages and their literature as well as the Empire's often neglected social history. Daryaee also explores - for the first time in an integrated book on the Sasanians-their descendants'attempts for more than a century after their defeat to establish a second state and reveals how their values and traditions have endured,both in Iranian popular culture and in the literary tradition of the Persian language and literature,to the present day. Sasanian Persia is a unique examination of a period of history that still has great significance for a full understanding of modern Iran.
Xerxes, the Persian king who invaded Greece in 480 BC, quickly earned a notoriety that endured throughout antiquity and beyond. The Greeks' historical encounter with this eastern king – which resulted, against overwhelming odds, in the defeat of the Persian army – has inspired a series of literary responses to Xerxes in which he is variously portrayed as the archetypal destructive and enslaving aggressor, as the epitome of arrogance and impiety, or as a figure synonymous with the exoticism and luxury of the Persian court. Imagining Xerxes is a transhistorical analysis that explores the richness and variety of Xerxes' afterlives within the ancient literary tradition. It examines the earliest representations of the king, in Aeschylus' tragic play Persians and Herodotus' historiographical account of the Persian Wars, before tracing the ways in which the image of Xerxes was revisited and adapted in later Greek and Latin texts. The author also looks beyond the Hellenocentric viewpoint to consider the construction of Xerxes' image in the Persian epigraphic record and the alternative perspectives on the king found in the Jewish written tradition. Analysing these diverse representations of Xerxes, this title explores the reception of a key figure in the ancient world and the reinvention of his image in a remarkable array of cultural and historical contexts.