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Author raises questions about the looting of the lost Indian burial crypt in Le Flore Co OK in 1935.
Say you found that a few dozen people, operating at the highest levels of society, conspired to create a false ancient history of the American continent to promote a religious, white-supremacist agenda in the service of supposedly patriotic ideals. Would you call it fake news? In nineteenth-century America, this was in fact a powerful truth that shaped Manifest Destiny. The Mound Builder Myth is the first book to chronicle the attempt to recast the Native American burial mounds as the work of a lost white race of “true” native Americans. Thomas Jefferson’s pioneering archaeology concluded that the earthen mounds were the work of Native Americans. In the 1894 report of the Bureau of American Ethnology, Cyrus Thomas concurred, drawing on two decades of research. But in the century in between, the lie took hold, with Presidents Andrew Jackson, William Henry Harrison, and Abraham Lincoln adding their approval and the Mormon Church among those benefiting. Jason Colavito traces this monumental deception from the farthest reaches of the frontier to the halls of Congress, mapping a century-long conspiracy to fabricate and promote a false ancient history—and enumerating its devastating consequences for contemporary Native people. Built upon primary sources and first-person accounts, the story that The Mound Builder Myth tells is a forgotten chapter of American history—but one that reads like the Da Vinci Code as it plays out at the upper reaches of government, religion, and science. And as far-fetched as it now might seem that a lost white race once ruled prehistoric America, the damage done by this “ancient” myth has clear echoes in today’s arguments over white nationalism, multiculturalism, “alternative facts,” and the role of science and the control of knowledge in public life.
In 1930s Arkansas, assistant prosecutor Tom Freshour, a metis, investigates the murder of a wealthy collector of pre-Colombian artifacts. The probe uncovers a racket consisting of despoiling Indian mounds. By the author of The Whipping Boy.
From approximately AD 900 to 1600, ancient Mississippian culture dominated today’s southeastern United States. These Native American societies, known more popularly as moundbuilders, had populations that numbered in the thousands, produced vast surpluses of food, engaged in longdistance trading, and were ruled by powerful leaders who raised large armies. Mississippian chiefdoms built fortified towns with massive earthen structures used as astrological monuments and burial grounds. The remnants of these cities—scattered throughout the Southeast from Florida north to Wisconsin and as far west as Texas—are still visible and awe-inspiring today. This heavily illustrated guide brings these settlements to life with maps, artists’ reconstructions, photos of artifacts, and historic and modern photos of sites, connecting our archaeological knowledge with what is visible when visiting the sites today. Anthropologist Eric E. Bowne discusses specific structures at each location and highlights noteworthy museums, artifacts, and cultural features. He also provides an introduction to Mississippian culture, offering background on subsistence and settlement practices, political and social organization, warfare, and belief systems that will help readers better understand these complex and remarkable places. Sites include Cahokia, Moundville, Etowah, and many more.
A feast of extraordinary theories and personalities centred around the mysterious standing stones of antiquity. John Michell tells the incredible story of the amazing reactions, ancient and modern, to these prehistoric relics, whether astronomical, legendary, mystical or visionary.
Between AD 900-1600, the native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States conceived and executed one of the greatest artistic traditions of the Precolumbian Americas. Created in the media of copper, shell, stone, clay, and wood, and incised or carved with a complex set of symbols and motifs, this seven-hundred-year-old artistic tradition functioned within a multiethnic landscape centered on communities dominated by earthen mounds and plazas. Previous researchers have referred to this material as the Southeastern Ceremonial Complex (SECC). This groundbreaking volume brings together ten essays by leading anthropologists, archaeologists, and art historians, who analyze the iconography of Mississippian art in order to reconstruct the ritual activities, cosmological vision, and ideology of these ancient precursors to several groups of contemporary Native Americans. Significantly, the authors correlate archaeological, ethnographic, and art historical data that illustrate the stylistic differences within Mississippian art as well as the numerous changes that occur through time. The research also demonstrates the inadequacy of the SECC label, since Mississippian art is not limited to the Southeast and reflects stylistic changes over time among several linked but distinct religious traditions. The term Mississippian Iconographic Interaction Sphere (MIIS) more adequately describes the corpus of this Mississippian art. Most important, the authors illustrate the overarching nature of the ancient Native American religious system, as a creation unique to the native American cultures of the eastern United States.
Revisits and updates WPA-funded archaeological research on key Oklahoma mound sites As part of Great Depression relief projects started in the 1930s, the Works Progress Administration (WPA) sponsored massive archaeological projects across Oklahoma. The WPA crews excavated eight mound sites and dozens of nonmound residential sites in the Arkansas River Valley that date between AD 1000 and 1450. These sites are considered the westernmost representations of Mississippian culture in the Southeast. The results of these excavations were documented in field journals and photographs prepared by the field supervisors and submitted in a series of quarterly reports to WPA headquarters. These reports contain a wealth of unpublished information summarizing excavations at the mound sites and residential sites, including mound profiles, burial descriptions, house maps, artifact tables, and artifact sketches. Of the excavated mound sites, results from only one, Spiro, have been extensively studied and synthesized in academic literature. The seven additional WPA-excavated mound sites—Norman, Hughes, Brackett, Eufaula, Skidgel, Reed, and Lillie Creek—are known to archaeologists outside of Oklahoma only as unlabeled points on maps of mound sites in the Southeast. The Ritual Landscape of Late Precontact Eastern Oklahoma curates and contextualizes the results of the WPA excavations, showing how they inform archaeological understanding of Mississippian occupation in the Arkansas Valley. Regnier, Hammerstedt, and Savage also relate the history and experiences of practicing archaeology in the 1930s, incorporating colorful excerpts from field journals of the young, inexperienced archaeologists. Finally, the authors update current knowledge of mound and nonmound sites in the region, providing an excellent example of historical archaeology.