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"The Spiritualists and the Detectives" is a work of non-fiction written by Allan Pinkerton, the American detective and founder of the Pinkerton National Detective Agency. It was first published in 1875. In this book, Allan Pinkerton discusses the phenomenon of spiritualism, a popular movement during the 19th century in which individuals sought to communicate with the spirits of the deceased. Pinkerton examines various spiritualist practices and claims, including séances and mediums. He also delves into the role of detectives and investigators in addressing cases related to spiritualism, including cases of alleged fraud and deception. Allan Pinkerton's background as a detective and his interest in various social and cultural phenomena of his time influenced his exploration of spiritualism in this book. He applies his investigative skills to analyze the claims and practices of spiritualists, providing a skeptical and critical perspective on the subject.
This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge.
About a mile and a half from the city of South Norwalk, in the State of Connecticut, rises an eminence known as Roton Hill. The situation is beautiful and romantic in the extreme. Far away in the distance, glistening in the bright sunshine of an August morning, roll the green waters of Long Island Sound, bearing upon its broad bosom the numerous vessels that ply between the City of New York and the various towns and cities along the coast. The massive and luxurious steamers and the little white-winged yachts, the tall "three-masters" and the trim and gracefully-sailing schooners, are in full view. At the base of the hill runs the New York and New Haven Railroad, with its iron horse and long trains of cars, carrying their wealth of freights and armies of passengers to all points in the East, while to the left lies the town of South Norwalk—the spires of its churches rising up into the blue sky, like monuments pointing heaven-ward—and whose beautiful and capacious school-houses are filled with the bright eyes and rosy faces of the youths who receive from competent teachers the lessons that will prove so valuable in the time to come. Various manufactories add to the wealth of the inhabitants, whose luxurious homes and bright gardens are undoubted indications of prosperity and domestic comfort. The placid river runs through the town, which, with the heavy barges lying at the wharves, the draw-bridges which span its shores, and the smaller crafts, which afford amusement to the youthful fraternity, contribute to the general picturesqueness of the scene. The citizens, descended from good old revolutionary sires, possess the sturdy ambitions, the indomitable will and the undoubted honor of their ancestors, and, as is the case with all progressive American towns, South Norwalk boasts of its daily journal, which furnishes the latest intelligence of current events, proffers its opinions upon the important questions of the day, and, like the Sentinel of old, stands immovable and unimpeachable between the people and any attempted encroachment upon their rights. On a beautiful, sunny day in August, 1878, there descended from the train that came puffing up to the commodious station at South Norwalk, an old man, apparently a German, accompanied by a much younger one, evidently of the same nationality. The old gentleman was not prepossessing in appearance, and seemed to be avoided by his well-dressed fellow-passengers. He was a tall, smooth-faced man about sixty years of age, but his broad shoulders and erect carriage gave evidence of an amount of physical power and strength scarcely in accord with his years. Nor was his appearance calculated to impress the observer with favor. He wore a wretched-looking coat, and upon his head a dingy, faded hat of foreign manufacture. His shoes showed frequent patches, and looked very much as though their owner had performed the duties of an amateur cobbler.
The nineteenth century saw not only the emergence of the telegraph, the telephone, and the typewriter but also a fascination with séances and occult practices like automatic writing as a means for contacting the dead. Like the new technologies, modern spiritualism promised to link people separated by space or circumstance; and like them as well, it depended on the presence of a human medium to convey these conversations. Whether electrical or otherworldly, these communications were remarkably often conducted—in offices, at telegraph stations and telephone switchboards, and in séance parlors—by women. In The Sympathetic Medium, Jill Galvan offers a richly nuanced and culturally grounded analysis of the rise of the female medium in Great Britain and the United States during the Victorian era and through the turn of the century. Examining a wide variety of fictional explorations of feminine channeling (in both the technological and supernatural realms) by such authors as Henry James, George Eliot, Arthur Conan Doyle, Bram Stoker, Marie Corelli, and George Du Maurier, Galvan argues that women were often chosen for that role, or assumed it themselves, because they made at-a-distance dialogues seem more intimate, less mediated. Two allegedly feminine traits, sympathy and a susceptibility to automatism, enabled women to disappear into their roles as message-carriers.Anchoring her literary analysis in discussions of social, economic, and scientific culture, Galvan finds that nineteenth- and early twentieth-century feminization of mediated communication reveals the challenges that the new networked culture presented to prevailing ideas of gender, dialogue, privacy, and the relationship between body and self.
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Pinkerton National Detective Agency is a private security guard and detective agency established in the United States by Scotsman Allan Pinkerton in 1850. This edition includes: The Expressman and the Detective The Somnambulist and the Detective The Murderer and the Fortune Teller The Spiritualists and the Detectives Mississippi Outlaws and the Detectives Don Pedro and the Detectives Poisoner and the Detectives Bucholz and the Detectives The Burglar's Fate and the Detectives